This week on Hard NOC Life, Dominic and Keith continue their discussion of Birds of Prey and share their thoughts on Robert Pattinson as Batman. Later, Friend of the NOC Preeti Chhibber returns to the show to talk about a couple of new Dev Patel movie trailers.
This summer, English majors of the world will be sure to journey to cinemas to see A24’s first foray into medieval fantasy with The Green Knight, David Lowery’s adaptation of the classic Arthurian poem. Check out the first teaser trailer!
Gods of Egypt is a mess. You can look at the myriad of reviews trashing it and see it for yourself. Heck, you can look at the trailer — or its box office receipts — to see how much of a joke it is. Have you seen such bad CGI in the modern era? But even more insidious than the CGI is that the film went out of its way to cast white actors in an ancient Egypt-set story. This is the second film within two years that showed audiences a white Egypt. You might recall how spectacularly Exodus: Gods and Kings failed.
Technically, Gods of Egypt had all of the ingredients necessary to make a fun “swords and sandals” fantasy. It’s a fantasy that’s not just set in ancient Egypt, but involves gods and goddesses interacting with their human subjects. Who wouldn’t want to see Ra and Horus get into it on the big screen? But where the film’s team went wrong is that they treated it like a “traditional” fantasy. What’s a traditional fantasy, and why was that the wrong approach? Let’s find out.
I’m always amazed at how many people are so quick to argue that people of color did not exist in Europe during medieval times or that black people, for instance, weren’t around during the Greek and Roman eras. And to include said PoCs during such time periods would be unrealistic and another example of shoving a PC agenda down our throats OH-EM-GEE.
This usually comes up in medieval fantasy stories. Like say for instance, Guinevere in BBC’s Merlin. Actress Angel Coulby caught heat for daring to be a beautiful powerful black queen.