The second season of AMC’s Into the Badlands concludes on Sunday, so our intrepid live tweeter Laura Sirikul joins Keith to look back on one of our favorite shows! Of course, they can’t help juxtaposing Ballands and Iron Fist, but they also explain Daniel Wu’s previous comments about whitewashing and why Oliver Stark needs to be a guest on a future episode. They also share their predictions about the finale and how Keith decided to mashup Badlands and Hamilton for #IntoTheHamLands.
With the coming of May is the celebration of Asian Pacific American Heritage Month and HBO is using that opportunity to showcase their Asian Pacific American Visionaries, a collection of three short films by emerging APA directors on May 1 across various HBO platforms. I had the pleasure of watching them during the Los Angeles Asian Pacific Film Festival and I’m excited that they will available for the public to see starting today on HBO NOW, HBO GO, HBO On Demand, and HBO Zone throughout the month of May.
The Annual Gather-up of Los Angeles Asians in Entertainment is upon us.
I mean, the Los Angeles Asian Pacific Film Festival.
Starting tomorrow, from April 27 to May 4, the LAAPFF will showcase a week of films from the opening of Better Luck Tomorrow for its 15th anniversary, the centerpiece Gook starring Justin Chon, the closing film Columbus with John Cho as the romantic lead, and a whole slew of shorts and features in between.
To be exact, there are 45 features and 139 shorts to choose from. Here are the few select ones that have caught my attention as Josephine Chang and I will cover the festival:
By the time the Power Rangers craze first swept through in the early ’90s, I was just starting college, paying $290 a month in rent for a studio apartment in the Whittier neighborhood of South Minneapolis with a bed that pulled down from a wall, going to see Hong Kong flicks like Swordsman II and The Bride with White Hair Fridays at midnight, organized by Asia Media Access. I was still into nerd shit, but honestly the Power Rangers seemed, to me, corny and commercial. I thought it was funny that the Black Ranger was Black, the Yellow was a Vietnamese woman, and the Pink Ranger was a white woman.
My love of all things nerd grew in Phillips: Minnesota’s largest, poorest, and most racially diverse neighborhood, not all that far from my college apartment. As refugees from war with not a lot of money to spare, I learned to walk to the Franklin Avenue library where reading and checking out books was free. Comic books were less than a dollar, and watching television shows like Robotech and Dungeons and Dragons just meant having the discipline to wake up in time. I had friends of all colors and genders and backgrounds, and bullies of all colors and backgrounds. Things were difficult for us since my family were among that first wave of refugees that became the first large visible concentration of Asian American people in Minnesota. But there was also joy, and love, and friendship to go along with all the pain and conflict.
Flash forward to 2017.
The team behind the groundbreaking Asian American superhero anthologies Secret Identities and Shattered, in partnership with the Japanese American National Museum, have issued a Call for Submissions for New Frontiers: The Many Worlds of George Takei, an original graphic novel anthology that will serve as a companion volume to JANM’s historic exhibition of the same name (running through August 2017), which showcases Takei’s life and the cultural landscapes through which he has traveled. The anthology’s target publication date is July 2017.
Diverse creators with stories to share that speak to the themes and issues Takei has confronted in his life are encouraged to pitch them at the Submissions Form located at here before the pitch deadline of April 24, 2017. Relevant issues include, but are not limited to: unlawful incarceration, status as an “illegal” alien and the push for LGBTQ equality and civil rights for all, yellowface, whitewashing, media stereotypes, and the rise of digital culture and social media.
With the ever-growing list of whitewashed and white savior films and television series — including the recent release of the live-action anime film Ghost in the Shell starring Scarlett Johansson as Major Motoko Kusanagi — it’s no wonder many people are upset. However, a comedy troupe from UCB Los Angeles called Asian AF has decided a smart way to shed light on the whitewashing problem.
They created a shirt using just four words.
Scarlett. Emma. Tilda. Matt.
AMC’s Into the Badlands is in their second season and are going strong with their viewership, storyline, and martial arts. Unlike other series that attempts the martial arts genre, Into the Badlands’ stellar moves can be attributed to executive producer, and star of the series, Daniel Wu.
The Nerds of Color got a chance to sit down and chat with the actor about the second season and what makes the show so appealing to audiences.
In the first part of a special podcast crossover with DC TV Classics, Keith chats with Into the Badlands co-creator Al Gough. They talk about Al’s start in Hollywood with his writing and producing partner Miles Millar; working with Hong Kong cinema legends like Jackie Chan, Jet Li, Donnie Yen, Michelle Yeoh, and Daniel Wu; how difficult it is to accurately portray kung fu on broadcast television; and the importance of representation and why the onus is on producers and directors to find and cast diverse talent.
Subscribe to DC TV Classics or download part two of this interview here.
It’s been nearly two weeks since Iron Fist debuted all 13 episodes of its initial season on Netflix. Prior to its release, the first half of the season previewed for critics received a drubbing the likes of which is unheard of for a Marvel/Netflix property. I’ve since watched the whole season, and yeah, it wasn’t good. Setting aside my issues with the casting of the lead, Iron Fist suffers from the worst sin of any piece of entertainment: it’s boring! Worse than that, it has absolutely zero point of view. I still don’t know what Scott Buck is trying to say with this show. To that end, I wrote a post about different Asian American showrunners who could have brought a unique perspective to the Iron Fist story that the current show lacks. In response to my article on twitter, one of those writers, Steven Maeda, even revealed he actually pitched an Iron Fist concept to Marvel!
I reached out to the former X-Files and Lost writer to get the skinny on what happened to his pitch to Marvel.
Last week, we hosted a special live-streamed edition of Hard NOC Life with filmmaker John Brougher about his new short film Iron and Rage. John talks about his inspiration for creating his own #AAIronFist and why representation of Asian American humanity on screen is so important.