Just in time for tonight’s hotly anticipated season 7 premiere of Game Of Thrones comes a musical romp that takes our favorite characters into a much more light hearted spin. Coming off a successful run in Los Angeles earlier this year in February, the musical is now heading to San Diego Comic Con from July 20 to 23.
With the coming of May is the celebration of Asian Pacific American Heritage Month and HBO is using that opportunity to showcase their Asian Pacific American Visionaries, a collection of three short films by emerging APA directors on May 1 across various HBO platforms. I had the pleasure of watching them during the Los Angeles Asian Pacific Film Festival and I’m excited that they will available for the public to see starting today on HBO NOW, HBO GO, HBO On Demand, and HBO Zone throughout the month of May.
Girls is over. I have a lot of feelings about this show, if you’re aware of the criticism surrounding it, then yes I’m going to dabble into that. As well as some of the parts I actually liked. If you don’t want to read this whole essay, then it’s fine. To sum up how I feel: I showed up for Adam Driver and developed a love-hate relationship with the series overall. Brace yourselves, this is going to be long.
Westworld, HBO’s new science fiction drama that will premiere Sunday, wants to be the big idea. Trade in your zombies and dragons for life-like robots. Tackling notions of morality, artificial intelligence, and entertainment in the premiere alone, Westworld wants to be a show that makes you think. Or perhaps it wants to make you despair.
UPDATE: The full conversation with Lexi is now available here.
HBO’s hit documentary series Project Greenlight has been a trending topic on twitter since its season debut featured Matt Damon “whitesplaining” diversity to producer Effie Brown. In an outtake from our forthcoming Hard NOC Life interview with Lexi Alexander, the Punisher: War Zone director explains how Brown’s experience on the show is indicative of how women of color are treated in the film industry and why Effie’s critics are just exposing their white privilege.
Two of this year’s big Emmy stories split the difference between our PoCness and our nerdiness. You’ve probably heard about the Game of Thrones’ record-breaking wins, and it helps that Viola Davis’ historic win for Outstanding Lead Actress in a Drama is a NOC favorite due to her upcoming role in the DC Cinematic Universe.
“All my life men like you’ve sneered at me, and all my life I’ve been knocking men like you into the dust.”
Imagine being a female TV & movie director trying to make it in an already competitive industry and the first thing that comes across your news feed at the beginning of the week is the sad fact that the most talked about show on TV failed to hire a single female director on its last season.
Trigger Warning: Sexual Assault and Rape Survivors
When I worked as a reporter for a local paper in East Tennessee some years back, a story arose about a young woman who had been sexually assaulted at her high school. When the issue was brought to the school board’s attention, they moved heaven and earth to shame the young woman and to vilify her and her family.
No one denied the attack happened but nothing was done about it because the attacker was a star athlete and the school’s administration was beyond corrupt. When I tried to follow up and get the family’s side of events, the story was buried due to local politics and my publisher’s wish to stay in good with the Powers That Be in the county.
It feels like each episode of this season of Game of Thrones features an exploration of a different theme from week to week. Unlike past season, when plot machinations were paramount, season five has been able to be a little more artful in how it sets up each episode. Maybe that has something to do with the show finally diverging from the books in significant ways — I wouldn’t know having never read the books. If anything, this episode, “Sons of the Harpy,” was about how a select few radicals can bring down a whole kingdom.
Let’s start in King’s Landing.
Annie Q is a promising new actress who has popped up on shows like Are We There Yet? to David Henry Hwang’s play Golden Child. But her latest gig on HBO’s new series, The Leftovers, is her biggest role yet. She talks to us about growing up in New York, dealing with rejection, dropping out of college to pursue acting, and much more.