The Relevance of ‘Daredevil: Born Again’ Season 2 in the Era of ICE

Let’s make no mistake about this. This first month of 2026 has proven to be a disgusting era in US history, with the president’s ICE patrols continuing to kidnap and murder people on the streets of Minneapolis and all around the country. The irony of all of the horrors here is that it makes a Marvel Studios show, like Daredevil: Born Again — set in a fantastical universe — feel so tragically close to home. However, in many ways, that’s why we need Matt Murdock now way more than ever before.

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NOC Review: ‘Daredevil: Born Again’ is Marvel Television at Its Peak

Even as a Marvel fan, I’ll be the first to admit that not all of the MCU’s Disney+ shows have worked. I really didn’t care for Secret Invasion or She-Hulk. However, when they’ve hit, such as X-Men ’97, WandaVision, Moon Knight, Ms. Marvel, and Loki, they’ve hit hard. And that brings us to one of the hardest hitters of all: Daredevil: Born Again.

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Directing ‘Daredevil: Born Again’ with Aaron Moorhead and Justin Benson

MCU directors don’t get more prolific than Aaron Moorhead and Justin Benson. They may not be household names to the extent of The Russo Brothers. However, given their stellar work on Moon Knight and Loki Season 2, they are quickly becoming the premiere duo behind some of the MCU’s best works in recent years.

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Producers Dario Scardapane and Sana Amanat on ‘Daredevil: Born Again’

Marvel history doesn’t get much more storied than the work of Sana Amanat and Dario Scardapane. From their work on the comics and shows, they’ve firmly established their place as legends within the Marvel Universe. Today these two giants are teaming up to bring back one of the best Marvel shows, with one of the best Marvel heroes in the MCU with Daredevil: Born Again. And we were able to speak to both of them recently in honor of the show’s debut on Disney+ March 4.

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Charlie Cox and Vincent D’Onofrio On Power and Violence in ‘Daredevil: Born Again’

We’re so back! It’s been a long wait for fans of Daredevil. Back when the first series was cancelled on Netflix after three seasons, fans rallied and cried to bring it back with the #SaveDaredevil campaign. Little did we know that seven years later, the Devil of Hell’s Kitchen would be saved, hallway fighting back to our screens under Marvel Studios. His epic return in the new series Daredevil: Born Again premieres on Disney+ March 4. And we were able to sit with the stars of the show, Matt Murdock and Wilson Fisk themselves, Charlie Cox and Vincent D’Onofrio!

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Matt Murdock Takes on Corrupt Politicians in ‘Daredevil: Born Again’ Trailer

Corruption and politics go hand in hand. Just look at the upcoming state of the presidency and the current state of the Supreme Court. And it’s an issue that the MCU is tackling in Daredevil: Born Again! “Devil’s Reign” is coming, and the only one who can stop Wilson Fisk’s rise to power as Mayor of New York City is the Devil of Hell’s Kitchen, himself: Matt Murdock! If only Daredevil existed in our world today.

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New Details Revealed for ‘Daredevil: Born Again’

Hell’s Kitchen is open once again! And in the wake of the terrific Echo, it sounds like Wilson Fisk, aka the Kingpin, is planning his run for mayor of New York City. And the one man who could stand in his way is the Devil of Hell’s Kitchen! Matt Murdock/Daredevil is returning folks! And today we got more details about the upcoming Marvel Studios television revival, Daredevil: Born Again!

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Racist Like Daredevil with this One Weird Tip!

So.

I can’t say what I would have to say about the orientalism in Daredevil Season Two any better than Arthur Chu, so I will leave you to read that and bristle at will.

My thought process upon reading about Daredevil killing Nobu and not counting it as killing a person went as follows:

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Not Your Asian Ninja: How the Marvel Cinematic Universe Keeps Failing Asian Americans

Originally posted at The Daily Beast

I liked Daredevil Season 2 a lot. I didn’t like it quite as much as Season 1, but it was always going to be impossible to find someone to live up to Vincent D’Onofrio’s take on Wilson Fisk (who still effortlessly steals the few scenes he gets this season). But the writing and the acting for Frank Castle, aka The Punisher, is compelling as hell, enough to spark a lively debate about the appeal of vigilante justice and gun violence in American culture.

