After first breaking on the film blog Cinelinx this morning, the Black Canary-focused Birds of Prey spinoff has been confirmed by all the trades throughout the day. And if you’re still in doubt, the news also comes straight from the Canary’s mouth on Instagram:
It’s no secret that we’re hugefansofBirdsofPreyhereatThe Nerds of Color. Even though the film has been on demand digitally since the pandemic hit, Cathy Yan’s girl-gang opus is finally available to fans of physical media with its release on blu-ray and DVD. To celebrate, we’re giving away a digital copy* of the movie to one lucky follower on twitter!
Holy batshit, batpeople, Birds of Prey is powerful. It is an action-comedy escapade about a squad of DC Comics’ most beloved women characters, including Harley Quinn, Huntress, Black Canary, Renee Montoya, and Cassandra Cain. The film also does a thing which may befittingly fly under the radar: it displays a distinctly Asian American artistic aesthetic in the context of a modern superhero movie. I’ll belabor the question of “WTF is an Asian American artistic aesthetic?” only upon request, because it is so arguable and amorphous and also other a-words, I would never get to blabbing about the movie. To paraphrase the dude in Gladiator, “anything more than a whisper and it would vanish.” To brutally essentialize it, some artworks are more Asian American** than they are Asian or American, although they still may be both, and neither. I’ll attempt to argue for why Birds of Prey is exactly this.
Separated from the Suicide Squad and dumped by the Joker, Harley Quinn (Margot Robbie), wants to move on but is not sure how. She’s kept the breakup a secret but wants to reveal it’s over. She comes up with the bright idea to blow up the location where they confessed their love for one another. Harley Quinn gets away with just about anything around Gotham because people are scared of the Joker’s wrath. Once that relationship is gone, though, all hell breaks loose for her as this sends a message that she’s no longer under the Clown Prince’s protection. Oops.
With Birds of Prey ready to break box office records, and a brand new YA graphic novel from DC Comics, the shadow of Cassandra Cain descends upon a brand new episode of Hard NOC Life!
On a new episode of Hard NOC Life, Dominic, Shawn, and Keith return to the Final Frontier and review the CBS All Access Original Series, Star Trek: Picard.
Change is in the air, ladies and gentleman! And this weekend, Los Angeles got a taste of that, when Margot Robbie, director Cathy Yan, and the full cast and crew of Birds of Prey took over Hollywood, in a gloriously chaotic stunt that turned the city into “Harleywood” for four-straight mayhem-fueled days. The massive Hollywood and Highland Center was home to the outfits, vehicles, and props of the film, as well as special photo activations and makeup demonstrations.
This weekend marks the beginning of the Year of the Rat. To celebrate, one of the stars of the upcoming Birds of Prey movie — Cassandra Cain herself, Ella Jay Basco! — recorded a special Lunar New greeting exclusively for The Nerds of Color in front of the latest trailer. Check it out!
We are less than a month away from the premiere of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) so it seems like the right time to drop a new trailer. Fortunately, our friends at Warner Bros. agrees.
Recently, the cast of the upcoming Birds of Prey movie — including Ella Jay Basco, Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, and Rosie Perez — recorded a special holiday greeting exclusively for The Nerds of Color. Check it out below and have a Happy Holiday season:
With the holidays around the corner, what better way to celebrate than with news from the anticipated Birds of Prey and the Fantabulous Emancipation of One Harley Quinn. The Nerds of Color was invited to the set of Birds of Prey this past April to explore the dangerously fun production of the all-women led “superhero” movie and chat with the cast and creatives of the film.
Anyone who visited ComplexCon in Long Beach, CA this weekend was in for a fantabulous surprise, as Harley Quinn and the Birds of Prey hit the convention floor! Join them and make yourself a hell of a stylish video! Here’s a look at the fun booth!
Be sure to check it out when you visit ComplexCon between now and November 3!
Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) hits theaters in February 2020!
In anticipation of New York Comic Con coming this week, WB and DC have dropped the first trailer for the highly anticipated return of Margot Robbie’s Harley Quinn, and the introduction of the Birds of Prey. The trailer gives us an awesome, surreal first look at the mayhem to come, including our introductions to the DCEU’s Huntress, Black Canary, Renee Montoya, and Cassandra Cain, as well as Ewan McGregor as the nefarious Black Mask.
