With the internet still reeling from its epic Super Bowl trailer, the marketing team for this summer’s The Flash is kicking it into high gear with the release of three brand new character posters featuring the titular superhero and his World’s Finest companions, Batman and Supergirl.
Well, more like the Batwing and Batcave. Still it’s no secret that Michael Keaton’s iteration of Batman will feature prominently in The Flash, and the newly released teaser poster just highlights the collision of these two cinematic worlds.
On tonight’s new episode of The Flash, Danielle Panabaker will play triple duty as Dr. Caitlin Snow, Killer Frost, and as director of the episode. This will be Panabaker’s third time in the director’s chair after making her directorial debut in season five. I got a chance to speak with the actress/director recently about getting back behind the camera post-COVID and what it’s like to be the last remaining member of the original S.T.A.R. Labs team.
For the last few weeks, The Flash director Andy Muschietti has been taking to social media to reveal glimpses at the costumes to be worn by Michael Keaton, Ezra Miller, and Sasha Calle, respectively in the upcoming entry into the DCEU.
Today is the day. Zack Snyder’s Justice Leaguehas finally been released to HBO Max and people can now see the director’s four-hour magnum opus as he bids adieu to the DC Universe. And while a lot has been made about the restored scenes and characters that were left on the cutting room floor of the theatrical edition, I was most struck by the differences between shots that appear in both versions. Below you will find side-by-side comparisons of several of these scenes.
Long time readers of this site will know that I have a a complicated history with Zack Snyder’s take on DC’s most iconic characters. While my opinion on his first foray, Man of Steel1, has waxed and waned over the years, I’ve never been able to see Batman v Superman as anything more than a convoluted mess of bombast and pretension feigning to be more profound than it actually was (Batman’s fight in the warehouse was cool, I guess). Moreover, the ferocity of the online debate about these films — both the religiosity of Snyder’s fans and the unnecessary cruelty of his detractors — turned me off to the whole enterprise. Talking about these movies on the internet was not worth the hassle or the harassment (says the guy who actively engaged in online arguments defending The Last Jedi for at least three years).
I am a Marvel fanboy. I always have been. DC has been kind to my youth, don’t get me wrong, but as the last several years have attested, it’s been difficult holding our collective breath for a superhero movie from DC that didn’t get immense flack. I won’t lie to you — I’ve goaded friends, some more than others, for rallying behind something like #TheSnyderCut back in 2017.
Fast forward a handful of years and a whole lot of headlines to Saturday’s Snyder Cut panel at DC FanDome and… I’m sold.
DC FanDome’s DCEU Flash panel was a short one. Or rather, it went by in a flash.
Bad pun aside, the panel was a little disappointing content-wise, especially when put up against Wonder Woman 1984. No plot or title was revealed. No new casting announcements. But what little we did get with respect to the film’s concept is sure to keep DC fandom occupied with speculation.
I bet you didn’t think that our second season would include Barry Allen ditching Team Flash to become a mysterious midnight contractor, Cisco becoming a semi-cop, Harrison Wells making things right, and Iris West actively-in-the-know regarding all things concerning The Flash. Yes, that all happened… or did it? I don’t know who or what to trust anymore after the re-imagined reality that was the episode’s opener.
It’s like one minute you’re in a bear hug (Barry-hug?) with Grant Gustin… but then you pull back to realize you’ve been hugging the sharp bony angles of Ezra Miller instead. NO NO NO. NOT MY FLASH. HE IS NOT MY FLASH. #NotMyFlash
With over 4.5 million viewers, The Flash has been one of this season’s most definitive breakout hits. Last night, the freshman series delivered a finale that had audiences wanting season two like yesterday.
While many, like myself, were skeptical, The CW drama brought its A-game right out the gates: an impressive affable cast; superb storytelling; and crossovers with its popular sister show, Arrow. Even an overarching mystery that has offered more than a few surprise twists that has left viewers (new casual fans and hardcore comic geeks alike) eager to find out what’s going to happen next.
Another component of The Flash’s success is that show runners haven’t hesitated to utilize the Scarlet Speedster’s rich mythos, be it the comics or CBS’ 1990 series.
Just like last week’s Arrow, we start off with a motorcycle chase. Barry zooms around after three motorcycles and, with the help of Dr. Wells, corners them without their keys. Our thematic monologue of the week has to do with heroes. “Everyone has a hero. What’s hard is when our heroes stop believing in us.” There are two layers to this opener and it all has to do with Harrison Wells and his two different layers.
Vitals: Justice League: The Flashpoint Paradox is an 81-minute feature-length animated movie based on the major DCU crossover event called Flashpoint, which happened two years ago and was helmed by writer Geoff Johns that resulted in a universe-wide reboot called “The New 52.” It can serve as either a stand-alone movie, or a primer for those who want a quick recap of how “The New 52” came to be without having to read all of Flashpoint in collected trades.