It’s the most wonderful time of the year on The Middle Geeks! Star Wars time! But is it really though, with the latest release of The Rise of Skywalker? Swara and Mae discuss, getting into what they liked about the film, as well as the issues they had with it and the Sequel Trilogy as a whole. Note that this is a SPOILER discussion. But before that, we get into the month of Middle Eastern and North African (MENA) representation highs and lows, from the high of having an Arab-American hero introduced to Marvel Comics to the low of Aladdin star Mena Massoud not getting a single audition due to Hollywood racism, even after his film made a billion dollars. We still have a long way to go!
After 42 years, the Skywalker Saga comes to a close with the release of The Rise of Skywalker. Keith was joined by Jamie Noguchi to screen the movie at Baltimore’s historic Senator Theater. Here are their instant reactions. SPOILERS!
Let’s be honest. The reason you, the skeptic who hated on The Last Jedi for two years (not me, but you know who you are!), went on this site and clicked on this review is to find out whether or not Star Wars: The Rise of Skywalker is any good. But the answer to this isn’t a simple one. Now before the cynic in you dismisses the movie entirely just because it’s not an overwhelmingly positive “yes,” just know that it’s not terrible either. To put it simply, in a year where we had Avengers: Endgame and the finale of Game of Thrones, The Rise of Skywalker, the conclusion to the 40 year Skywalker saga, is squarely in between: neither as amazingly uplifting and universally praised, nor as abysmally disappointing and anticlimactic as some other fantasy finales that pissed me off.
With Rise of Skywalker and the end of the Skywalker Saga at the end of the month to look forward to, Hard NOC Life is going to be a Star Wars podcast for the month of December. Because there aren’t enough Star Wars podcasts on the internet! Each week, Dominic and Keith will be breaking down a different trilogy that make up the beloved Star Wars franchise.
Rebecca Roanhorse is no stranger to writing worlds and realities beyond our own. A speculative fiction writer of both novels and short fiction, she is a recipient of both the Hugo Award and the Nebula Award. Her work often features indigenous characters as the leads; such as her Sixth World series where a Dinétah monster slayer navigates a post-apocalyptic world filled with gods and monsters of legend. Continue reading “Author Rebecca Roanhorse Makes Her ‘Star Wars’ Universe Debut with ‘Resistance Reborn’”
Finally, after weeks of anticipation — and one half of terrible football (unless you were a New England Patriots fan) — the world finally got to see the final trailer for Star Wars: The Rise of Skywalker, and ultimately, the final trailer of the Skywalker Saga. And it did not disappoint!
All week, rabid Star Wars fans have been debating the merits of the most recent entry into the Skywalker saga, Star Wars: The Last Jedi. Directed by Rian Johnson and starring Daisy Ridley, Adam Driver, John Boyega, Oscar Issac, Kelly Marie Tran, Carrie Fisher, and Luke Skywalker, The Last Jedi has proven to be the most polarizing entry in the Lucasfilm canon. To break down what they thought of the movie, Keith invited his DC TV Classics co-host Britney Monae.
To properly analyze Star Wars: The Last Jedi, you have to go beyond the trappings of fandom and look at the movie as a part of a larger product of Disney/Lucasfilm storytelling. Approaching this as anything other than a corporate juggernaut mainly concerned with moving merchandise and building the next generation of consumers will result in total anger, confusion, and regret. This might sound cynical and cold, but it’s only the acknowledgment that Hollywood cinema is big business and sometimes actual art will slip through the image factory despite their best efforts to curtail imagination and wonder.
I’m not saying The Last Jedi lacks imagination or wonder, but there’s definitely a middling corporate influence throughout the movie that simultaneously keeps the movie in an inoffensive zone of bland character moments while setting up Rian Jonhson’s long-term vision for the Star Wars franchise.
What makes The Last Jedi interesting, though, is that it deliberately erases the nostalgic underpinnings of the Star Wars saga being about the Skywalker clan. Now this is where you see a lot of online outrage regarding The Last Jedi (even when you remove the knee-jerk right-wing racist backlash to the movie being “too diverse“) with the main complaint is that it “feels different” than previous Star Wars films.
WARNING: SPOILERS BELOW
As is customary whenever a new Star Wars film is about to come out, Vanity Fair runs a special edition with gorgeous photographs by the renowned Annie Liebovitz. The Last Jedi is no exception since the magazine just released four special variant covers to this year’s Star Wars issue. They’re all great, but one photo definitely stands out the most for us nerds of color:
Stormpilot: It’s the fandom pairing of the decade! And it just might come true.
“Girl, please,” you might be saying, but just listen to me! Not only could it happen, but if it does, it’ll change the game forever (and in a good way.) First let’s get into the timeline. Keep in mind: the timeline is intense. Let’s get into it:
You might not have known, but a little movie opens this weekend. It’s called Star Wars: The Force Awakens. Heard of it? Well, it’s already shattering box office records worldwide, and it’ll probably be the highest grossing movie of the year. And there’s only two more weeks left in the year.
Anyway, a bunch of the NOCs have already seen the movie and want to share their thoughts. We’ll be updating this Roundtable throughout the weekend as more of us head out to the multiplex. In the meantime, know that anything and everything after the jump are massive Star Wars spoilers. Be warned.