A gated community is supposed to represent safety. Order. Protection from the chaos of the outside world. But The Gates quickly reveals that promise to be something else entirely.
Continue reading “‘The Gates’ is a Tense Study of Race, Power, and Belonging”
Hamid Rahmanian‘s Song of the North, now currently playing at Pasadena Playhouse, is an extraordinary multimedia production that is a marvel for all ages to enjoy. Utilizing shadow puppetry (483 puppets!!) and projected animation with immense success to reimagine the Iranian epic Shahnameh, the joy and magic found in this adaptation is undeniable.
Continue reading “A Los Angeles Theatre Review: ‘Song of the North’”
Do you like quiche? Do you like immersive theatre? Do you like outrageous comedies fused with social commentary in the form of a nuclear apocalypse? Then 5 Lesbians Eating a Quiche, now having its Los Angeles premiere via New Forms LA, will fill that savory spot just right, even if its pacing suffers a bit near the end before revving right back up for a fantastic finish.
Continue reading “A Los Angeles Theatre Review: ‘5 Lesbians Eating a Quiche’”
There are many incredible ingredients at work with the Los Angeles premiere of Jackie Sibblies Drury‘s 2019 Pulitzer Prize winning drama Fairview, now playing at Rogue Machine Theatre: a crackling ensemble cast, an intriguing and twisty premise, and a thrilling direction by Oz Scott. But despite these elements present, the play fall short of its clever ambitions as it settles into an abstract moral message play written primarily for white people.
Continue reading “A Los Angeles Theatre Review: ‘Fairview’”
When Ready or Not premiered in 2019, it quickly became a surprise hit, cementing Samara Weaving as a rising horror star and establishing Grace Le Domas MacCaullay as one of the genre’s great modern Final Girls. For me, as well, it was an immensely enjoyable surprise, coming out of nowhere to become one of my favorite movies in a year stacked with heavy hitters like Avengers: Endgame and Parasite.
There is something truly remarkable when you witness a play that not only makes marine biologist wholly relatable but that you feel so much compassion for a giant octopus puppet and inspire mythical wonder in the deep watery unknown. Such is the accomplishment of Weston Gaylord’s Octopus’s Garden, now having its world premiere in this gorgeous co-production with Boston Court Pasadena, Circle X Theatre Co., and Outside In Theatre.
Continue reading “A Los Angeles Theatre Review: ‘Octopus’s Garden’”
The Bride! is an electrifying tale that leaves you clawing for more. Jessie Buckley delivers a phenomenal performance as the troubled Bride brought to life, with Christian Bale delivering a moving portrayal as Frankenstein‘s monster. Maggie Gyllenhaal’s script and direction are an absolute masterclass in storytelling and proves that women should be in charge of Hollywood with this retelling. “People love a monster,” and Gyllenhaal certainly serves up all of the good and bad monstrosities one could hope for in this film.
Continue reading “‘The Bride!’ Proves That Women Should Be Running Hollywood”
When it comes to animated originals, few studios do it like Pixar. Their best films keep raising the bar. So when something like Hoppers comes along, you do not just hope it is good. You hope it delivers the kind of craft and storytelling that reminds you why Pixar is still the gold standard. And Hoppers does exactly that. It pairs humorous chaos with emotionally resonant storytelling, memorable characters, and astonishing visuals, while exploring timely ideas about anger, powerlessness, and empathy without ever losing its heart.
Continue reading “Pixar’s ‘Hoppers’ is a Hilarious Avatar Riff That Gets Surprisingly Real”
Exceptionally strong acting from their two leads make up for a somewhat predictable and safe pyramid scheme story in Lauren Smerkanich‘s The Dignity Circle, now having its world premiere at Theatre of Note.
Continue reading “A Los Angeles Theatre Review: ‘The Dignity Circle’”
It’s been so long since I felt this indelible feeling of magic while watching a play but the world premiere of John Guerra‘s Room By The Sea, a triple co-production with Coin & Ghost, After Hours Theatre Company, and Outside In Theatre, has achieved just done that. This is a tale that not only transports the audience to a fantastical place but like the best of genre, it creates a haunting parallel to our current world. And best of all, the immense efforts to incorporate significant global majority and accessibility presence is truly what Los Angeles theatre at its finest is all about.
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A fantastic all-Filipino cast cannot hide the simple fact that Here Lies Love, now having its West Coast premiere at Center Theatre Group, is a shallow, poorly written musical with relentless static disco tunes. It is also absolutely confused in whether they want to glorify their subject Imelda Marcos or warn about the dangers of fascism.
Continue reading “A Los Angeles Theatre Review: ‘Here Lies Love’”
Despite a golden missed opportunity to cast global majority actors for the main roles of Mozart/Salieri/Constanze that would have richly amplified the narrative, there is a lot to love about the Pasadena Playhouse production of Peter Shaffer‘s Amadeus with the fantastic set and lighting design, the incredible ensemble cast, and the powerhouse performances of their lead actors Jefferson Mays and Sam Clemmett as Salieri and Mozart respectively.
