Hamid Rahmanian‘s Song of the North, now currently playing at Pasadena Playhouse, is an extraordinary multimedia production that is a marvel for all ages to enjoy. Utilizing shadow puppetry (483 puppets!!) and projected animation with immense success to reimagine the Iranian epic Shahnameh, the joy and magic found in this adaptation is undeniable.
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Do you like quiche? Do you like immersive theatre? Do you like outrageous comedies fused with social commentary in the form of a nuclear apocalypse? Then 5 Lesbians Eating a Quiche, now having its Los Angeles premiere via New Forms LA, will fill that savory spot just right, even if its pacing suffers a bit near the end before revving right back up for a fantastic finish.
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There are many incredible ingredients at work with the Los Angeles premiere of Jackie Sibblies Drury‘s 2019 Pulitzer Prize winning drama Fairview, now playing at Rogue Machine Theatre: a crackling ensemble cast, an intriguing and twisty premise, and a thrilling direction by Oz Scott. But despite these elements present, the play fall short of its clever ambitions as it settles into an abstract moral message play written primarily for white people.
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There is something truly remarkable when you witness a play that not only makes marine biologist wholly relatable but that you feel so much compassion for a giant octopus puppet and inspire mythical wonder in the deep watery unknown. Such is the accomplishment of Weston Gaylord’s Octopus’s Garden, now having its world premiere in this gorgeous co-production with Boston Court Pasadena, Circle X Theatre Co., and Outside In Theatre.
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Exceptionally strong acting from their two leads make up for a somewhat predictable and safe pyramid scheme story in Lauren Smerkanich‘s The Dignity Circle, now having its world premiere at Theatre of Note.
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It’s been so long since I felt this indelible feeling of magic while watching a play but the world premiere of John Guerra‘s Room By The Sea, a triple co-production with Coin & Ghost, After Hours Theatre Company, and Outside In Theatre, has achieved just done that. This is a tale that not only transports the audience to a fantastical place but like the best of genre, it creates a haunting parallel to our current world. And best of all, the immense efforts to incorporate significant global majority and accessibility presence is truly what Los Angeles theatre at its finest is all about.
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A fantastic all-Filipino cast cannot hide the simple fact that Here Lies Love, now having its West Coast premiere at Center Theatre Group, is a shallow, poorly written musical with relentless static disco tunes. It is also absolutely confused in whether they want to glorify their subject Imelda Marcos or warn about the dangers of fascism.
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Despite a golden missed opportunity to cast global majority actors for the main roles of Mozart/Salieri/Constanze that would have richly amplified the narrative, there is a lot to love about the Pasadena Playhouse production of Peter Shaffer‘s Amadeus with the fantastic set and lighting design, the incredible ensemble cast, and the powerhouse performances of their lead actors Jefferson Mays and Sam Clemmett as Salieri and Mozart respectively.
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With the West Coast premiere of Poetry for the People: The June Jordan Experience at the Fountain Theatre, this uniquely moving and stirring choreopoem honors the work and life of June Jordan, one of America’s most fearless writers and human rights activists.
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The Los Angeles independent remounting of Rajiv Joseph‘s Guards at the Taj (the last one was in 2015 at the Geffen Playhouse) is a strikingly well done and hauntingly relevant production that also utilizes fantastic genderbent casting and an endearing post finale that credits all crew involved, a practice that is rarely ever seen in theatre.
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There is no doubt that the events of 2025 and already the first two months of 2026 have provided an unfortunate wealth of materials for playwrights to mine from. But with the world premiere of The Circle at Greenway Court Theatre, the clock rewinds back to July 2016 in Texas set during the backdrop of the Black Lives Matter protests that occurred immediately after the murder of Philando Castile.
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With the holiday season in full swing, one will find numerous renditions of The Nutcracker in their area for their own enjoyment. Here in the Los Angeles area, we had last week’s coverage of American Ballet Theatre but now I would love to put a spotlight on Pasadena Dance Theatre with their fresh and imaginative production of this timeless Tchaikovsky classic coming to the historic San Gabriel Mission Playhouse on December 20 and 21, 2025.
