To be watching plays again inside a theatre after 18 months was certainly a strange experience considering that Poor Clare, now playing at the Echo Theater Company, was something I was supposed review right before the pandemic shut everything down and drastically altered our lives for many months to come. To finally be able to watch this play (written by Chiara Atik and directed by Alana Dietze) was made all the worthwhile in how utterly fantastic it was and how much its themes struck even harder after everything we experienced during this chaotic time.Continue reading “Los Angeles Theatre Review: ‘Poor Clare’”
The timing and relevancy of Ridley Scott’s The Last Duel underscore how little has changed for women between its 14th century France setting and now. Based on a true story, the gripping period piece tells the story of a courageous Marguerite de Carrouges (Jodie Comer) who accuses squire Jacques Le Gris (Adam Driver) of rape. Though no one believes her accusations, her husband, Jean de Carrouges (Matt Damon), challenges his former friend, now bitter rival grueling duel to the death.Continue reading “‘The Last Duel’ Stars Reveal Process of Making a Medieval Tale Relevant”
Sir Ridley Scott has given us some of the finest cinematic experiences of all time from Alien to Gladiator. There has been strong anticipation for The Last Duel, given the talent both in front of and behind the camera, and today, 20th Century Studios finally unveiled the first trailer. The film stars Matt Damon, Adam Driver, and the always amazing Jodie Comer. Take a look at the trailer for yourselves here:Continue reading “New Trailer and Poster for Ridley Scott’s ‘The Last Duel’”
This week on Hard NOC Life, Dominic and Keith continue their discussion of Birds of Prey and share their thoughts on Robert Pattinson as Batman. Later, Friend of the NOC Preeti Chhibber returns to the show to talk about a couple of new Dev Patel movie trailers.
This summer, English majors of the world will be sure to journey to cinemas to see A24’s first foray into medieval fantasy with The Green Knight, David Lowery’s adaptation of the classic Arthurian poem. Check out the first teaser trailer!
Gods of Egypt is a mess. You can look at the myriad of reviews trashing it and see it for yourself. Heck, you can look at the trailer — or its box office receipts — to see how much of a joke it is. Have you seen such bad CGI in the modern era? But even more insidious than the CGI is that the film went out of its way to cast white actors in an ancient Egypt-set story. This is the second film within two years that showed audiences a white Egypt. You might recall how spectacularly Exodus: Gods and Kings failed.
Technically, Gods of Egypt had all of the ingredients necessary to make a fun “swords and sandals” fantasy. It’s a fantasy that’s not just set in ancient Egypt, but involves gods and goddesses interacting with their human subjects. Who wouldn’t want to see Ra and Horus get into it on the big screen? But where the film’s team went wrong is that they treated it like a “traditional” fantasy. What’s a traditional fantasy, and why was that the wrong approach? Let’s find out.
I’m always amazed at how many people are so quick to argue that people of color did not exist in Europe during medieval times or that black people, for instance, weren’t around during the Greek and Roman eras. And to include said PoCs during such time periods would be unrealistic and another example of shoving a PC agenda down our throats OH-EM-GEE.
This usually comes up in medieval fantasy stories. Like say for instance, Guinevere in BBC’s Merlin. Actress Angel Coulby caught heat for daring to be a beautiful powerful black queen.