In this case, “all time” refers to two years. You see, today marks the second anniversary of the official launch of the site. Since that time, we’ve amassed dozens of contributors, hundreds of articles, thousands of readers, and hundreds of thousands of views. It’s humbling, and as the site’s lead editor, I want to thank each and everyone who has made the Nerds of Color what it is today, two years later.
So before we move forward into Year Three, I wanted to look back at the last two, and share ten of the most read posts in the history of the blog. Also, if you haven’t already, be sure to follow us on twitter and Facebook where we’ll be sharing links to these classic posts all week. Anyway, on to the countdown!
Continue reading “The N.O.C.’s Most Read Posts of All Time”
It’s been a little over a day since I saw both versions of Oldboy — one by Spike Lee and one by Park Chan-wook — back to back. The more I reflect on the Spike Lee version, the worse and worse it gets in my head. So I’ll just barf out the major wrongs about this sad re-make and be done with it.
This write-up will be chock full of spoilers which will save you a lot of time and money. I’m also assuming that my readers have seen the original, Korean version of Oldboy. And if you’re keeping track at home, both versions (American and Korean) are based on the Japanese manga of the same name by Garon Tsuchiya and Nobuaki Minegishi.
Continue reading “The Five Major Fails of Spike Lee’s Oldboy“
With all the debate this week over cross-racial and trans-racial casting of comic book movies, one aspect that hasn’t really been discussed in depth yet is the phenomenon of Hollywood White-washing of explicitly non-White characters in live-action adaptations. Famously, Aang of The Last Airbender was played in the live-action adaptation (directed by M. Night Shyamalan) by a young White actor despite repeated references in the comics to Aang’s non-White racial makeup. More recently, a non-comic book (but nonetheless grindhouse-esque cult classic) Korean movie called Oldboy is being remade in Hollywood with an all-White cast.
With the existing dearth of non-White faces in film, let alone comic book film, it’s safe to say that most of us can agree that cross-racially casting a non-White character with White actors is problematic.
A few years back, Hollywood was also rumoured to be developing a live-action adaptation of the landmark anime, Akira. At one point, the film was going to star Zac Efron, and although he has since backed out, it’s still unlikely that today’s Hollywood will cast Asian actors to play Akira‘s all-Japanese cast of characters.
And why not? Hollywood typically argues that there aren’t enough (or talented) non-White talent in Hollywood.
Well, that argument sounds like complete trash to me.
After the jump, check out a re-post of something I wrote in 2010, containing my own all Asian/Asian-American casting of a hypothetical Akira live-action movie.
Continue reading “Live-Action Akira: An All-Asian American Dream Cast”