Years before Jonathan Larson’s hit rock musical, Rent, exploded in the theatre world, he was a struggling, up-and-coming composer, making ends meet by working at a local diner in New York, while the AIDS epidemic was raging on and taking lives of people he knew. All this and more was documented in an autobiographical musical he wrote called tick, tick… BOOM!, which originally premiered Off-Broadway in 2001, five years following his untimely death.
Continue reading “Official Trailer for Netflix’s ‘tick, tick… BOOM!’ Has Arrived”
I swore I wouldn’t write a review for the film. Primarily because any review I penned would pale in comparison to the excellent piece penned by my buddy and fellow N.O.C. colleague, Valerie Complex.
Seriously if you haven’t read it, go do so now. Val snatched so many wigs and edges, you would’ve thought Director Bryan Singer and Fox were members of the Charles Xavier Cosplay Appreciation Society.
Continue reading “Review: X-Men Apocalypse“
Don’t expect this movie to rely heavily on the source material. Director Bryan Singer presents a film that’s a hodge-podge of various stories made up by people who know nothing about the X-Men. Aside from Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), and Apocalypse (Oscar Issac, doing well with whatever the hell he is given) being mildly entertaining, they can’t save the film from imploding. Everyone else is either used as filler or bores you to death with their on-screen presence. Choppy action scenes are put in place to mask the uninteresting, underdeveloped characters, cheesy dialogue, Playstation 2-quality special effects, and makeup that looks like it was bought from the bargain bin at Chapel Hill Beauty Supply. The worst part is the newcomers don’t get their chance to shine like the trailer would have you believe. Particularly the characters of color.
Continue reading “X-Men Apocalypse: Fox Wins But People of Color Lose”