Matt Dillon’s film career has spanned over three decades. The actor has starred in over 50 films such as The Outsiders, Drugstore Cowboy, There’s Something about Mary, Crash, and The House that Jack Built. In 2003, he co-wrote and made his directorial film debut with City of Ghosts. Dillon’s new documentary El Gran Fellove recently had its North American Premiere Screening at the Telluride Film Festival.Continue reading “NOC Interview: Matt Dillon on His Documentary Film, ‘El Gran Fellove’”
Eisner Award-winning graphic novelist and philanthropist Edgardo Miranda-Rodriguez has released La Borinqueña #3, the long-awaited third issue in the creator-owned independently published graphic novel series. La Borinqueña #3 completes the first major story arc for Miranda-Rodriguez’s series with a new story with plot twists, revelations, and the introduction of the new superhero team The Nitainos.Continue reading “‘La Borinqueña’ Returns with Issue #3 and New Heroes”
Warner Bros. and DC Films have found the lead for their upcoming Batgirl film. After a series of names were leaked the other day, the studio just announced that one of the breakout stars from In the Heights, Leslie Grace, will be moving from Washington Heights to Burnside to take on the role of Barbara Gordon.Continue reading “Just Breathe: Leslie Grace is the New Batgirl”
I once heard the great political philosopher and activist Angela Davis argue that Americans are so obsessed with race as an identifying feature that when we meet racially ambiguous people, we are anxious until we know on which side of the color line they fall. Upon hearing this, I was relieved by the articulation of something I had suspected was at the heart of my experience. It was like experiencing great art, that rush of adrenaline that comes with recognizing what we’ve known all along presented as fantastically new.Continue reading “The ‘Heights’ of Anxiety and the Color Line: Racial Ambiguity in a Culture of Absolutes”
At long last, the second issue of Edgardo Miranda-Rodriguez’s La Borinqueña is finally available. Coming on the heels of the release of Ricanstruction: Reminiscing & Rebuilding Puerto Rico, a benefit anthology that I had the pleasure to be a part of1, Miranda-Rodriguez returns to continue the ongoing saga of Marisol Rios De La Luz and her super alter-ego.
When my oldest daughter was 3, we would sit together in her bean bag chair, turn off the lights, and watch the Justice League animated series. Here she learned about superheros and when she started becoming interested in comics, I wanted to make sure she read something that represented and looked like her so I handed her a copy of Araña. That was five years ago, and now she is 12 and is immersed in finding representation in what she reads.
It’s small stories like this that amplify the importance of diversity in literature and, in this case, comics. It is for that reason that the launching of Edgardo Miranda-Rodriguez’s La Borinqueña comes at a much needed time.
What does it mean to be Latinx in comics?
It’s a question I’ve been asking myself for a while now. Growing up snatching up whatever scraps of Latinx representation I could even if it meant settling for stereotypes, whitewashing, secondary character status (if lucky), and their stories ending in death. This is a plight many fans of color and other marginalized peoples can relate to. In comics, Latinx characters are often Latinx in name only, Spanish characters being positioned or promoted as Latinx characters, whitewashed, or having their Latinx identities erased.