The early years of Disney Animation are marked by some of the most seminal classics in the history of everyone’s childhood. Among one of the most dear and tearfully sentimental was 1941’s Dumbo. It came at a time when folks had never conceived of the possibility of seeing something as grand as an elephant flying. But Walt Disney, and the first generation of Disney animators, dreamed of what it would look like and brought it to life in vibrant colors and adorable designs. And the results have since become something of legend.
With more than a few articles revolving around a certain Scarlet Speedster (I so wouldn’t know anything about that), our fearless leader Keith Chow has deemed this unofficial Flash Week here at the N.O.C.
In keeping with the theme, I wanted to switch gears and review another CW series that featured a few Flash alums, The Tomorrow People.
Originally posted on Salon.com
Like it or not — despite the many, many hectoring jeremiads by the people who fall on the “not” side of the argument — “remake culture” seems to be here to stay. The most anticipated films of the upcoming year are all adaptations of or sequels to works that are decades old.
On March 21, 2015 Ain’t it Cool dropped the mother, father, cousin, and incarcerated uncle of all bombshells: Brett Ratner wants to remake one of the most iconic films in cinema history, which starred one of the most iconic leading mean in the history of film. To even have the gauldacity to fix your imagination to entertain the idea is Greek tragedy level hubris. How could he even think that he has the talent, vision, heart, and narrative ability to remake Enter the Dragon? Who in our modern cinematic landscape has the charisma, charm, physique, sex appeal, and martial talent to even mimic Bruce Lee? I assure you neither Scott Adkins nor Ronda Rousey have it. No diss to them, but, no.
Over the weekend, Deadline reported that Justin Lin, the director single-handedly responsible for sending the Fast & the Furious franchise into the stratosphere (and who also helmed the indie movie that launched the careers of a thousand Asian Americans over a decade ago) has been tapped to do a 3D remake of the film that similarly launched Jet Li’s career, The Shaolin Temple.
According to Deadline, the plan is to bring in an “A-list Hollywood” writer for the script and work with a budget over $100 million. Pretty ambitious for a Mandarin-language kung fu flick, but it seems the target audience is in Mainland China as much as it is the rest of the world.
“The aim is to make an unprecedented Chinese-based tentpole with story, style and scope that will resonate with global audiences as well,” [Perfect Storm Entertainment CEO Troy Craig] Poon says.
It’s no secret that we love martial arts films here at The Nerds of Color. But I couldn’t think of two Nerds who love the genre more than Raymond and Shawn S. So I asked them what they thought of Justin Lin bringing his talents to The Shaolin Temple.
It’s been a little over a day since I saw both versions of Oldboy — one by Spike Lee and one by Park Chan-wook — back to back. The more I reflect on the Spike Lee version, the worse and worse it gets in my head. So I’ll just barf out the major wrongs about this sad re-make and be done with it.
This write-up will be chock full of spoilers which will save you a lot of time and money. I’m also assuming that my readers have seen the original, Korean version of Oldboy. And if you’re keeping track at home, both versions (American and Korean) are based on the Japanese manga of the same name by Garon Tsuchiya and Nobuaki Minegishi.