Mo Amer Brings the Palestinian Experience to the Screen with Netflix’s ‘Mo’

When Hulu’s Ramy premiered in 2019 on Hulu, it was heralded as a landmark for Egyptian, Arab, and Muslim representation in Western media. Representation for Southwest Asian and North African (SWANA) people remains scant, even with the small gains made, but it’s been especially rare for Palestinians, who must constantly endure attempted erasure in their homeland in Palestine and abroad.

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Exclusive Deleted Scene from ‘Everything Everywhere All at Once’ on Blu-Ray

In less than one week, the year’s best multiversal adventure will be released on home video. To celebrate, we have an exclusive, never-before-seen clip from the release’s loaded special features!

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The Projection of ‘Men’ May Lead to the Projecting of Men

I don’t doubt that when Alex Garland began work on his latest project, Men, that he suspected it would release at such a relevant time. Civil unrest is at an all-time high for a number of reasons — one of which involves a large percentage of the population daring to ask for basic rights over themselves — really any time since the founding of this great nation could be considered a relevant time. But it’s true, Men was already shaping up to be quite the controversial movie before the general audience got a chance to see it.

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More AAPI Supernatural Recommendations for Fans of Disney’s ‘So Weird’

Happy Asian American and Pacific Islander Heritage Month everyone! Last year, to acknowledge both this annual commemoration of contributions from the AAPI community and the ever-present following of the ’90s Disney Channel original series, So Weird, I compiled together a list of supernatural recommendations, created by and about people of the Asian American and Pacific Islander communities.

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‘Everything Everywhere All At Once’ Explores the Multiverse with Chaotic, Emotional Range

Reading the synopsis for the Daniels’ Everything Everywhere All At Once, it already hints at a story that starts off simple enough that immediately takes a left turn: An overwhelmed, middle aged woman is trying to file her taxes when she suddenly finds herself in the position of having to save the world, by borrowing skills from her multiple alternative universes.

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Ke Huy Quan On Returning to Hollywood and Reclaiming His Name

It has been over twenty years since actor Ke Huy Quan was last seen on the big screen. Although he made a brief return in a supporting role in Netflix’s 2021 family adventure, Finding Ohana, Quan’s full comeback came in the form of a leading role in A24’s sci-fi drama, Everything Everywhere All At Once.

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Stephanie Hsu Finds Beauty in the Chaos of ‘Everything Everywhere All At Once’

Stephanie Hsu has it all.

She’s a talented singer with credits from Broadway. Her comedic timing on Comedy Central’s Nora From Queens and Amazon Prime’s The Marvelous Mrs. Maisel is perfect. She’s absolutely stunning. And, best of all, she’s humble and really a great person to chat with. 

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‘Everything Everywhere All At Once’ Actor James Hong on His Legacy in Hollywood

James Hong needs no introduction. 

The legendary 93-year old actor, with over 500 credits to his name, is still in disbelief of any  praise he gets from his roles. He is surprised when he hears directors Daniel Kwan and Daniel Scheinert aka The Daniels have complimented his work ethic and loved working with such a legend on the new film, Everything Everywhere All At Once

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Depths of Unexpected Emotions Unravel in Kogonada’s ‘After Yang’

It’s been five years since audiences were swept away by director Kogonada’s emotionally-driven debut, Columbus. Now, he returns to up the ante with the driving of emotions in his science fiction drama, After Yang; an adaptation of Alexander Weinstein’s short story, Saying Goodbye to Yang.

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See the Haunting Trailer for Kogonada’s New Film, ‘After Yang’

After making a splash at the Cannes Film Festival last summer, After Yang is finally being released to mass audiences next month. The film — starring Colin Farrell, Jodie Turner-Smith, Justin H. Min, Malea Emma Tjandrawidjaja, and Haley Lu Richardson — is director Kogonada’s follow-up to his critically acclaimed debut, Columbus.

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Denzel Washington Explains How Joel Coen Made ‘Macbeth’ for the Big Screen

Power, greed, betrayal, love. These are the four themes most present in director Joel Coen’s The Tragedy of Macbeth. Layered in an aura of macabre and presented in beautiful black and white, Coen’s minimalist take on Shakespeare’s classic play aims to show love for the history of both cinema and theater. What better way than to fill your stage with some of the best players in both fields?

