This weekend has been all about trailers! After years of anticipation, Sony Pictures is finally giving us a Miles Morales Spider-Man on the big screen! After the jump, check out the just released trailer for the animated film, Spider-Man: Into the Spider-Verse!
Disney’s 3-D live-action story of the 1998 animated hit Mulan has officially received a release date: November 2, 2018.
It will be exactly twenty years after the original film was released, with the title character voiced by Agents of S.H.I.E.L.D. star Ming-Na Wen.
According to The Hollywood Reporter, Disney has launched a ‘global casting search for a Chinese actress’ to play the title character. Yes, you read that right. A Chinese Actress.
Ready to feel old?
This December, Steven Spielberg’s Hook — the film that imagined what happened to Peter Pan (the late Robin Williams) after he grew up — will be celebrating its 25th anniversary. Recently, Entertainment Tonight reunited the movie’s Lost Boys — who were all child actors at the time — to get back into their Neverland costumes one more time. Fortunately for us, our pal Dante Basco, Rufio himself(!), brought a camera with him and shot some behind the scenes video of the photo shoot!
I’ll say this much for the new Ghostbusters film, it’s staying true to the spirit of the franchise. Apparently.
Just as Ernie Hudson got thrown under the bus and treated like garbage during the release of the original Ghostbusters film, Leslie Jones is enduring the same crap in wake of the reboot.
Yesterday, the movie world was shocked (not really) to learn Daniel Craig had turned down a small fortune to return to the big screen as James Bond, leaving a 007-sized hole for the franchise. Of course, the most obvious successor to the Aston Martin is Idris Elba, preferably in a Christopher Nolan-directed 007. Unfortunately, he’s “too street” to be considered, whatever that means. (We know what that means). So why not give an Asian actor a license to kill? Thus, #AsianBond was born on twitter. It’s not like there isn’t a plethora of Asian Brits who could take the role. In fact, I came up with nine. The only caveat is that they all hail from the UK, so sorry John Cho.
The reason Elysium is so realistic is because it captures so well the economic disparities of the rich and poor; that the separation between the “haves” and “have-nots” might as well be a chasm as distal between the Earth and space, between the “first” and “third” “worlds.”
So… The trailer for the new Ghostbusters film hit today. I am a really big fan of the original first film, and I enjoyed the much misunderstood second. I was really looking forward to this reboot. The new (all woman) cast looked stellar. I love the idea of an all-woman ghostbusting squad. I think there are opportunities for a completely different type of humor that would be a welcome relief from the smarmy, white guy charm of the original two films. I damn near broke my tablet trying to watch it.
Spectre wasn’t the disaster some reviewers claim but it’s certainly nowhere close to Casino Royale (a film I consider one of the greatest Bond films of all time behind Goldfinger, License to Kill, and For Your Eyes Only).
The problem with Spectre is the similar problem with much of mainstream franchise cinema: “safe” stories with play-it-safe-writing that reduces the cinematic experience to a minor distraction from a busy week instead of an exploration of ideas.
The ever-expanding DC Universe on The CW just got a little bigger. Relative newcomer Ciara Renee has been cast as Kendra Saunders, aka Hawkgirl, in the still-unnamed Flarrow spinoff that will also star Brandon Routh and Caity Lotz from Arrow and Victor Garber and Wentworth Miller from The Flash.
What’s unmistakable about this casting, though, is the fact that Hollywood producers have once again gone “ethnic” when casting a traditionally redheaded character from the comics. So I have to ask, has the pendulum swung too far? Is this too much of a good thing?
Originally posted on Salon.com
Like it or not — despite the many, many hectoring jeremiads by the people who fall on the “not” side of the argument — “remake culture” seems to be here to stay. The most anticipated films of the upcoming year are all adaptations of or sequels to works that are decades old.