Why an Asian American Iron Fist Matters

by MC Nedelsky in collaboration with MCU Exchange

Pop culture writers, whatever their chosen topic, write because they are passionate about the subject. First and foremost we’re fans, and we want to share our passion. But, like any writer, we also hope our words have an impact — that they will cause a reader to reflect, or think differently about something, or change their mind.

Keith Chow’s article on why we need an Asian American Iron Fist had that effect on me. Like many Marvel fans, I was very excited to see Iron Fist come to the screen. And like probably the majority of comics fans, I assumed the character would be a rich white guy. After all, that’s what he is the comics, right?

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Fear Leads — Anticipating Star Wars: The Force Awakens

by Brandon Thomas | Originally posted at The Fiction House

There’s only one thing about Star Wars: The Force Awakens that scares me…

It’s not the question of whether or not it’s going to be any good, because I know it will be. It’s not the possibility that the movie will birth an everlasting big screen dynasty, because it’s too early in the game to speculate on that. It’s not the intentional absence of Luke Skywalker from everything, because I think it’s admirable to preserve such a fundamental question for the actual movie. It’s not even minor spoilers, though I am taking some protective measures, and have sworn off any further clips, now that I have my Finn focused TV spot to watch over and over again.

No, what I’m afraid about more than anything else, is the true revelation of Finn’s overall role within this new trilogy.

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The Daniel Wu Diet

by Lynn Chen | Originally posted at The Actor’s Diet

Oh, how I love when my fellow actors post photos of food, especially when they’re on set.  The yumminess below is from Daniel Wu’s Instagram feed, most of them captured in New Orleans while he was filming Into the Badlands, a martial arts TV show very loosely based on the classic Chinese tale, “Journey to the West.”

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Spark of Diversity: What Sabine Wren Means For Star Wars

by Bria LaVorgna | Originally posted at Tosche Station

Sometimes, the impact of a character can take you completely by surprise. I’d known for weeks and weeks before the premiere of Star Wars Rebels that I was excited for the show to start. It featured a family-like crew filled with characters who seemed right up my alley. What I didn’t realize until I sat down on my couch to watch Spark of Rebellion for the first time last year is what seeing Sabine Wren on the screen was going to mean to me. Finally, after twenty-four years, there was a main character in a Star Wars film or television show that looked like me and the full impact of this hit me like a ton of bricks as she took her bucket off for the first time.

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Daniel Wu Goes Into the Badlands

by Timothy Tau | Originally posted on Hyphen

Daniel Wu is a Chinese American actor/director/writer/producer that has already had quite an impressive career overseas in Hong Kong, appearing in over 60 films there — many of them box-office hits —  and also winning awards for his directing, producing and performance work (such as the “Best New Director Award” at the Hong Kong Film Awards for his directorial debut The Heavenly Kings in 2006, which he also wrote, produced and starred in, and a Golden Horse Award for “Best Supporting Actor” in Jackie Chan’s New Police Story in 2004. He will also be starring in Duncan Jones’ Warcraft movie in 2016.

Wu breaks into American TV airwaves on Sunday, November 15th (at 10/9c) with the debut of AMC’s Into The Badlands, which has been receiving buzz as a hotly-anticipated new martial arts drama/action television show featuring not just one but two Asian American leads — Aramis Knight, a young actor of Pakistani and East Indian descent, also plays supporting character M.K. alongside Wu’s main protagonist Sunny. In this interview, readers will appreciate Wu’s illuminating answers, in-depth insight no doubt informed by seasoned experience and hard-won achievements on both sides of the Pacific.

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All of Our Tomorrow: Ending “Racial Apologia”

by Jules

Comic books, throughout their long history, have often existed as a playground for subversive and counter-cultural concepts. Famously, “Judgement Day” — the last story published by EC Comics — featured a socially stratified world of blue and orange robots set in the far future vying for entry into the “Great Galactic Republic.” Their inspector, an astronaut from Earth, tells them that their planet isn’t ready but that one day it might be. In the last panel he’s revealed to be a black man, something scandalous enough that the Comics Code Authority demanded he be changed to white or the comic couldn’t go to print. This was 1953.

Since then comics, specifically superhero comics, have continued to make attempts to grapple with social issues.

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Epic Props’ NY Comic-Con Schedule and Exclusives

by Jerry Ma | Originally posted at Epic Proportions

The countdown begins, and I’m super excited to announce the guests I’ll be having at my booth for New York Comic-Con this weekend!

It’s always a pleasure and honor for me getting friends to come do some signings, but this year just seems to have some more excitement for me.

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How to Be Black in Comics

by Darryl Ayo

[Ed. Note: This essay originally appeared as a series of tweets on Darryl’s Twitter timeline.]

I’ve tried for years to draw black people as real characters as well as visibly dark; it’s expensive with screentones.

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Martian Manhunter Needs His Own Show

How come it seems like there’s no love for the Martian Manhunter out in these streets? The Martian Manhunter, aka J’onn J’onzz, is one of the core members of the Justice League, yet J’onn seems to be severely underrated. I’m not completely sure why, since J’onn is probably one of the most compelling DC superheroes in the pantheon. But to me, it would seem that DC Comics isn’t paying attention to a goldmine of an opportunity.

