How Gods of Egypt Adheres to Racist Fantasy Rules

Gods of Egypt is a mess. You can look at the myriad of reviews trashing it and see it for yourself. Heck, you can look at the traileror its box office receipts — to see how much of a joke it is. Have you seen such bad CGI in the modern era? But even more insidious than the CGI is that the film went out of its way to cast white actors in an ancient Egypt-set story. This is the second film within two years that showed audiences a white Egypt. You might recall how spectacularly Exodus: Gods and Kings failed.

Technically, Gods of Egypt had all of the ingredients necessary to make a fun “swords and sandals” fantasy. It’s a fantasy that’s not just set in ancient Egypt, but involves gods and goddesses interacting with their human subjects. Who wouldn’t want to see Ra and Horus get into it on the big screen? But where the film’s team went wrong is that they treated it like a “traditional” fantasy. What’s a traditional fantasy, and why was that the wrong approach? Let’s find out.

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Love Actually: Ground Zero for Geek Icons

When Love Actually premiered in cinemas over a decade ago, who knew it would be one of the most influential — and divisive — holiday movies ever made? You might think I’m being hyperbolic, but this movie is consistently one of the best selling DVDs and blu-rays every year1 and gains legions of new fans from multiple airings on cable and Netflix — though not for much longer. It’s also responsible for spawning an entire sub-genre of similar romantic comedies like Valentine’s Day and the equally awful New Year’s Eve. Love it or hate it, this flick evokes extreme feelings either way.

So why am I writing about Love Actually? It’s not like romantic comedy is a topic that’s covered on the NOC. Well, for one thing, most of the movie’s sprawling cast of British actors have gone on to become icons of the Comic-Con set. The stars of today’s biggest genre properties can trace their lineage back to this flick, and it’s amazing.

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