For those living in the Los Angeles area, the Hollywood Fringe Festival is upon you. Perhaps you might have seen their flags flown throughout the city or perhaps you might have heard whispers of it from your actor friends yapping away about which fringe play to watch. And you go, “What the heck IS the Hollywood Fringe Festival?”
For several months now, it’s been teased on both The Flash Podcast and Supergirl Radio that with the epic musical crossover between The Flash and Supergirl, both podcasts would of course come together for a crossover of their own.
On Tuesday, March 21 at 9pm PT / 12am ET, the two podcasts will come together for a special live show, following the musical crossover between The Flash and Supergirl. The live show will be hosted at Mixlr.com/DCTVPodcasts where hosts of both podcasts will be discussing the big musical event.
Back in November, we recorded a live edition of Hard NOC Life from the NOC Reading Lounge at CTRL+ALT — the Smithsonian Asian Pacific American Center’s pop-up culture lab in the former Pear River Mart location in SoHo. Hamilton superfans Constance Gibbs, Kendra James, and Kevin T. Morales joined Keith to nerd out over the smash Broadway hit musical Hamilton.
by Timothy Yu
Mike Pence went to see Hamilton. He got booed. The actors read a statement from the stage. And our president-elect tweeted a demand that the cast apologize for their “harassment.” Just another day in the dawning Trump Era.
There was plenty to say. Some pointed out the irony of Donald Trump, scourge of political correctness, complaining that the theater should be a “safe place.” Others pointed to the chilling precedent of our incoming president demanding that artists apologize to an elected official. But what most surprised me was seeing some of my friends — many of whom are themselves artists, writers, literary scholars — repeating the argument that the Hamilton controversy was “just a distraction” from Trump’s other problems.
If you missed out on George Takei’s Allegiance during its acclaimed, but brief, Broadway run, Fathom Events is giving you an opportunity to see the musical — that made Hamilton’s Lin-Manuel Miranda sob — in a cinema near you!
If you follow this site, you know there aren’t many things we obsess over more than The CW’s DC Universe and Hamilton. And since most of the original cast of the Broadway phenomenon has moved on — or is about to move on [sadface] — I figured why not mash up our favorite things and imagine which DC characters the Hamilton cast could play in the Berlanti-verse? We all know how much they love casting Broadway talent on these shows in the first place. Besides, Lin himself has said we should expect these guys on our favorite shows anyway:
For this week’s edition of Hard NOC Life, we’re changing it up and focusing our attention on a genre that doesn’t get much attention on the site: musical theater! At a time when Hollywood still thinks it’s risky business to put people of color in their movies, Lin-Manuel Miranda’s Hamilton is literally poppin’ a squat on conventional wisdom, like it or not. With its company of African American, Latinx, and Asian American actors playing the men (and women) who founded our country, Hamilton is proof that diversity equals box office. Joining Keith to talk all things Ham, are super-fan Constance Gibbs, Hollywood Reporter Rebecca Sun, and #OscarsSoWhite creator April Reign.
I had so much fun watching NBC’s airing The Wiz: Live! on network television. Having grown up with the original, I was curious to see how the new version would stand up. And now I’m going to slip into gush mode because you guys. YOU GUYS. IT WAS AWESOME. We sooooo needed this, especially in this time where most news about blacks are seeded with shootings, protests, micro-aggressions, and fear. The Wiz: Live! was a welcome — and very much needed — celebration of black culture in all its forms.
This week’s episode of Arrow was really great — it’s probably the first time ever that I’ve enjoyed Arrow more than The Flash since 1.) Last season of Arrow was ROUGH, and 2.) This week’s episode of The Flash was also rough. Of course, the amazingness of “Beyond Redemption” was helmed by none other than Punisher: War Zone (and friend of the NOC — go check out Keith’s interview with her!) director Lexi Alexander.
On Thursday night, NBC aired their Peter Pan Live! event, a highly publicized three-hour-plus live performance starring Allison Williams as a weirdly sexualized little boy who doesn’t want to grow up. Tucked among the many press releases for the event was the information that the role of Tiger Lily would be played by Alanna Saunders, who is a “descendant of members of the Cherokee Nation.” OK.
Additionally, the show promised us they changed the offensive “Ugg-a-Wug” song to something culturally “authentic” and appropriate. They even hired a Native composer, Chickasaw Jerod Impichchaachaaha’ Tate, to consult on the “improved” “Ugg-a-Wug,” causing National Museum of the American Indian director Kevin Gover to praise the production for being, “closer to our heritage, our culture and portrays a deeper sensitivity and helps diminish the many stereotypes surrounding Native Americans.”
I’m going to hope that he said all that before he saw the costume or the number. Because the costume. Oh the costume. Vegas showgirl-meets-Halloween-pocahottie-flapper.