Hollywood, a new miniseries created and executive produced by Ryan Murphy, will be coming to Netflix this Friday. Audiences will both travel back in time to the 1940s and explore an alternative universe where a group of aspiring actors and filmmakers — who’re female, people of color, and/or LGBTQ — break into the business and dismantle the boundaries against them in the process.
WARNING: The following contains major spoilers from Star Wars: The Rise of Skywalker.
The latest and final installment of the Skywalker saga of Star Wars is now out in theaters. In The Rise of Skywalker, the Resistance must face the First Order once more, in the midst of the mysterious return of Emperor Palpatine.
It’s been quite a while since I’ve contributed anything, but with the news that Iron Fist has a showrunner and also with Donald Trump wasting our time and being overtly bigoted, I thought it was an opportunity to look at the importance of introducing more POC characters in our fiction, and the importance of identity, on a wide range of levels.
It’s too bad that in making its first movie based on a Marvel comic Disney didn’t decide to take a real leap into the future, say, by making Hiro a girl…
Dear Ms. Dargis,
I was born in Vietnam shortly before the tanks rolled into Saigon and my family was forced to flee. Raised in South Minneapolis’ largest, poorest, and most racially diverse neighborhood, my father taught me to walk to the library and got me hooked on free books. Later, I would learn to run there, mostly to avoid the myriad groups of bullies wanting to beat me for whatever reason they could conjure that day, and I would read books and comics to take me far away from who I was and where I was. It is safe to say that the majority of my boyhood was spent imagining that I was anything but who I was.
As you know, we’re pretty big fans of Kamala Khan’s turn as Ms. Marvel around here. And last week, the original inspiration for the character — Marvel editor Sana Amanat — became the inspiration for even more people when she addressed a TEDxTeen 2014 in New York.
There’s a comic book out there written by Joe Hill. It’s called Locke & Key (from IDW Publishing). And, it’s the best comic book you’re probably not reading.
In fact, it’s proof that while the conventional superhero comic might be for children, the comic genre can and does create compelling, sophisticated, and intelligent stories for adults. And, it can do so while appealing to the cape-and-cowl crowd.
This post contains very minor spoilers. Please read with care.