Rouge One is the biggest movie on the planet, and we finally devote a whole show to talk about the most diverse (or is it?) Star Wars ever filmed. Joining in on the fun is Tosche-Station.net writer, and Star Wars superfan, Bria LaVorgna and Black Girl Nerds’ movie reviewer, and occasional NOC contributor, Valerie Complex. [Spoilers throughout!]
This film could best be described as Katniss Everdeen In Space. While this prequel is light years (and a galaxy far away) of an improvement over the New Hope reboot aka The Force Awakens, it is not the second coming of Christ fanboys are making it out to be.
Katniss Everdeen in Space is not so much a good movie as it is a good Star Wars movie by Star Wars standards.
Earlier this month, we were part of CTRL+ALT, the Smithsonian Asian Pacific American Center’s pop-up culture lab in the former Pear River Mart location in SoHo. Along with Clark University’s Betsy Huang, our fearless leader Keith Chow co-hosted a reading lounge in which they held workshops, panels, and salon discussions with other artists. We’ll be bringing you these sessions over the next few weeks, starting with this one-on-one conversation between Keith and renowned comic artist Jamal Igle.
Doctor Strange, directed by Scott Derrickson (Sinister), tells the story of Stephen Strange (Benedict Cumberbatch), a gifted neurosurgeon who is wrapped up in his own vanity. After karma executes Stephen’s fate he suffers irreversible damage to his hands, destroying his valued medical career. His desperate search for physical healing takes him to the Far East to a place called Kamar-Taj. There he meets the “Ancient One,” (Tilda Swinton) a mystical witch with undisputed power, and Baron Mordor (Chewitel Ejiofor) one of the chief masters of the Kamar-Taj temple. Strange believes the Ancient One is the key to healing his hands and returning back to the medical field. Little does he know he is smack in the middle of a war between good and evil. His visit to Kamar-Taj will be a turning point for Stephen Strange. He chooses to learn the ways of the arts but isn’t sure if this magical war is a good fit for him.
When a leaked script revealed that Disney planned to center its live-action Legend of Mulan film around a white merchant who comes to “white knight” the hero of China, the outrage was swift and fierce. After thousands signed 18MillionRising’s petition, Disney quickly responded to assure fans that all major characters would be cast as Chinese. “Don’t worry,” one patronizing headline went so far as to say, everything’s going to be fine. And by and large, the once-raging fire of #MakeMulanRight has cooled to a few glowing embers. Asian America seems to be satisfied to know that Disney won’t turn Mulan into yet another white savior film.
It’s a win, but not exactly the sort of victory you can feel great about. We’ve been through this too many times, haven’t we?
Amongst my friends and family, it is no secret that the only holiday I care about is Halloween. No, it isn’t just because the candy is free and flowing — although this is a huge bonus. What I love the most about he holiday is that there is this unbridled demonstration of ingenuity, creativity, and imagination. People get to step a little outside of their mundane lives and step into the realm of the fantastic.
Another thing I love are the costumes. I don’t think I’m alone in this, especially amongst my fellow NOC. While many of us were too busy to dress up, we made sure that our children did.
I would like to present to you the NOC Parade of Costumes: Our Children’s Addition.
As we inch closer to the release of the first chapter of the Star Wars saga outside of the “Episodes,” everything we’re seeing about Rogue One has us feeling that it just might be the best film in the franchise. We’ve already lauded how diverse it is and profiled the film’s POC characters, but now that the final trailer and one-sheet have been released, December 16 can’t get here fast enough!
by ConcernedForMulan | Originally posted at Angry Asian Man
[Ed. note: In the 24 hours since this open letter was posted on AAM, Disney has released a statement that their live action adaptation of Mulan will not feature a white love interest. We are still posting the original letter because we can confirm that the spec script discussed below does indeed exist and is still indicative of how Hollywood views Asians.]
A white merchant’s business brings him to the heart of a legendary Asian conflict — he unwittingly helps save the day while winning the heart of the Asian female. Am I describing the plotline of the Netflix series Marco Polo? No. I’m describing the spec script that Disney bought for its live-action feature film, The Legend of Mulan, which is projected for release in 2018.
Disney’s 3-D live-action story of the 1998 animated hit Mulan has officially received a release date: November 2, 2018.
It will be exactly twenty years after the original film was released, with the title character voiced by Agents of S.H.I.E.L.D. star Ming-Na Wen.
According to The Hollywood Reporter, Disney has launched a ‘global casting search for a Chinese actress’ to play the title character. Yes, you read that right. A Chinese Actress.
I will present to you one of the most beautiful sentences in recent memory: Ava DuVernay is directing the film adaptation of Madeline L’Engle’s A Wrinkle in Time. The sentence itself isn’t beautiful, but what it conveys is. We’ve all seen the hype and hoopla around DuVernay being the first black women to helm a $100 million dollar film. While this is an accomplishment worth lauding, DuVernay can make a beautiful film on half a shoestring and great storytelling. She is also the queen of cinematic #BlackGirlMagic. I’ll get to why this is important in a bit.