by Adam WarRock | Originally posted on tumblr
All this week, I’ll be doing track-by-track commentary on the new EP. You should go grab the new EP at my bandcamp site, PHYSICAL COPIES OF THE CD WILL ONLY BE FOR SALE ON MY SITE UNTIL END-OF-DAY FRIDAY. If you want a copy of it, get it now, or get it at a show.
What’s funny is that me and Mikal both flipped this well known Drake hook into basically the same line without ever having really talked about it. So there’s kismet for you.
Continue reading “Track Commentary: “The Bottom””
The Walking Dead, AMC’s smash-hit zombie apocalypse action-drama, owes much of its success to the general interest in and support for gore-infested violence by American audiences. This season’s premiere raked in 16.1 million viewers, and devoured more 18-49 year old view attention than this season’s N.F.L. games. Thanks to Jenn Reappropriate’s conference commitments, I watched and live-tweeted “Infected!”, last-night’s episode , and my perspective and mild spoilers follow.
Robert Kirkman’s dystopia appealed as a comic because, during most of its run, the narrative focus highlighted human survivors. Rick’s post-traumatic insanity, Sophia’s alternate mental universe, Carl’s sociopathic nihilism, and even Michonne’s clumsy sexuality all fell within what reader would recognize as human responses to the unreasonable events presented by The Walking Dead. One of the most useful moments in the comic happens somewhere in the Prison, when Rick, in a frenzied monologue, explains the nature of the new world no meek can inherit.
Continue reading “NOC Recaps The Walking Dead: Blackened Catfish”