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Superman: The Man of Tomorrow

by Gene Yang | Originally posted on GeneYang.com

There’s a reason why folks call Superman the Man of Tomorrow.

When he was created in the late 1930s, he really did embody that era’s ideas about the future. Back then, progress was seen in largely physical terms: our technology would make us stronger, faster, more invulnerable. And that’s what Superman was: the world’s strongest, fastest, most invulnerable person.

But in the decades since, our imagined future has changed. Nowadays, when we think of tomorrow’s technology, we don’t necessary think about physical power — we think about information. We think about knowledge. Our dreams of the future are as much about bits as they are about atoms. Maybe more.

So how does Superman, a character whose “tomorrow-ness” dates back to the 1930s, deal with the “tomorrow-ness” of today?

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We Are Brienne

by Lexi Alexander | Originally posted at Lexi-Alexander.com

“All my life men like you’ve sneered at me, and all my life I’ve been knocking men like you into the dust.”

Brienne of Tarth to Jaime Lannister

Imagine being a female TV & movie director trying to make it in an already competitive industry and the first thing that comes across your news feed at the beginning of the week is the sad fact that the most talked about show on TV failed to hire a single female director on its last season.

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An Open Letter to J.K. Rowling about the American Wizarding School in Fantastic Beasts

by Dr. Adrienne Keene | Originally posted at Native Appropriations

Dear J.K. Rowling,

I am unabashedly a huge Harry Potter fan. I first encountered Harry when I was in Junior High, volunteering at the public library (nerd status, I know). The children’s librarian handed me book one, and I was hooked. I even used to frequent Harry Potter message boards back in the day with my friend Kathleen (we were “Parvati” and “Lavender” cause we also shared an interest in divination, ha). Anyway, all this is to say, Harry holds a sacred spot in my heart. But I’m not one of those fans who can recite things verbatim, or remember every tiny detail, so if I’m missing something, I hope one of those fans will help me out.

I’ve been interestedly following the news that there is a new Harry Potter prequel-of-sorts in the works, for Fantastic Beasts and Where to Find Them, following “magizoologist” Newt Scamander. I hadn’t been following it closely, but a few days ago, I saw your exchanges on Twitter about the name/location of the American Wizarding School — and I started to get a bit concerned.

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May the Fourth Be With You: Last Day to Preorder this Epic Tee

by Jerry Ma | Originally posted at Epic Proportions

So… it’s about that time of year again.

I’m getting ready for a few comic conventions I’ll be attending this year, and originally I wasn’t  planning on making any new tees. But… this one just kinda came naturally to me. So I had to make it.

I’ll be bringing this design with me to the New York Comic-Con later this year in October. And there, I’m only going to be bringing about 36 of these in total with me. And those 36 will be spread out from sizes Small, Medium, Large, XL, and XXL. Meaning just like 6-10 of each size. But for this design only, I’m going to try something different. I’m going to open this design up for pre-order.

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Black Mask, Yellow Peril: Anti-Asianism in Netflix’s Otherwise Brilliant ‘Daredevil’

by Takeo Rivera

So let’s get one thing out of the way: it’s probably safe to say that Marvel and Netflix’s Daredevil is the finest piece of television ever made in the superhero genre. With its stellar cast and consistently tight writing and direction, the show can easily go toe-to-toe with any other major serialized TV drama in this golden age of Mad Mens and Breaking Bads, elevating superherodom to an unequivocal status of high art in much the way Ronald D. Moore’s Battlestar Galactica elevated the space opera. And, as a cherry on top, Daredevil happens to be one of the most progressive shows of the genre; in particular, Matt Murdock battles not some alien Super-Wario intent on blowing up the planet with an ancient glowing Rubik’s cube, but a scion of urban “redevelopment” — read gentrification — in Wilson Fisk, and spends an unhealthy time fighting white collar crime and community displacement by punching the crap out of it.

But Daredevil also has one massive problem: Asians. That is, Asians are the problem, and Daredevil’s problem is that Asians are a problem.

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There’s a Teaser for the Batman v Superman Trailer: This Bullshit Has to Stop

by Marc Bernardin | Originally posted at Playboy.com

We have entered a brave new world of advertising, where the marketing material needs its own marketing. Late yesterday, Batman v Superman: Dawn of Justice director Zack Snyder tweeted this:

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Beyond the Cape: Batgirl and the State of Women in Comics

by CG | Originally posted at Black Girl in Media

[Trigger warning in these posts for mention & discussion of: sexual violence, molestation, rape, and violence against women]

Fiction always reflects the cultural temperature of the times. This could be a good thing, and sometimes be a great thing. But most of the time, it leads to us uncovering not so pleasant parts of our society. Comics have always been an accessible part of that cultural narrative, as their mix of visual and written storytelling have led to them being embraced by fans for decades. Comics and superhero culture are very much at the center of dictating societal norms.