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Hard NOC Life 224: The Amazing Spider-Nexus

On Hard NOC Life, Britney and Dominic break down a new Loki episode and speculate on where the next Spider-Man movie will take the franchise. Also, Britney watched Zola and Fear Street, plus Dom contemplates watching Black Widow in the theater or not.

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Joi McMillion, Oscar-Nominated Co-Editor of Barry Jenkins’ ‘The Underground Railroad’

Joi McMillion lives up to her name on a daily basis — you’ll rarely catch the Oscar-nominated editor with anything less than a smile. As the co-editor of Barry Jenkins’ Moonlight, Joi became the first black woman to be nominated for an Oscar for film editing and the proof is in the process. Joi and longtime friend and colleague Nat Sanders knew Barry from their time at FSU’s film program and have since established a long and successful working relationship together. After working on If Beale Street Could Talk, Joi took on a project she’s never worked on before: a television series on a streaming service.

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Check Out the New Trailer and Key Art for Hulu’s ‘False Positive’

Hulu has just released an official trailer and new key art for False Positive, which stars Ilana Glazer, Justin Theroux, Pierce Brosnan, Sophia Bush, and Gretchen Mol. A24 serves as the studio, and John Lee is the director. The film is written by Glazer and Lee, who both are producers with Jonathan Wang.

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Hard NOC Life: Sir Gawain and the Dark Knight

This week on Hard NOC Life, Dominic and Keith continue their discussion of Birds of Prey and share their thoughts on Robert Pattinson as Batman. Later, Friend of the NOC Preeti Chhibber returns to the show to talk about a couple of new Dev Patel movie trailers.

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Dev Patel Slays in ‘The Green Knight’ Trailer

This summer, English majors of the world will be sure to journey to cinemas to see A24’s first foray into medieval fantasy with The Green Knight, David Lowery’s adaptation of the classic Arthurian poem. Check out the first teaser trailer!

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Lunch with William Jackson Harper of ‘The Good Place’

Last week, The Nerds of Color was invited to join other journalists for a special intimate lunch with William Jackson Harper, one of the stars of the hit NBC comedy The Good Place. Now in its fourth and final season, Harper — who plays Chidi Anagonye, the ethical and moral center of Team Cockroach, aka The Soul Squad — took time out to reflect on the opportunity to be part of a special show and the differences between making television and film.

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Moonlight and Get Out: Renaissance or Wave?

This has been an amazing ten months for Black cinematic culture. We had Beyoncé’s Lemonade in April 2016. Donald Glover’s Atlanta and Ava Duvernay’s Queen Sugar both premiered on September 6, 2016. Luke Cage’s entire season broke the Internet on September 30. Barry Jenkins’s Best Picture Oscar winning Moonlight dropped October 2016. So did Issa Rae’s Insecure. And then the wicked mind of Jordan Peele unleashed Get Out, this past weekend. There were other films, television shows, videos and the like, but damn. Look at this trajectory. It would be so easy to label this a Black Cinematic Renaissance, but I don’t think I want to be that optimistic.

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Moonlight Shines a Light on Black Masculinity and Sexual Identity

Originally published at Just Add Color

The buzz right now is for a film named Moonlight. The film, the second for writer-director Barry Jenkins, tells a haunting tale of a boy named Chiron whose battle throughout life is coming to terms with his identity as a gay black man. That identity is complicated by merciless taunts at school and a home life surrounded by drugs and hard drug dealers.

The film looks like it’ll become one of the most important films of the latter half of 2016 and into 2017, and rightfully so. When popular culture thinks of black men, they often think of them as how they are presented in Moonlight; as gangbangers and drug dealers. But in Moonlight, even those characters — including the main character, who later becomes a drug dealer himself in Atlanta because that’s all he’s known and that’s probably how he feels he can best hide himself and fit in — have a tenderness and humanity that is often denied them by society and, consequently, by other forms of media.

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