Searchlight Pictures’ The Menu is getting served up to theaters this week. And we can’t wait for audiences to witness this delightfully devious horror comedy satire. To commemorate its release, The Nerds of Color was invited to attend the press conference for the film, alongside its stars and director. Click here to see what they had to say about the film.Continue reading “‘The Menu’ Director and Stars Dish All About This Delectable Delight”
Elitism is a disease for which there is no cure. Despite the need for people to work towards the collective good of supporting one another, society has a tendency to try and hold rankings and create conflict out of those rankings based on wealth, power, and opportunity, resulting in humanity immersing itself into the throes of these ridiculous constructs of social hierarchy that elevate one individual over another. It’s a disease that also impacts how we view art, lifestyle, business, and politics, contributing to increased levels of human arrogance and self-satisfying entitlement. Which is why I’m grateful for a movie like The Menu that attacks this problem head on.Continue reading “NOC Review: ‘The Menu’ is a Delightfully Devilish Delicacy”
by Adam Chau
Since the finale of HBO’s Watchmen, I’ve been trying to reconcile my initial and absolute love for the show along with the eventual (and building) disappointment that I felt by the final episode for the Vietnamese characters and lịch sử brought into the show — but also keeping in mind that at its heart it’s a story about a Black Female Protagonist, the impetus for PTSD the Tulsa Race Riots, aka Massacre (which people still don’t know about), and the trauma and rising of a Black American lineage — không gia đình Việt Nam.
In that way it’s not a straight line from one thought to one conclusion — it’s the questions and the feelings they’ve brought up, their validity in a fictional world clearly designed to take on racism by POC, where there is inclusivity, but where I also can’t help but feel some of the underlying tones are still a recycle of already recycled stories, fictional and beleaguered, where Vietnamese and Asian Americans are still not fully embraced.
Before December 2019 ends, I wanted to take a moment to reflect on one of the most significant pop culture artifacts of the year. This is the month, after all, in which one of the co-creators of the iconic series Lost gave us a critically acclaimed and universally praised ninth episode of a series that breathed new life into a franchise that had not been this beloved since the mid-1980s. By shifting the focus away from the historically white male heroes of the original and toward a story centering women and people of color, the creators had to also confront the toxic — and often racist — fan culture that had laid claim to the property for over thirty years. Plus, they were able to do all of this without the consent of the property’s original creator.
Of course, I’m talking about Watchmen on HBO.