Rebecca Roanhorse is no stranger to writing worlds and realities beyond our own. A speculative fiction writer of both novels and short fiction, she is a recipient of both the Hugo Award and the Nebula Award. Her work often features indigenous characters as the leads; such as her Sixth World series where a Dinétah monster slayer navigates a post-apocalyptic world filled with gods and monsters of legend. Continue reading “Author Rebecca Roanhorse Makes Her ‘Star Wars’ Universe Debut with ‘Resistance Reborn’”
Finally, after weeks of anticipation — and one half of terrible football (unless you were a New England Patriots fan) — the world finally got to see the final trailer for Star Wars: The Rise of Skywalker, and ultimately, the final trailer of the Skywalker Saga. And it did not disappoint!
The following is a slightly altered cross-post, originally published on Lola By The Bay.
Last weekend, I finally got to see a matinee performance of Lin-Manuel Miranda’s Tony Award-winning musical, Hamilton, at the Orpheum Theatre in San Francisco.
As is customary whenever a new Star Wars film is about to come out, Vanity Fair runs a special edition with gorgeous photographs by the renowned Annie Liebovitz. The Last Jedi is no exception since the magazine just released four special variant covers to this year’s Star Wars issue. They’re all great, but one photo definitely stands out the most for us nerds of color:
The team behind the groundbreaking Asian American superhero anthologies Secret Identities and Shattered, in partnership with the Japanese American National Museum, have issued a Call for Submissions for New Frontiers: The Many Worlds of George Takei, an original graphic novel anthology that will serve as a companion volume to JANM’s historic exhibition of the same name (running through August 2017), which showcases Takei’s life and the cultural landscapes through which he has traveled. The anthology’s target publication date is July 2017.
Diverse creators with stories to share that speak to the themes and issues Takei has confronted in his life are encouraged to pitch them at the Submissions Form located at here before the pitch deadline of April 24, 2017. Relevant issues include, but are not limited to: unlawful incarceration, status as an “illegal” alien and the push for LGBTQ equality and civil rights for all, yellowface, whitewashing, media stereotypes, and the rise of digital culture and social media.
The way people are reacting (and/or responding) to our current political moment is all over the map. Some are taking the ostrich head in the sand approach: If I can’t see it, it doesn’t exist. Some are happy that the end of the American experiment is closer than we ever thought possible. Some are going full-force with resisting, making sure that what is happening does not become the new default. Some are embracing the newly- burnished hate and division, their fantasies of a fourth and fifth Reich are invading our shared reality. Remember when these people used to be on the fringe? Some say this is the last gasp of a dying ideology. I’m of the mind that it is the first deep breath of a newborn. But what do I know? I’m a born pessimist.
by Timothy Yu
Mike Pence went to see Hamilton. He got booed. The actors read a statement from the stage. And our president-elect tweeted a demand that the cast apologize for their “harassment.” Just another day in the dawning Trump Era.
There was plenty to say. Some pointed out the irony of Donald Trump, scourge of political correctness, complaining that the theater should be a “safe place.” Others pointed to the chilling precedent of our incoming president demanding that artists apologize to an elected official. But what most surprised me was seeing some of my friends — many of whom are themselves artists, writers, literary scholars — repeating the argument that the Hamilton controversy was “just a distraction” from Trump’s other problems.