If you’ve read this excellent site, follow me on social media, or have known me for five minutes, then you probably know that not only am I hopeless comic book geek and Midnighter is my patronus through and through.
For those living in the Los Angeles area, the Hollywood Fringe Festival is upon you. Perhaps you might have seen their flags flown throughout the city or perhaps you might have heard whispers of it from your actor friends yapping away about which fringe play to watch. And you go, “What the heck IS the Hollywood Fringe Festival?”
Byron Yee, a first-time filmmaker, grew up in Oklahoma, moved to San Francisco to pursue stand up comedy, and later headed to Los Angeles to pursue an acting career. Getting tired of waiting for Hollywood to create interesting roles for someone like him, Yee decided to write his own film. His new release, The Aliens, is a film about a UFO believer who must choose between the aliens above he has never seen or the mysterious guide who appears at his campsite week after week.
A gent by the name of Josh Inman said it best, “Everybody wants diversity…….until it happens.”
I’m really not at all interested in reviewing or analyzing Sense8 again, but I would like to get mah nerds into a discussion about the ENORMOUS plot holes, and the weird turns this in-spite-of-it-all-compelling show has taken. So let’s just launch in, shall we? In no particular, but very SPOILERY, order:
In exactly one year from now, fans from all over the country will be gathering by the Inner Harbor of Baltimore, Maryland to celebrate their diverse fandoms at the first ever Universal FanCon. And for a limited time, you can get early bird weekend passes for the convention, which go on sale today!
As many of you may know, in addition to being a published author, an equal rights activist, and a nerd seraph, I’m also a pop culture analyst.
Whether it’s comic books, video games, blockbuster films, or music albums, it is absolutely paramount that we critique our media if for no other reason than to analyze its influence in molding minds and shaping society.
Originally published at Fangs for the Fantasy
A gent by the name of Malcolm X once said, “The media’s the most powerful entity on earth. They have the power to make the innocent guilty and to make the guilty innocent, and that’s power. Because they control the minds of the masses.”
Many people often wonder how I’m able to reconcile being a spec fic author with being a social justice activist. Malcolm X’s quote is that very reason.
Because while the media has the power to control the minds of the masses, it’s also a platform to hold a mirror and expose inconvenient truths such as bigotry to a society who is still plugged into the proverbial Matrix of privilege and institutional oppression.
But in order share the truth, marginalized artists have to make many decisions that can play an impact on our careers, our art and its potential impact on society.
Originally published at Thagomizer
Recently I was having a conversation with a couple of friends and acquaintances regarding the release of my novel, Hollowstone. As I explained the premise behind the book, they expressed it was a novel they would be very interested in reading.
They then expressed that they don’t read books. As the conversation continued, they explained it was in large part to their horrors in school. Horror stories I was all too familiar with. The others elaborated that they hated being forced to read classic literature which usually translated works written by old dead white men and ergo deemed as the only type of “literature” worth reading.
One of the questions I’m constantly asked (which admittedly I never get tired of answering) is what my process in terms of world building and developing complex characters.
My approach to world-building and character development ultimately corresponds to my overall approach to storytelling. As a writer, I personally belong to the school of character = story. What truth do we discover along the character’s journey? More than that, whether it’s fiction, articles or blog posts, I generally have three mandates which I dub E-Cubed: Enlighten, entertain and empower.
Needless to say that E-Cubed has led to other techniques which has only enhanced my storytelling abilities over the years.