Doctor Strange. Iron Fist. Ghost in the Shell. It’s hard out there to be an Asian American actor. Or an Asian American consumer of media. Or someone who would prefer to see more Asian Americans on screen (and behind the scenes). That’s why guest host Valerie Complex (whose #IAmMajor clapback recently went viral) gathered an all-star panel to talk about being Asian in Hollywood: feminist pop culture writer Clara Mae, Geeks of Color Creative Director (and Finn Jones’ favorite person on Twitter) Asyiqin Haron, Man in the High Castle actor Lee Shorten, and (the man who should’ve been) Iron Fist’s Lewis Tan.
On February 28, I saw a 15-minute sneak peek of the Hollywood adaptation of Ghost in the Shell. From the announcement of the project, this has always been a bad idea. But the announcement of the cast and story has made things much worse. Most noticeably, Hollywood adaptations of Japanese anime have yet to be successful. Either their stories veer too far from the source material, the director isn’t a good fit or the casting makes no sense. You would think Hollywood would learn, yet here we are, on the precipice of another anime-adapted flop.
Here are the takeaways from what I have seen of Paramount’s Ghost in the Shell so far.
So like many of you I caught the interview where Scarlett Johannson encouraged moviegoers to keep asking for diversity.
Now I like ScarJo and all but like many of you I laughed heartily for a good five minutes.
The guffawing finally ceased when I realized this wasn’t an Onion article and the Lucy and Ghost In The Shell star was being serious.
Then this was my reaction.
There is an old fairy tale popularized by Hans Christian Andersen as The Little Mermaid. I’m one of those odd first-and-a-half generation Vietnamese American immigrants, and tales of living in between spaces have always held my attention. The story goes that a little princess from a world under water wants to live on the land. She falls in love, exchanges her tongue for a pair of legs, and finds herself thrust into the unenviable circumstance of navigating a strange space where she literally has no voice. Ultimately finding no place for her in the world for which she had given up everything, she casts herself off the side of a ship into the ocean, drowns, and dissolves into sea foam. Victorian sentiments about Christianity and moralizing stories for children eventually got Andersen to amend the ending. This is more or less the state of Asian American identity politics. We’re always finding ourselves caught between “where we come from” and wherever we yearn to belong.
The buzz around the 2017 Ghost in the Shell film, among many other film and television projects of its ilk in recent memory, has ignited a bevy of thinkpieces about cultural appropriation and the nature of Asian American identity politics. The topic is complicated.
Wow, where to start with this trailer. It OPENS on a person in stylized Japanese esoteric garb to tell us how much we’re in that place Japan where things are weird. Who is this person? Don’t know, don’t care at all.
Then we get a pretty faithful live-action recreation of the original Ghost in the Shell’s elegant opening action sequence, pretty much nailing the point home that the only reason you aren’t aware of this seminal science-fiction already is because it didn’t have Scarlett Johannson in it, and now we fixed that for you.
There’s been so much talk about Ghost in the Shell, Dr. Strange, whitewashing, yellowface, and underrepresentation I bet some of you out there are saying, “Man, I might be at my limit!” But wait, there’s more!
When the first look image of Scarlett Johansson as The Major came out, tons of people, Ghost in the Shell fans and regular movie fans alike, were dismayed that yet another opportunity to cast talented Asian actresses passed Hollywood by. Or to put it another way, folks were upset that Hollywood didn’t take the opportunity to advance itself into something better than it has been.
As reported by The Hollywood Reporter, Fresh Off the Boat star recently caused controversy after likening studio attempts to make Scarlett Johansson seem “more Asian” to the practice of blackface. In this One-Shot, the author of that article, Rebecca Sun, and #OscarsSoWhite creator April Reign join Keith to discuss the problematic nature of that analogy and why it’s important for non-black people of color communities to reach out rather than co-opt.
It may feel like beating a dead horse, but I have some thoughts to share about the last seven days in Hollywood. It all started with the debut of the Doctor Strange trailer and our first look at Tilda Swinton’s Ancient One. That was quickly followed up with Paramount offering a sneak peek at Scarlett Johansson’s Major Motoko Kusanagi. (Even today, Lionsgate unveiled Elizabeth Banks as Power Ranger villain Rita Repulsa). Late last week, I posted the above photo on twitter as a joke about a Joy Luck Club remake.
“Give Me A Chance and I’ll Change The World” — Beau Sia
One of my favorite spoken word poems of all time belongs to Beau Sia. In his piece “Give Me A Chance” he talks about the extreme difficulties of being an Asian performer in a country where far too often he is seen as an exotic commodity or is just plain invisible. Although the poem came out over 10 years ago, it is just as relevant today as it was back then, as his poem has been on my mind the past few days, what with the recent reveals of Tilda Swinton playing a Tibetan bald monk in Doctor Strange and now Scarlett Johansson as Motoko Kusanagi in Ghost in the Shell. And in case people forgot, The U.S. adaptation of Death Note is now coming to Netflix with Nat Wolff playing Light Yagami. Yes, just like the other anime adaptation, they didn’t bother to change his last name (I can already hear the arguments that white people can have Japanese surnames too, how dare you be so narrow-minded Edward).
This week’s reveals from Doctor Strange and Ghost in the Shell are further proof that it’s hard out there for an Asian actor who wants to be in a genre film. Fortunately, there are a few AAPI actors who have claim to the coveted “Nerd Grand Slam;” that is, they’ve starred in a superhero franchise, a Star (Trek or Wars) vehicle, and an epic fantasy. But who is the nerdiest? Dominic Mah, from YOMYOMF.com, joins Keith to decide which actor is the One Nerd to rule them all.