SDCC 2022: DC Shares First Looks at ‘Black Adam’ and ‘Shazam: Fury of the Gods’

With all of the excitement Marvel Studios brought to Hall H on Saturday, it was easy to forget that there was another huge comic book studio bringing upcoming releases to theaters this year: DC. And while they didn’t bring a multi-year plan of tentpoles building up to two major crossover events, they still bought something pretty epic: Dwayne “The Rock” Johnson!

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Finally… You Can Smell What ‘Black Adam’ is Cookin’

After years (and years) in development, Warner Bros. has finally revealed the first official footage of Dwayne Johnson as Black Adam! That’s right, the most electrifying man in sports entertainment is about to be the most electrifying anti-hero in the DC Universe! Literally!

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The Rock Teases First Look at ‘Black Adam’ in Costume

This morning, Dwayne Johnson took to Instagram to tease his followers with a sneak peek at his Black Adam costume. With production on the film wrapping up, it’s hard to believe the film — which has been in development for nearly as long as this website has been around — is actually happening.

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What’s Hiding Behind the Feel-Good Curtain of Hidden Figures: One Black Feminist’s Take

In a scene in Hidden Figures that is all too familiar for Black women viewers, or really anyone from a historically marginalized group, Taraji P. Henson’s character Katherine Johnson rushes to enter the NASA control room where she has just handed off crucial calculations for astronaut John Glenn’s safe return from orbit, and has the door summarily slammed in her face. The camera lingers on Henson’s profile, as she grapples yet again with the devastating knowledge that although she may be a useful “computer” for spitting out numbers that may make missions successful and even save lives, she is still not seen as fully human in the eyes of her peers and superiors. Indeed, in Henson’s capable hands, viewers ourselves experience the physical and emotional pain of being barred from entering the halls of power for absurd reasons beyond one’s control — in this case, race and gender.

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