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The prestigious American Ballet Theatre celebrates its tenth season of The Nutcracker at the Segerstrom Center for the Arts as it returns to the stages for 14 spell-binding performances from December 11 to 21. This landmark season features ABT’s international all-star cast under the leadership of artistic director Susan Jaffe, with choreography by Alexei Ratmansky, costumes by Tony winner Richard Hudson, and Pyotr Ilyich Tchaikovsky‘s iconic score performed live by Pacific Symphony. With this significant milestone, we wish to highlight the incredible global majority artists that will grace the stage!
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We speak with actress Susan Pourfar of Meet the Cartozians, currently playing at New York City’s Second Stage Theater until December 14.
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Raffi Barsoumian, of DC’s Legends of Tomorrow fame as Bishop, among other roles, steps into his Armenian heritage in playwright Talenene Monahon’s magnificent play, Meet the Cartozians, currently playing at New York City’s Second Stage Theater until December 14.
Continue reading “Raffi Barsoumian on Embodying the Armenian American Struggle in ‘Meet the Cartozians’”
In the 1925 Oregon District Court case, United States v. Cartozian, Tatos Cartozian and his family argued that they, and by extension all Armenians in America, should be considered “white,” driven by the purpose to gain citizenship, per the Founding Fathers’ conception of only white men being full citizens with rights.
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When I first heard that the Paranormal Activity franchise has been adapted into a staged production, I was immensely skeptical of its scare factor on stage and that there was a worthy story to be told that can hold on its own. But in a shocking turn of events, Paranormal Activity: A New Story Live On Stage has defied all my expectations as a genuinely engaging and terrifying experience that will absolutely delight all horror/thriller fans and newcomers alike.
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Tremendous has a mission to help spotlight marginalized voices in media and entertainment from AAPI and LGBTQ+ to other multi-cultural audiences and beyond. In the dynamic landscape of media and entertainment, the company stand’s as a beacon of authenticity, passionately advocating for truthful representation on and off the screen.
Continue reading “‘Crazy Ex-Girlfriend’ Star Vincent Rodriguez III is First Talent to Sign with Tremendous”
For better or worse, one of the oldest tropes in Asian American identity stories is often the generational & cultural divide between the immigrant parents and their American-born children. Ankita Raturi’s नेहा & Neel, now having its world premiere at Latino Theater Company in collaboration with Artists At Play, manages to breathe new life into this trope while also being downright hilarious in such an inexplicable mad genius kind of way, thanks to one of the actors playing over a dozen(!?!) characters.
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Boston Court Pasadena’s production of The Night of the Iguana by Tennessee Williams opened on September 11. Set at the Costa Verde hotel in a quiet Mexican village in 1940, at the cusp of Hitler’s advancement on Europe, the rarely staged play tells the story of Episcopal clergyman Reverend Shannon (Riley Shanahan), who is in constant anguish as he questions his faith, God, and his choices, all while on the hotel property of Maxine Faulk (Julanne Chidi Hill) who recently became a widow.
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Prince Gomolvilas’ Paranormal Inside, now having one of its rolling world premieres at East West Players, achieves the astounding feat in being a play that is so compelling while fully utilizing multiple global majority actors across different spectrums in meaningful ways, completely deliver on its supernatural premises to jaw-dropping effect, and also be a sequel that welcomes those who have knowledge of the previous play while not being entirely necessary for those who are unfamiliar. It is the perfect play arriving just in time for this year’s Halloween season.
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I’m normally not a fan of watching an anthology of short plays, but attending the opening night of Towne Street Theatre’s In Response was a most pleasant surprise as there were some exceptionally strong short plays that truly stood out.
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Latino Theater Company returns for their fall season with a laugh out loud hit in Israel López Reyes‘ The Little King of Norwalk, now having its world premiere at the Los Angeles Theatre Center. Not only is this play a meaningful tribute to Chicano identity, it is a love letter to the city of Norwalk wrapped up in a hysterically wacky film noir with a touch of magical realism and a nod to Nikolai Gogol‘s The Inspector General.
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