Continue reading “A Los Angeles Theatre Review: ‘Amadeus’”
With the West Coast premiere of Poetry for the People: The June Jordan Experience at the Fountain Theatre, this uniquely moving and stirring choreopoem honors the work and life of June Jordan, one of America’s most fearless writers and human rights activists.
Continue reading “A Los Angeles Theatre Review: ‘Poetry for the People: The June Jordan Experience’”
Wuthering Heights immediately whisks you away into a dark reimagined telling of Emily Brontë‘s novel. Margot Robbie and Jacob Elordi give us a searing portrayal of the tortured lovebirds Catherine and Heathcliff in a story filled with passion, depicted by two deeply troubled individuals. The film is cinematically stunning, and the costumes lean beautifully into a whimsically modern twist on period pieces.
Continue reading “‘Wuthering Heights’ is a Visually Stunning Retelling of a Cautionary Affair”
Why are so many drawn to toxic love? Like an addiction, many cling to the idea that only a single person can complete their soul and possess their very being, holding on to the feeling of euphoria that exists when that person is by your side. However for any and all purity that might seemingly be derived from love, sometimes it can be utterly poisonous if the obsession consumes you.
Continue reading “NOC Review: Toxic Love Entices and Torments in ‘Wuthering Heights’”
The Los Angeles independent remounting of Rajiv Joseph‘s Guards at the Taj (the last one was in 2015 at the Geffen Playhouse) is a strikingly well done and hauntingly relevant production that also utilizes fantastic genderbent casting and an endearing post finale that credits all crew involved, a practice that is rarely ever seen in theatre.
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There’s a particular gravity to watching Eddie Vedder perform on his own. Without the band, without the familiar roar of a Pearl Jam crowd, what’s left isn’t catharsis — it’s intention. Matter of Time understands that, and it’s why the film works. This isn’t just a concert movie, it’s a document about responsibility.
Continue reading “Hope’s Still Alive in Eddie Vedder’s ‘Matter of Time’ Concert Film”
The Muppets are back with a special that aims to reintroduce the beloved Jim Henson icons to a new generation, paying homage to their original variety show roots. Kermit leads the rest of the Muppets ensemble, including planned showstoppers from the one and only Miss Piggy with special guests Sabrina Carpenter and Seth Rogen, who serves as executive producer for the Disney+ revival.
Continue reading “‘The Muppets Special’ Sparks a Revival Rocket That Needs More Gonzo Fun to Take Off”
There is no doubt that the events of 2025 and already the first two months of 2026 have provided an unfortunate wealth of materials for playwrights to mine from. But with the world premiere of The Circle at Greenway Court Theatre, the clock rewinds back to July 2016 in Texas set during the backdrop of the Black Lives Matter protests that occurred immediately after the murder of Philando Castile.
Continue reading “A Los Angeles Theatre Review: ‘The Circle’”
Anaconda is a fast-paced jungle adventure that serves up a slithering good time. Starring Jack Black, Paul Rudd, Steve Zahn, and Thandiwe Newton, we had the opportunity to chat with the cast and take a look at how this film explores life, friendships, and handling a midlife crisis.
Continue reading “‘Anaconda’ is a Fun Jungle Adventure That Tackles Having a Midlife Crisis”
Every trip to Pandora brings in a visually stunning new adventure and family drama with Jake Sully and Neytiri. The new Avatar: Fire and Ash doubles down on both, throwing the family into a firestorm of grief, resilience, and jaw-dropping world-building that keeps expanding Pandora in bold, unexpected directions. Unfortunately, despite being epic in scale and scope, the film’s lack of a compelling story frustrates, and its many setups lead to surprisingly few satisfying payoff.
Continue reading “‘Avatar: Fire and Ash’ is a Technical Marvel Trapped in a Familiar Story”
To say that Disney’s Zootopia is just another animated feature with anthropomorphized animals would be completely reductive. It’s a buddy cop comedy full of laughs and pop culture references, threaded with themes of tolerance, bias, and who gets to feel safe in a city that prides itself on being for “anyone” and “anything.” Asking Zootopia 2 to match, let alone surpass, that mix of vibrant visuals, sharp humor, and pointed social commentary feels like a tall order, yet somehow the sequel rises to it and then some.
Continue reading “‘Zootopia 2’ Twists the Buddy-Cop Formula Without Losing Social Commentary”
In the 1925 Oregon District Court case, United States v. Cartozian, Tatos Cartozian and his family argued that they, and by extension all Armenians in America, should be considered “white,” driven by the purpose to gain citizenship, per the Founding Fathers’ conception of only white men being full citizens with rights.
Continue reading “‘Meet the Cartozians’ is an Incisive Love Letter to the Armenian American Experience”