Firstly, as an almost disclaimer of sorts, I’ve never been a fan of Arrow. Even in the show’s heyday of seasons one and two when it was praised and lauded as a great show and comic book adaptation. Though it bares moderate similarities to Green Arrow: Year One overall, it just wasn’t for me. However, I can look back on the show’s beginning seasons and see a clear pattern of character arcs that were leading to a greater picture. A picture that would create an adapted vision of the classic Green Arrow comics mythology.
Needless to say, that from season three onward, Arrow did not only continuously strive away from that proposed picture, but did so almost gleefully. It often felt at times that the show was more interested in using the brand names of “Green Arrow” and the original materials (or should I say Batman’s original materials) for the sake of hollowed out Easter eggs, than truly adapting them in interesting and creative ways. One of the best examples of this is the show’s depiction — and mishandling — of the Black Canary, aka Dinah Laurel Lance.
In the penultimate episode of the season, Barry can’t stop the feeling that he’s invincible since the Speed Force told him that it loved him and read him a Night-Night book about a dinosaur. He’s got that sunshine pocket. Got that good soul in his feet.
Even #Metapocalypse 2016 won’t throw off his game. The metahuman army that rallied together when Zoom outed the “disappearance” of the Flash on broadcast TV. Barry swoops in — a little too late, in my opinion — to bail out the Central City Police because EVERYTHING IS LITERALLY ON FIRE. And did I spy Earth-2 Hawkpeople?
Apologies if you’ve been coming here the last few weeks for our Arrow recaps. I’ve been supposed to be Connie’s back-up, but I haven’t been able to muster the strength to recap a show that, honestly, I’ve been out on all season. Sure, I’ve been watching it (on DVR delay) every week, but this season has been more than disappointing. And if rumors about the death being revealed on tonight’s episode is true, I might be out for good. But more on that later.
We all know that DC’s television universe is a force to be reckoned with. Hell, the Berlanti-verse alone is already four shows deep across two networks, with each show — even Supergirl — all but guaranteed to return next season. Now that the DC Universe is firmly entrenched on the small screen, I think they should continue the pattern of spinning off characters into their own series. In fact, DC should look to spinning off no less than three shows next year: the obvious ones being Martian Manhunter and Vixen, but I want to make the case for another team show: Birds of Prey featuring the female heroes from the Arrow-verse.
Because this recap is a week late (sorry, got distracted writing on twitter about a different rich, blonde, white guy who learns the ways of the Orient and returns a superhero) and because I’m just filling in, my recap of the Arrow winter finale, titled “Dark Waters,” will follow a different format. Rather than just giving a play-by-play of what happened in the ep, I wanna spend extra time on two aspects of the show and its fandom that needs to be discussed. And of course we will talk about that ending.
Full disclaimer: I didn’t watch Constantine on NBC. Sorry! But even without knowledge of the character or the show, I enjoyed this crossover (is it still a crossover when one of the crossed shows is cancelled?). John Constantine and Oliver had great bro-chemistry and the little bits of interaction he had with the rest of Team Arrow were great as well. 10/10, would enjoy again.
Going into the 2015-16 television season, there were questions about how Legends of Tomorrow was going to fit in to the timelines established by Flash and Arrow. Little did we know that the first few episodes of both shows were essentially being used as set up for the midseason series.
In the previous night’s Flash, we saw the lead in to two of Legends’ protagonists: Leaonard Snart’s redemption and Martin Stein’s Firestorm dependency. Similarly, most of last night’s Arrow was used to set up another Legends lead: the emergence of the White (not Asian) Canary and the return of Caity Lotz.
I’m back guys!! So far, I’ve been cautiously pleased with this season. But that’s probably partly because I’ve avoided all trailers and pre-information about each episode. Of course, certain characters force angry or confused glares (both of the Lances), but so far, so good. I think both episodes one and two of this season so far have been set up episodes. “Green Arrow” got us back to Star City and where everyone is at, but “The Candidate” tells us where everyone is going. I think a lot of what ruined Arrow last season was that it was jumping into plots too fast, leaving themselves with nowhere to go. They wrote themselves in a corner. This season seems to be pacing itself better. Also it’s giving bigger plots to its side characters (but we need more Diggle please), so there is more story to spread around.
This is definitely my favorite time of year. Autumn is in the air, and superheroes are back on my television. PS, you might be disappointed that the byline for this recap doesn’t say “Connie.” I’m going to fill in for her on the Season 4 premiere recap while she holds it down at New York Comic-Con.
The latest issue of Variety features a profile of super-producer Greg Berlanti — who will have six(!) different shows on three different networks next season. It’s a great profile about one of the most prolific producers in Hollywood. But what got the internet buzzing was the magazine’s cover, featuring Berlanti flanked by the stars of his most recent superhero offerings: The Flash’s Grant Gustin and Supergirl’s Melissa Benoist.
Because they’re both Glee alums, it got me thinking about the potential for not only a Flarrow/Supergirl crossover, but why that crossover needs to be a musical episode!
During a recent episode of The Flash that featured folks crossing over from Arrow, I was more than amused to watch Cisco geek out when he met Laurel, aka Black Canary. Because when it comes to the love of all things Black Canary, I can so relate.
And with good reason. At least eight reasons in fact.
The Flash has delivered so many thrills and twists, it’s hard to imagine what the showrunners have in store for the season finale. With so many surprises, it’s understandable that even the most astute viewer may have missed the hints of another superhero on the rise; a super heroine rather.
Barry and Joe aren’t the only crime-fighters in the West household. To date Iris West has played a key role in the defeat of Girder, the Clock King, and Peekaboo. Three prominent super villains in the DC Universe. Not to mention besting both Doctor Light and Killer Frost.
Well, almost. But two of the biggest season reveals finally happened in this week’s Arrow: Thea found out Oliver is the Arrow and Captain Lance FINALLY FINALLY FINALLY found out about Sara. There are a few things each character is a bit, ahem, fuzzy on… (how long has Sara been dead? Who killed Sara?), but it will finally be nice to get past both of these distracting omissions. Now, besides the circumstances of Sara’s death, we just need Lance to know Oliver is the Arrow and most of our major secrets will be out in the open!