In which I wish I could have Monica Rambeau’s fearlessness when it comes to Black women characters in sci-fi, but I’ve been burned twice before.
With October being #BlackSpeculativeFictionMonth, it seemed only appropriate to put the spotlight on an amazing black character. Zoe Washburne, the big damn heroine of Firefly/Serenity, portrayed by Perfection herself, Gina Torres, seemed like an excellent selection.
When Firefly first premiered, I knew the series was going to be something special. Joss Whedon was at the helm, very talented and good-looking cast, wicked cool concept. Of course it wasn’t until I saw the first episode that I realized how special this little series about cowboys in space truly was. A major part of that success was a little cowgirl known as Zoe Washburne.
While watching a key scene in the season finale of Marvel’s Agents of S.H.I.E.L.D., I quipped, “You can’t take the Skye from me.”
That’s when it clicked. I didn’t see it before during season one, but with enough new players introduced in season two, it now made sense. The spirit of Firefly’s Browncoats lives on in the Marvel Cinematic Universe.
Not convinced? Let’s review:
Last week, the other NOCs convened a Roundtable to hash out their feelings about the cancellation of Almost Human. I did not join in because I wanted some time to sit with my thoughts about the show and contemplate what Fox was attempting to do this television season.
Best as I can figure, Fox was clearly fishing in somewhat uncharted waters. On one hand, sitcoms like Brooklyn Nine-Nine and Dads showed the network’s commitment to a tried-and-true comedy formula peripheral to the nerd media diaspora. In the case of the former, it worked like a charm. Brooklyn Nine-Nine, having won the Golden Globe for best comedy in its rookie season, will likely be a staple in Fox’s weeknight lineup for several seasons. I expect the latter — Dads — will end up on the chopping block soon enough (despite rumors it might survive to a second season).
As for Almost Human, I feel like it and another oft-discussed show on our beloved forum — Sleepy Hollow — represented much riskier forays in new TV content.
We don’t need a Wonder Woman movie. Yeah, I said it.
I can scarcely imagine a worse waste of digital celluloid: flying spears thrown from thin, gangly limbs, a star-spangled miniskirt threatening wardrobe malfunctions for two and a quarter hours, unblemished ivory skin strained under gold and platinum body armor, practicality be damned. Wonder Woman the movie — fangirl nirvana, fanboy nightmare. Whenever people discuss the needless parade of White Anglo-Saxon Protestants who populate superhero movies’ starring roles, part of me appreciates their boredom with the obnoxious identity politics at play; what was The Avengers but a classic fraternity bro-down with human growth hormone, outdated mythology and colorful titanium tossed in for kicks?Continue reading “We Do Not Need a Wonder Woman Movie”