#AACC2017: #AAIronFist – Bringing an Asian American Hero to Life

Recorded live during the Asian American ComiCon Summit on Art, Action, and the Future.

Marvel’s Iron Fist has generally been seen as a major disappointment — and it could’ve been so much more, if only Marvel and Netflix had embraced a not-so-radical rethinking of their martial artist hero as an Asian American. Some Asian American filmmakers actually brought their reimagined concepts for an Asian American Iron Fist to life, and they’ll share their short videos as part of a conversation with the creator of the #AAIRONFIST hashtag.

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#AACC2017: Warrior Women — Reimagining the Asian Female Hero

Recorded live during the Asian American ComiCon Summit on Art, Action, and the Future.

In the wake of Wonder Woman​, with Mulan on the horizon, what should we expect in a rich, textured, powerful and provocative Asian (or Asian American!) heroine? What’s worked, what hasn’t and why has it taken so damned long?

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#AACC2017: Envisioning Diverse Futures

Recorded live during the Asian American ComiCon Summit on Art, Action, and the Future.

We’ve seen so many different kinds of futures unfurl in pop culture, and many of them have people of color and LGBTQ individuals as backdrop and “local color.” What would a truly diverse, inclusive and intersectional future really look like?

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#AACC2017: Can Pop Culture Save the World?

Recorded live during the Asian American ComiCon Summit on Art, Action, and the Future.

Pop culture is literally the people’s culture. At a time when creative and diverse voices are both under attack, what can pop culture do to make social change?

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#AACC2017 and Failing to Get a Photo with Lewis Tan

To get to my failure, I should start with a childhood that took place in Los Angeles. Hawthorne, California is a small community situated in Southwest Los Angeles. With Inglewood to the north, Gardena to the east, Torrance to the south, and the glamorous beach communities to the west, it was basically the edge of working class/POC Los Angeles butting up against the elite.

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The Asian American ComiCon Presents: A Summit on Art, Action & the Future

In 2009, the Asian American ComiCon was held in New York City, bringing together Asian indie and mainstream comics creators for a historic gathering to celebrate the unique and flourishing graphic storytelling of our community. Now, eight years later, AACC is hosting its second event: a Summit on Art, Action and the Future. In a time where diversity and creativity are both under attack, the Summit will feature diverse creators talking about where we’re going next.

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Announcing New Frontiers Anthology Inspired by the Life of George Takei

The team behind the groundbreaking Asian American superhero anthologies Secret Identities and Shattered, in partnership with the Japanese American National Museum, have issued a Call for Submissions for New Frontiers: The Many Worlds of George Takei, an original graphic novel anthology that will serve as a companion volume to JANM’s historic exhibition of the same name (running through August 2017), which showcases Takei’s life and the cultural landscapes through which he has traveled. The anthology’s target publication date is July 2017.

Diverse creators with stories to share that speak to the themes and issues Takei has confronted in his life are encouraged to pitch them at the Submissions Form located at here before the pitch deadline of April 24, 2017. Relevant issues include, but are not limited to: unlawful incarceration, status as an “illegal” alien and the push for LGBTQ equality and civil rights for all, yellowface, whitewashing, media stereotypes, and the rise of digital culture and social media.

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Hello Kitty, Not Actually a Kitty — Or Asian

In a stunning development, it has been revealed that Hello Kitty, Sanrio’s iconic — and forever mouthless — character is not, and has never been, an actual cat. How is that possible, you ask? Beats me.

The Los Angeles Times broke the news today — in advance of a special exhibit at the Japanese American National Museum in Little Tokyo — in an interview with noted Hello Kitty scholar Christine R. Yano:

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Marvels & Monsters: Yo, Is This Racist?

It’s an age-old question: does popular culture reflect mainstream perceptions, or is the mainstream influenced by the images it sees in popular culture? Jeff Yang, of Secret Identities and the Wall Street Journal, examines this question in the exhibit, Marvels & Monsters, now showing at the Japanese American National Museum.

Jeff
Exhibit curator Jeff Yang

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Meanwhile, on The Internet

Apparently, while the Nerds were all consumed with Star Trek last week, other stuff was happening on the Internet. So here’s a brief rundown of things you might have missed because you were too busy exploring strange new worlds and seeking out new life and new civilizations. But first, let me get a little self-congratulations and self-promotion out of the way.

Welcome Pop Candy readers! And a big thanks to Whitney for giving us a little plug in her USA Today column. We hope you all enjoy the NOC community and join us as we look at “pop culture with a different perspective.”

Okay, that was the congrats, now here’s the shameless self-promo.

IWTWAEOver the weekend, the Smithsonian Asian Pacific American Center opened its traveling Asian American history banner exhibit “I Want the Wide American Earth” at the Japanese American National Museum in Los Angeles — after spending the last three months on display at the Smithsonian’s National Museum of American History. In honor of the exhibit’s West Coast opening, the Smithsonian APA Center unveiled an online digital comic I edited that features key moments in Asian American history illustrated by some of the top names in the comic industry, including Bernard Chang, Ming Doyle, GB Tran and my SIUniverse partners-in-crime Jerry Ma and Jef Castro.

You can see the comic online here. A downloadable version is still forthcoming.

So there’s that. And after the jump is other stuff on the web you should be reading:

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