Colin O’Donoghue voices the character of Douxie in Netflix’s new Trollhunters: Rise of the Titans. The animated film premieres on July 21 and will serve as the epic finale for the Tales of Arcadia saga. Trollhunters: Rise of the Titans will unite the heroes from Trollhunters, 3Below, and Wizards, making it a can’t miss summer event.Continue reading “Colin O’Donoghue Discusses ‘Trollhunters: Rise of the Titans’”
DreamWorks Trollstopia is the next chapter in the hair-raising adventures of the Trolls. Now that Poppy knows there are other musical Trolls scattered throughout the forest, she bottles up her endless positivity and invites delegates from every Troll tribe in the forest to live together in harmony in a grand experiment she calls TrollsTopia.Continue reading “NOC Interview: ‘Blackish’ Star Ron Funches Talks Season Two of Peacock’s Newest Animation ‘Trollstopia’”
Netflix’s newest animated series, Archibald’s Next Big Thing Is Here, premieres February 18 and I had the opportunity to sit down with Hamilton star and quadruple Hollywood threat, Jordan Fisher (Dancing with the Stars), to talk his experience working on the show as well as his many other goings on.Continue reading “‘Hamilton’ Star Jordan Fisher Talks Netflix Series ‘Archibald’s Next Big Thing Is Here’ and More”
As a multiracial Asian American parent raising multiracial Asian American daughters in a media landscape much different from the one in which I grew up, I often think about how the images and role models, both fictional and real, to which they have access may shape their imaginations, aspirations, and ideas of what is possible. The decades-long discourse around diversity, and the lack thereof, in children’s literature and media, often starts with the idea of the importance of mirrors in which children can see themselves, their worlds, and their life experiences reflected back to them, especially in the form of textual and multimedia representations both performed and created by people like them. But more and more, as my children get older and become able to both converse with texts as fans and critics and become creators and producers of texts in their own right, I find myself thinking about the need to go beyond reflective mirrors or even windows through which different possibilities may be glimpsed. We need doorways through which we can step to create new realities. This may seem a slight distinction, but it’s one whose importance I’m learning from my children day by day.
With the conclusion of the How to Train Your Dragon trilogy, Dreamworks is set to release their new film Abominable this year. The story centers around Yi (voiced by Marvel’s Agents of S.H.I.E.L.D’s Chloe Bennett), a teenage girl in modern day China, and her quest to bring the Yeti she found, while playing her violin on the roof, back home in the Himalayas. She is joined by her childhood friend and popular kid, Jin (Tenzing Norgay Trainor), and Jin’s young cousin, Peng (Albert Tsai).
There’s been so much talk about Ghost in the Shell, Dr. Strange, whitewashing, yellowface, and underrepresentation I bet some of you out there are saying, “Man, I might be at my limit!” But wait, there’s more!
When the first look image of Scarlett Johansson as The Major came out, tons of people, Ghost in the Shell fans and regular movie fans alike, were dismayed that yet another opportunity to cast talented Asian actresses passed Hollywood by. Or to put it another way, folks were upset that Hollywood didn’t take the opportunity to advance itself into something better than it has been.
by Jon Tsuei
[Ed. note: This essay first appeared as a series of tweets on Jon’s twitter account and is being re-presented with his permission.]
I’ve been seeing a lot of defenses for the ScarJo casting that seem to lack a nuanced understanding of a Ghost In The Shell as a story.
In the immortal words of Jim Carrey: “How was your weekend?” For the new DreamWorks film, Home, it was a very good weekend indeed. As of this writing, Home has raked in $54 million and is the #1 movie in the U.S. — despite some naysayers‘ predictions. This is the studio’s highest non-sequel opening since 2009’s Monsters vs. Aliens. And it is daughter approved:
“Daddy. This movie is official.”
As our friend Angry Asian Man pointed out earlier this week, Scarlett Johansson has been offered the role of Major Motoko Kusanagi in Dreamworks’ live-action remake of Mamoru Oshii’s ground-breaking anime Ghost in the Shell. And well, she’s white. Which to many of us here certainly feels like more Hollywood whitewashing at first glance. Particularly to anyone following the on-again off-again plans for a live-action remake of Akira with an all white cast or M. Night Shymayalan’s tragic The Last Airbender.Continue reading “Lost in Translation: Scarlett Johansson and ‘Ghost in the Shell’”