‘Bitter Root’ #1: An Endorsement

The Harlem Renaissance. Black life. Root work. Jazz. Diesel Funk (shout out to Tim Fielder) Monsters and monster hunting. Family. Action. Challenging of gender stereotypes. Camaraderie. Mysterious villains. A world adjacent to the world of the normals. Bitter Root delivers all this, and more. It also asks some very good questions.

One of the problems I’ve always had with horror and horror-adjacent material is that very few things are more frightening than being Black in the world. If we can’t be safe in Kroger’s, in church, being stopped by police, walking with our loved ones, going to school, where can we be safe? This book tackles this head on, without flinching, without apology.

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Regarding the Cover to Shaft #2: Dedicated to Darrien Hunt

Originally posted at BadAzz MoFo

No doubt, there will be people debating over the meaning and motivation behind Sanford Greene’s cover to Shaft #2, which came out this week. For the record, the idea for the cover came to me long before the grand jury hearing in the case of Mike Brown, and is not in response to that particular case. If there is one recent ripped-from-the-news incident that really inspired the cover, it was the 2014 killing of Darrien Hunt, the young cosplayer from Utah. Every death that I read about whether it is Mike Brown, or Eric Garner, or Trayvon Martin, or any of the other tragedies that have been playing out with far too much frequency, destroys me a little bit. But there was something about the death of Darrien Hunt that really got to me. You see, if I’m going to be honest, on the path of my life and my career, there was a reasonably good chance I could have met Darrien some day.

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Shaft #1 is Only a Month Away! Preorder Now!

In exactly four weeks, the hotly anticipated Shaft #1 — written by our own David Walker — will finally be available at comic shops across the country. If you haven’t yet pre-ordered your copy of the book — first of all, what’s wrong with you? — the last day for pre-orders is this Wednesday, November 5.

If you still need convincing about ordering Shaft — again, what’s wrong with you? — David’s been making the rounds promoting the hell out of the book at fine outlets all over the internet. After the jump, we’ve rounded up some of these interviews. In the meantime, if you’re headed to your favorite comic shop tomorrow, just print out this handy form (complete with Diamond codes for each variant cover) and secure your copy of Shaft while you still can.

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Our Own David Walker is Writing Dynamite’s Shaft

Big news from Dynamite Comics this morning! A few months ago, Dynamite — the independent comics company that specializes in comic adaptations of licensed media — announced they were doing a run based on the classic character Shaft, made famous by the 70s film franchise starring Richard Roundtree. In addition to all new comics and graphic novels, though, Dynamite also intends to republish the original novels by Ernest Tidyma.

This morning, the company announced the creative team on the books would be none other than fellow Nerd of Color David Walker with interiors by Brazilian artist Bilquis Evely! After the jump, check out the official announcement from Dynamite and a peek at the alternate covers for issue #1 (including a collabo between Denys Cowan and Bill Sienkiewicz that should probably be framed and hanging on your wall).

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Does Anyone REALLY Care About Diversity in Comics?

Originally posted at BadAzz MoFo

I’m starting to feel like I’m going crazy — as if there is something seriously wrong with me — when the sad truth of the matter is that it is not me at all. It is you. And by “you” I don’t necessarily mean you, the person reading this, but I do mean someone other than myself — the crazy person running around pointing out the truth that You (though not necessarily you) don’t want to face. And the truth that I’m talking about is the simple fact that for all the complaining about the lack of diversity in comics — specifically as it relates to black creators — You don’t really want diversity. Instead, You want to sit around, writing blog posts and articles and leaving comments here and there about how few black creators are working in comics, and how You are so righteously indignant to the plight of struggling black creators who aren’t being given a chance to work for major corporations like Marvel (owned by Disney) and DC (owned by Warner Brothers).

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