So when we have instances of dictating women’s dress, allowing for female oppression and violence against women for book sales, the issue goes beyond just the individual books or characters in question. It’s about questioning the system that we’ve allowed for this behavior and thinking to flourish enough to reach the success that it has with the comics industry.

This is the state of women in comics.

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Luther Remake Stalls: What Happened to Colorblind Casting?

by Marc Bernardin | Originally posted at Playboy.com

Fox wants to bring the BBC’s award-winning, frankly awesome detective thriller Luther to the U.S., but they’ve got a problem: Finding an American Idris Elba — who brought a ruthless intelligence and rugged sexuality to the role of haunted detective chief inspector John Luther — has proved too daunting a task. So, according to The Hollywood Reporter, they’ve put their remake on hold — after, apparently, entertaining the thought of Marlon Wayans as the lead.

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How the Diversity Argument in the Nerd Community Chases its Own Tail

by William Evans | Originally posted at Black Nerd Problems

I don’t usually, and don’t plan to be the guy that writes reactions to other columns. It’s kind of circular and masturbatory and rarely does the work of informing an audience, as opposed to finger pointing across the table at someone else doing the same thing you do. The issue of the diversity in comics seems to be taking on a larger life beyond simple media commentary, however. And we are always 72 hours away from the next event that brings this conversation into focus. For days (and continuing now) it was the topic of what Marvel and Sony should do with their respective versions of Spider-Man. Debates involving Peter Parker’s race, the likability of Miles Morales (or some saying he’s a C-level character), and just how white the MCU films still are currently, have hit the internet at breakneck speed. I contributed to that malaise as well.

The latest such “where we are in 2015 with race and pop culture” test came with the Michelle Rodriguez story over the weekend. Responding to TMZ about the rumors of her being cast for Green Lantern, she responded with the now infamous “stop stealing white people’s superheroes.” Well, as you can imagine, that led to someone Michelle Rodriguez pays, probably telling her how her message was going viral in the way you don’t want things to go viral, which led to her issuing an apology via her Facebook page. It was your garden variety “I’m sorry you’re offended, not sorry for saying something offensive” type of apology that gets passed out in Hollywood as frequently as gift bags at award shows.

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Seeing San Fransokyo: Thoughts on Big Hero 6

by Sean Miura | Originally posted at Down Like JTown

Last week was a big week for Big Hero 6. Not only did the film take home an Oscar, but its DVD and Blu-ray releases hit stores Tuesday and owned the Best Sellers list on Amazon.

I’d been anticipating Big Hero 6 since the first teaser slowly revealed a jaw-dropping rendering of San Fransokyo, the Tokyo/San Francisco hybrid that sets the stage. Though I am wary of any films that feature Asian… anything, there was a certain nostalgic familiarity in the Kingdom Hearts-style pan over the city.

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Different But Not Broken: Agents of S.H.I.E.L.D. and Disability

by Jihan Abbas | Originally posted at the Disability Visibility Project

Within the superhero genre, comic books have always strongly connected notions of difference with unique abilities. Villains and heroes alike often find their motivation and power through origin stories that speak to difference or a process of change. Alice Wong wrote a great piece exploring how the mythology behind superheroes is relatable to many disabled people and those who grew up on the outside looking in.

It was our shared interest in disability representation in comic books and the recent expansion of Marvel into television that prompted a back and forth between Alice and I around disability and difference in Marvel’s Agents of S.H.I.E.L.D. While the show first framed itself as an opportunity to view the inner workings of S.H.I.E.L.D. — the so-called “normal” folks who work behind the scenes in this superhero filled world — it was clear from the beginning that the show was pulling on powerful threads about change, difference, and otherness. While this is not unusual where superheroes are concerned, Agents of S.H.I.E.L.D. applied these same dynamics to the bureaucracy behind the Avengers. In the first season Phil Coulson’s return from the dead — and the differences in him that resulted from this process, as well as Skye’s mysterious origins — were front and center.

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New Movie Spider-Man Should be Peter Park

by Alice Meichi Li

There’s something obvious that’s been under our noses this entire time: Spider-Man as a Korean American named Peter Park, played by The Walking Dead’s Steven Yeun.

‘Nuff said, as Stan Lee would say.

Not ’nuff? Okay.

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Track Commentary: “Star-Lord (Remix)”

by Adam WarRock | Originally posted on tumblr

I’m doing track-by-track commentary on my new EP, Gifted Student. You should go grab the new EP at my bandcamp site.

Last day, last track. First of all, thanks to everyone who’s bought the album. I’m excited to perform about some of these songs live on tour, and by the shipping info, I am getting the CDs today, and will promptly start shipping them out this week.

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Track Commentary: “The Fire Burns Forever”

by Adam WarRock | Originally posted on tumblr

I’m doing track-by-track commentary on my new EP, Gifted Student. You should go grab the new EP at my bandcamp site.

My girlfriend has pointed out to me that these haven’t really been commentaries, more like “crazy ramblings that I just puke out of my brain.” So today, on what is undoubtedly my favorite song on the EP, I will give you my commentary.

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