Doctor Strange, directed by Scott Derrickson (Sinister), tells the story of Stephen Strange (Benedict Cumberbatch), a gifted neurosurgeon who is wrapped up in his own vanity. After karma executes Stephen’s fate he suffers irreversible damage to his hands, destroying his valued medical career. His desperate search for physical healing takes him to the Far East to a place called Kamar-Taj. There he meets the “Ancient One,” (Tilda Swinton) a mystical witch with undisputed power, and Baron Mordor (Chewitel Ejiofor) one of the chief masters of the Kamar-Taj temple. Strange believes the Ancient One is the key to healing his hands and returning back to the medical field. Little does he know he is smack in the middle of a war between good and evil. His visit to Kamar-Taj will be a turning point for Stephen Strange. He chooses to learn the ways of the arts but isn’t sure if this magical war is a good fit for him.
Six months and change after the release of its first trailer — and therefore about the same amount of time since co-writer C. Robert Cargill’s infamous “[t]he social justice warriors were going to get mad at us for something this week” rebuttal to Asian American critics of the film’s whitewashing — the initial reviews are in for Doctor Strange, and they’re not encouraging.
Oh, the movie? Actually, the critics seem to like it just fine. Being The Nerds of Color, however, we’re interested in looking at a different metric. Doctor Strange’s whitewashing of primary character The Ancient One was, after all, one of the driving forces behind the hashtag and rallying cry #whitewashedOUT in May.
So no, this isn’t a review of Doctor Strange the film, but a review of the reviews of the film, using a simple standard: how accurately and humanely did each review portray Asian American dissent over the whitewashing of The Ancient One?
Spoiler warning: spoilers throughout. Best to read this after watching the whole season! Which I recommend!
It was during a small, nearly throwaway scene deep in episode 10 that it hit me like Jessica Jones’ fist: Luke Cage is the most feminist show I’ve ever seen.
The scene, captured in the screen grab above, features four women characters — four black women, not a one of them under the age of 30 (and none of the actresses under 35) — each of whom is in fundamental conflict with the others, but who come together in two temporary alliances to fight a multi-level battle. Yes, it’s complicated.
I would not fault anybody for not watching or liking Agents of S.H.I.E.L.D. due to its hot mess of a first season. However, it has improved. Does it still have issues? Indeed it does. But with those issues comes the fact that it still remains one of the most diverse casts on TV. Though aside from showrunner Maurissa Tancharoen, I wonder what that diversity looks like behind the cameras. Anyway, now there is Gabriel Luna. With his head on fire. There was a lot of hype about the Robbie Reyes incarnation of Ghost Rider leading up to the season 4 premiere. By and large, it held up. Here are just a few points I remember and talked about with friends in person and via the internets.
I tweeted this over a month ago from The Nerds of Color handle, when I was excited about the Zendaya news and wanted to quickly hop on the celebrations. Suffice to say the tweet raised some eyebrows. The tweet fails to mention other recent castings or acknowledge the other women of color who came before them, in both film and TV. And from a feminist point of view, the inclusion of romance in a film is often considered a disservice to the female character (coughBruce/Natcough). The complex ways in which women of color are portrayed on screen is worth exploring, so let’s take a closer look at that now. How far have we come in terms of representation? And what does it mean to show a woman of color being loved?
One of the most buzzed about pieces of information to emerge out of San Diego Comic-Con over the summer happened when Marvel dropped a surprise teaser that revealed — some might say “confirmed” — that Ghost Rider was making his Marvel Cinematic Universe debut on ABC’s Agents of S.H.I.E.L.D. this fall. And the All-New version of Ghost Rider, Robbie Reyes, is the one coming to the small screen. Now we know what Gabriel Luna is going to look like on the show.
Okay my fellow NOCs, there are just a few truths we need to acknowledge when it comes to Spider-Man on the big screen. Out of five films, only one of them, Spider-Man 2, was any good. The rest were bloated messes that robbed Spidey of any and all joy. Tobey Maguire was a decent Peter Parker but not the best Spidey. Andrew Garfield was just the opposite. Spider-Man was done an injustice.
On a recent episode of Kevin Smith’s Fatman on Batman podcast, Marvel Chief Creative Officer Joe Quesada revealed that Marvel Studios has retained the rights to Namor, the Sub-Mariner. Of course, this isn’t the first time Quesada has assumed the rights to Namor had returned to Marvel — and Namor’s movie rights are some of the most confusing in comic book movie world. Still, it’s long overdue for a movie featuring one of the high-profile members of Marvel’s Illuminati, not to mention the fact that Namor is a perfect opportunity to cast an Asian American male as a lead in the MCU!
Four of these people are gone-zo. Can you guess which?
Okay. Here be much spoilerage.
Now that season 3 of Agents of S.H.I.E.L.D. (and that’s the last time I type that out) is over, I gots some identity-politickin’, pot-stirrin’, white-people-genocidin’ things to say.
The following events are true. The following events are not a joke. I really wish the following events were a punchline and not a sad reflection of our culture. You’ll see what I mean.
So in honor of tonight’s season finale of the Coulson/May Power Hour (known to some of you as Marvel’s Agents of S.H.I.E.L.D.), I thought I’d do a special edition Throwback Tuesday.