The tangled, messy web of corruption behind the death of the Punisher’s family, the complicity of the state and the media in creating him, his turnaround in becoming a criminal defendant in the Trial of the Century, and the moral ambiguity of Castle’s past as a soldier who exposes the American public’s hypocrisy by bringing the brutal logic of the overseas War on Terror stateside — that’s all great stuff.

The problem is all that great stuff is only half of Daredevil Season 2. There’s a whole other half that’s almost totally disconnected from the Frank Castle plot, the Nelson and Murdock law firm, and New York City politics. There’s a full 50 percent of Daredevil Season 2 that’s total crap, and that half is the part with the ninjas.

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Fixing Marvel’s Iron Fist Problem: Why Netflix Can Handle Mysticism

by MC Nedelsky in collaboration with MCU Exchange

What exactly is the problem with bringing Iron Fist to Netflix? It’s hard to know. Though the latest news is that the show is still on track, it’s clear they haven’t yet figured it out — they don’t have a star; they don’t have a showrunner; and for some reason, no one has bothered to ask Lexi Alexander on how she could make Iron Fistthe most popular show ever.”

One of the issues is apparently no one at Marvel Studios can figure out how to bring the character’s “mystical” elements into the grim and gritty universe established for its Netflix series. Devin Faraci, who first reported on Iron Fist’s troubles back in July, writes that “one of the big hold-ups is the mystical element, with lots of different opinions on just how much weird wuxia to bring in to the show.”

This seems like an odd concern, given that these shows share a cinematic universe with Asgardians, Kree, and Inhumans.

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Daredevil: First Season Wrap-Up

Some of my fellow NOCs and other contributors have written eloquent season reviews and critiques of Daredevil so I’ll keep this brief. I’m pretty biased with this character and while I tried to restrain some and was somewhat critical, there was a lot of praise throughout my recaps. When something that’s been a part of 2/3 of your life finally is treated correctly, it can be quite the emotional ride. Congrats to Netflix for this, their greatest and most-watched original series. Netflix and Marvel: the new Kingpins. Best superhero show? Yes. Best Marvel property? Yes. Best show, movie, anything a camera has filmed? Shit, probably. Sure. Yes.

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NOC Recaps Daredevil: Ninja Nobu! Ninja? No. Boo.

Ninja fight! Maybe you didn’t get that, let me clear my throat: FUCKING NINJA FIGHT!!!!!! I feel like I’m 12 again. One aspect of this episode I loved and found very original was the use of the ninja battle as the tie that binds. Though the ninja fight scenes are one complete fight, they are broken up chronologically and are stuck between all the other subplots. So essentially, the fight itself becomes not just a fight, but its own overarching subplot. Very cool. Credit due to the director Nick McCormick (The Good Wife), Silvera, and crew for a new take on the use of and cutting of a fight scene.

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NOC Recaps Daredevil: Sticking it to Matt Murdock

I love Stick! Sticky Sticky Stick! I lost my mind on this one. It’s still hard to pick a favorite, but this episode is a strong candidate. This is the first time the character has appeared off the page — because we are not counting the terrible Elektra movie — and after Daredevil/Matt, he’s right there as my next favorite character. Why? I think it goes like this: having grown up on many (mostly shitty, some good) martial arts flicks and having trained for years, there’s this stereotypical Mr. Miyagi idea of what a teacher — a sensei — should be like. Kind, gentle, wise, patient, caring, loving, etc. I’ve even had some that sadly seemed to be playing the part.

The wise part, sure, and ninja master indeed, but stereotype be damned. Dude’s an asshole! An arrogant, mean, crotchety old piece of shit asshole. This is the way Miller created and wrote Stick, and Scott Glenn knocks it out the fucking park. I couldn’t get enough. The Golden Broken Arm is yours sir.

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