This week the folks at DC and WB unveiled the first poster for Birds of Prey! The film brings back Margot Robbie in her iconic portrayal of Harley Quinn, but also brings a plethora of amazing actresses into the DC Extended Universe, such as Mary Elizabeth Winstead as Huntress, Jurnee Smollett as Black Canary, Ella Jay Basco as Cassandra Cain, and Rosie Perez as Renee Montoya!
Maybe I’m being a little hyperbolic with the headline, but Warner Bros. and DC Films set the internet on fire when it released a 20-second “teaser” featuring our first looks at the main cast for the upcoming Cathy Yan-directed Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn), including Margot Robbie as the titular Harley, Jurnee Smollett-Bell as Black Canary, Mary Elizabeth Winstead as The Huntress, Rosie Perez as Renee Montoya, and Ella Jay Basco as Cassandra Cain. Also, that cast though!
Firstly, as an almost disclaimer of sorts, I’ve never been a fan of Arrow. Even in the show’s heyday of seasons one and two when it was praised and lauded as a great show and comic book adaptation. Though it bares moderate similarities to Green Arrow: Year One overall, it just wasn’t for me. However, I can look back on the show’s beginning seasons and see a clear pattern of character arcs that were leading to a greater picture. A picture that would create an adapted vision of the classic Green Arrow comics mythology.
Needless to say, that from season three onward, Arrow did not only continuously strive away from that proposed picture, but did so almost gleefully. It often felt at times that the show was more interested in using the brand names of “Green Arrow” and the original materials (or should I say Batman’s original materials) for the sake of hollowed out Easter eggs, than truly adapting them in interesting and creative ways. One of the best examples of this is the show’s depiction — and mishandling — of the Black Canary, aka Dinah Laurel Lance.
In the penultimate episode of the season, Barry can’t stop the feeling that he’s invincible since the Speed Force told him that it loved him and read him a Night-Night book about a dinosaur. He’s got that sunshine pocket. Got that good soul in his feet.
Even #Metapocalypse 2016 won’t throw off his game. The metahuman army that rallied together when Zoom outed the “disappearance” of the Flash on broadcast TV. Barry swoops in — a little too late, in my opinion — to bail out the Central City Police because EVERYTHING IS LITERALLY ON FIRE. And did I spy Earth-2 Hawkpeople?
Apologies if you’ve been coming here the last few weeks for our Arrow recaps. I’ve been supposed to be Connie’s back-up, but I haven’t been able to muster the strength to recap a show that, honestly, I’ve been out on all season. Sure, I’ve been watching it (on DVR delay) every week, but this season has been more than disappointing. And if rumors about the death being revealed on tonight’s episode is true, I might be out for good. But more on that later.
We all know that DC’s television universe is a force to be reckoned with. Hell, the Berlanti-verse alone is already four shows deep across two networks, with each show — even Supergirl — all but guaranteed to return next season. Now that the DC Universe is firmly entrenched on the small screen, I think they should continue the pattern of spinning off characters into their own series. In fact, DC should look to spinning off no less than three shows next year: the obvious ones being Martian Manhunter and Vixen, but I want to make the case for another team show: Birds of Prey featuring the female heroes from the Arrow-verse.
Because this recap is a week late (sorry, got distracted writing on twitter about a different rich, blonde, white guy who learns the ways of the Orient and returns a superhero) and because I’m just filling in, my recap of the Arrow winter finale, titled “Dark Waters,” will follow a different format. Rather than just giving a play-by-play of what happened in the ep, I wanna spend extra time on two aspects of the show and its fandom that needs to be discussed. And of course we will talk about that ending.
Full disclaimer: I didn’t watch Constantine on NBC. Sorry! But even without knowledge of the character or the show, I enjoyed this crossover (is it still a crossover when one of the crossed shows is cancelled?). John Constantine and Oliver had great bro-chemistry and the little bits of interaction he had with the rest of Team Arrow were great as well. 10/10, would enjoy again.