Laufey’s “Madwoman” Music Video is a Wasian Celebration

Hot off her Coachella performance and A Matter of Time: The Final Hour deluxe edition release, Laufey, the Chinese-Icelandic genre-defying Grammy award winner, has revealed the music video for “Madwoman.” Framed through a dreamy 1960s bossa nova-inspired aesthetic, the video feels like more than just a visual flex. It is a deliberate gathering of Wasian talent across music, film, television, and sports, turning a buzzy release into a larger statement about visibility.

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Reflections on Watching Shorts at the Hawai’i International Film Festival as a New Filmmaker

I’ve been covering the Hawai’i International Film Festival (HIFF) for several years for The Nerds of Color, yet haven’t attended its festival in-person since 2019. When I obtained many ticket vouchers from serving on the screening committee for its 45th iteration, I realized before me I had a really good excuse to actually travel back to Honolulu this year to attend it. Little did I expect at the time of starting in the committee back in March that by the time I flew out to O’ahu, I would also be attending this year’s festival as a new filmmaker.

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Jon M. Chu Knows How to Direct Scenes About Being Seen

The 97th Academy Awards are just around the corner, and the film adaptation of Wicked is in the running with 10 nominations; including Best Actress for Cynthia Erivo, Best Supporting Actress for Ariana Grande, and Best Picture.

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Reasons Why ‘Voltron: Legendary Defender’ Will Remain Memorable

Voltron: Legendary Defender is departing Netflix. That’s right. The DreamWorks 2016 reboot of the 1984 series that straight up opens each episode with the reveal that it’s “A Netflix Original Series” is being removed from the platform, six years following its series finale.

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Nerd Poppin’ Throughout the SAG-AFTRA Strike

As of Thursday November 9, the SAG-AFTRA strike came to an end following an approval of a tentative agreement with the AMPTP. Having lasted a whopping 118 days, it is the longest actors strike against the film and TV studios in Hollywood history.

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Creators Amber Noizumi and Michael Green on Authenticity in ‘Blue Eye Samurai’

Netflix’s Blue Eye Samurai is not based on a manga or book. It doesn’t have any ties to any previous story that has been told. Instead, writers and co-creators Amber Noizumi and Michael Green were inspired by their own child, who was born with blue eyes. They thought about possible stories that could come from a mixed child with blue eyes, which many in society would consider beautiful. But for Noizumi, she immediately thought about Japan’s Edo period in the 17th century which frowned upon mixed children.

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Michaela Ternasky-Holland on Combining Grief and Philippine Mythology in ‘Mahal’

Michaela Ternasky-Holland is named for her father, Michael Anthony Ternasky. It’s one of many connection they share, a connections that was cut short when her father died in a car accident when she was young. 

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‘Across the Spider-Verse’ Stars Brian Tyree Henry & Luna Lauren Velez on Super Parenting

Spider-Man: Into the Spider-Verse was unlike any other Spider-Man film we’ve seen before. It was a highly dynamic cinematic experience that used a variety of animation styles and techniques to deliver something wildly psychedelic and separated itself from the rest of its animation studio rivals.

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Mixed Asian Media Fest Returns with Virtual and In-Person Programming

New York City/San Francisco/Los Angeles: Mixed Asian Media proudly presents their second annual Mixed Asian Media Fest (MAM Fest) September 14-18.

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Southern Fried Asian: Greg Pak Returns

Southern Fried Asian is back and so is one of our previous guests. Keith welcomes back Greg Pak — whose moving new autobiographical project I Belong to You / Motherland is being turned into a choral performance in Austin — to discuss belonging and loss and share memories of his mother and childhood in Texas.

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‘Inbetween Girl’ Shows How Maturity Sometimes Means Accepting Your Mess

The road to adulthood is messy, imperfect, and unkind. Media depictions of adolescence tend to rule these realities out, or otherwise forgoes depicting representation of this demographic at all. But the truth is, sanitizing the experience does not hide the mistakes and many questions that will inevitably be made along the way. 

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Southern Fried Asian: Jamie Ford

For this episode of Southern Fried Asian, Keith talks to his friend, the New York Times-bestselling author Jamie Ford, and learning about his southern roots in Arkansas. Consider this Southern-adjacent Fried Asian.

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‘The Ghost and Molly McGee’ Star Ashly Burch Celebrates Thai Culture in Her New Series

Ashly Burch is proud of her Thai heritage. 

Being of Thai descent, Burch has never really gotten the opportunity to play a Thai character, let alone showcase her mixed heritage onscreen until now with Disney Channel’s new animated series, The Ghost and Molly McGee. After Burch was cast as the title character, the creators — Bob Roth and Bill Motz — decided to base Molly and her family on Burch’s own cultural background.

