Disappointment For Người Tôi In HBO’s ‘Watchmen’

by Adam Chau

Since the finale of HBO’s Watchmen, I’ve been trying to reconcile my initial and absolute love for the show along with the eventual (and building) disappointment that I felt by the final episode for the Vietnamese characters and lịch sử brought into the show — but also keeping in mind that at its heart it’s a story about a Black Female Protagonist, the impetus for PTSD the Tulsa Race Riots, aka Massacre (which people still don’t know about), and the trauma and rising of a Black American lineage — không gia đình Việt Nam.

In that way it’s not a straight line from one thought to one conclusion — it’s the questions and the feelings they’ve brought up, their validity in a fictional world clearly designed to take on racism by POC, where there is inclusivity, but where I also can’t help but feel some of the underlying tones are still a recycle of already recycled stories, fictional and beleaguered, where Vietnamese and Asian Americans are still not fully embraced.

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‘Lost’ Legacies: How to Re-imagine Sacred Nerd Texts

Before December 2019 ends, I wanted to take a moment to reflect on one of the most significant pop culture artifacts of the year. This is the month, after all, in which one of the co-creators of the iconic series Lost gave us a critically acclaimed and universally praised ninth episode of a series that breathed new life into a franchise that had not been this beloved since the mid-1980s. By shifting the focus away from the historically white male heroes of the original and toward a story centering women and people of color, the creators had to also confront the toxic — and often racist — fan culture that had laid claim to the property for over thirty years. Plus, they were able to do all of this without the consent of the property’s original creator.

Of course, I’m talking about Watchmen on HBO.

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