With the premiere of The Cleaning Lady set for this Monday, little is known about what to expect for the series in its sophomore season. Thony (Elodie Yung) is dealing with Marco (Ivan Shaw) taking Luca at the end of last season after helping Arman (Adan Canto) take over Hayak’s (Navid Negahban) empire. But now, there seems to be a new foe added to the mix.Continue reading “Naveen Andrews on What to Expect from His Role in ‘The Cleaning Lady’”
Before December 2019 ends, I wanted to take a moment to reflect on one of the most significant pop culture artifacts of the year. This is the month, after all, in which one of the co-creators of the iconic series Lost gave us a critically acclaimed and universally praised ninth episode of a series that breathed new life into a franchise that had not been this beloved since the mid-1980s. By shifting the focus away from the historically white male heroes of the original and toward a story centering women and people of color, the creators had to also confront the toxic — and often racist — fan culture that had laid claim to the property for over thirty years. Plus, they were able to do all of this without the consent of the property’s original creator.
Of course, I’m talking about Watchmen on HBO.
Daniel Dae Kim has been a busy man.
Since 2004, Kim has been a fixed entity on our television screens through ABC’s mystery series LOST and CBS’s Hawaii Five-0. Since leaving Five-0, Kim has been working nonstop on acting and being an executive producer.
It’s been nearly two weeks since Iron Fist debuted all 13 episodes of its initial season on Netflix. Prior to its release, the first half of the season previewed for critics received a drubbing the likes of which is unheard of for a Marvel/Netflix property. I’ve since watched the whole season, and yeah, it wasn’t good. Setting aside my issues with the casting of the lead, Iron Fist suffers from the worst sin of any piece of entertainment: it’s boring! Worse than that, it has absolutely zero point of view. I still don’t know what Scott Buck is trying to say with this show. To that end, I wrote a post about different Asian American showrunners who could have brought a unique perspective to the Iron Fist story that the current show lacks. In response to my article on twitter, one of those writers, Steven Maeda, even revealed he actually pitched an Iron Fist concept to Marvel!
I reached out to the former X-Files and Lost writer to get the skinny on what happened to his pitch to Marvel.
This week’s reveals from Doctor Strange and Ghost in the Shell are further proof that it’s hard out there for an Asian actor who wants to be in a genre film. Fortunately, there are a few AAPI actors who have claim to the coveted “Nerd Grand Slam;” that is, they’ve starred in a superhero franchise, a Star (Trek or Wars) vehicle, and an epic fantasy. But who is the nerdiest? Dominic Mah, from YOMYOMF.com, joins Keith to decide which actor is the One Nerd to rule them all.
When Love Actually premiered in cinemas over a decade ago, who knew it would be one of the most influential — and divisive — holiday movies ever made? You might think I’m being hyperbolic, but this movie is consistently one of the best selling DVDs and blu-rays every year1 and gains legions of new fans from multiple airings on cable and Netflix — though not for much longer. It’s also responsible for spawning an entire sub-genre of similar romantic comedies like Valentine’s Day and the equally awful New Year’s Eve. Love it or hate it, this flick evokes extreme feelings either way.
So why am I writing about Love Actually? It’s not like romantic comedy is a topic that’s covered on the NOC. Well, for one thing, most of the movie’s sprawling cast of British actors have gone on to become icons of the Comic-Con set. The stars of today’s biggest genre properties can trace their lineage back to this flick, and it’s amazing.Continue reading “‘Love Actually’ is Ground Zero for Geek Icons”
The above image is from the cover of my upcoming book: Diary of an AfroGeek.
Being an AfroGeek is all about being comfortable, and expecting, to hold immense contradictions. It is loving Firefly, Serenity, and Buffy the Vampire Slayer, but having a strong feeling that Joss Whedon doesn’t love you back. It is about getting into passionate discussions about why and how Storm’s original mohawk incarnation was one of the more powerful political statements in comics, but being appalled at how uninteresting she became when she married Black Panther.
After much effort to create a live-action version of Chew — understandably hampered by the story’s routine use of cannibalism as a central plot device — producers have decided to go in a different direction and create an animated feature instead (that is expected to go straight to home release). This, I think, is a good decision: the book has a very specific tone and atypical humour that I think would not translate very well through a live-action script.