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Nothing is Black and White in Monochromatic Trailer for ‘Passing’

Being “white-passing” comes with a certain kind of privilege. One that can mean the difference between a life of discrimination or a life of luxury. Such a privilege is the topic of discussion in Passing, the brand new film based on the book by Nella Larsen, coming to Netflix and select theaters later this year.

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‘Titans’ Star Jay Lycurgo on Representing and That Major Moment For Tim Drake

Jay Lycurgo is ready to represent mixed kids everywhere as Tim Drake in HBO Max’s Titans

The 23-year-old British actor, who is himself a fanboy of comic books and pop culture, never saw someone who looked like him on television or in film. Prior to his casting, Lycurgo tweeted about needing more people of color as superheroes because these kids need more role models. After he was cast as Tim Drake, the biracial actor recalled seeing a mixed race kid wearing a Robin suit and feeling proud about it. 

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Mixed Asian Media Presents First Annual Mixed Asian Media Fest!

Mixed Asian Media (MAM), formerly known as Hapa Mag, have announced their inaugural festival to celebrate mixed Asian and Pacific Islanders and their creative art forms — including film, theatre, art, dance, and many more! Partnering with Leviathan Lab and CRUX XR, the virtual celebration will take place on the platform Bizzabo.

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Southern Fried Asian: Kevin Kwan

Last month, the Enoch Pratt Free Library in Baltimore hosted our own Keith Chow in conversation with New York Times bestselling author Kevin Kwan as part of their “Writer’s Live” series. Because they spent a portion of their talk discussing Kevin’s childhood in Texas, we are presenting that conversation in its entirety for Southern Fried Asian!

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The ‘Heights’ of Anxiety and the Color Line: Racial Ambiguity in a Culture of Absolutes

I once heard the great political philosopher and activist Angela Davis argue that Americans are so obsessed with race as an identifying feature that when we meet racially ambiguous people, we are anxious until we know on which side of the color line they fall. Upon hearing this, I was relieved by the articulation of something I had suspected was at the heart of my experience. It was like experiencing great art, that rush of adrenaline that comes with recognizing what we’ve known all along presented as fantastically new.

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The Lessons Learned and To Be Learned from Darren Criss in ‘Hollywood’

Hollywood, a new miniseries created and executive produced by Ryan Murphy, will be coming to Netflix this Friday. Audiences will both travel back in time to the 1940s and explore an alternative universe where a group of aspiring actors and filmmakers — who’re female, people of color, and/or LGBTQ — break into the business and dismantle the boundaries against them in the process.

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How Disney’s ‘So Weird’ Deepened My Connection to My Filipino Side

Last week, a list started circulating online that supposedly contains all the previously released content that will be made available on Disney+ on its November 12 launch date. Of all the titles, the Disney Channel Original series, So Weird, is one of them.

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Spider-Man, Pokémon, and Star-Crossed Lovers: Mixed Race Characters Take the Lead

WARNING: The following contains spoilers for the films, Spider-Man: Into the Spider-Verse, Detective Pikachu, and The Sun Is Also a Star.

Although Loving v. Virginia officially abolished all remaining anti-miscegenation laws in the United States in 1967, it really hasn’t been until recently where the portrayals of mixed race characters and interracial couples on the big screen have improved significantly. Within the last six months alone, several films have had either mixed race characters as the leads or interracial relationships as the central focus. An added dimension to some of them is that apart from some of the characters being of the younger generation, the focus wasn’t on their race(s). That didn’t, however, stop these films from acknowledging their backgrounds. While it’s good that films like Aquaman are out there that get really real about being mixed, not all mixed race protagonists need to go on a journey of self discovery to that extent.

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Aquaman: A Mixed Kid’s Journey

by Maha Chehlaoui

I went to Aquaman for two reasons: First, the ticket was free. Second, this is basically underwater Magic Mike, right? I came for the pecs, I stayed for the pecs. But also for the analysis of what it is to be of two cultures. I mean races. I mean… worlds?

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‘Andi Mack,’ Children’s Television, and a Future in Full Color

A lot of people of color of my generation who are passionate about diversity and representation in the media tend to point to the media we consumed as children as the reason why — to the absences, omissions, and misrepresentations, and to the token presences we latched onto like lifelines. Today, our childhood experiences are ever-present motivators in our lives as fans, consumers, and creators in our own right, trying to redress past wrongs by ensuring the existence of the mirrors, windows, and doorways we were denied years before.

As a father watching contemporary media aimed at kids, tweens, and teens with my own tween and teen daughters, I’m slowly getting the hopeful feeling that their future will be different — or, if it isn’t, there will be hell to pay. That’s not to say that there isn’t vast room for improvement — we haven’t solved it, not by a long shot — but the energy, the diversity, the mere and sheer presence in the media world with which my children interact and which they take for granted as normal is so far from what we grew up with, and so close to what we wish the media landscape at large looked like, that I can’t help but be a little optimistic.

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