It’s award season, which means every studio is going to tout their maudlin batch of contenders that qualify as “cinema” all over town. Trying to get voters to desperately nominate them for every award, while name-dropping the who’s-who of bait-worthy talent — all while every self-important and self-proclaimed “cinephile” pretends to preach about the difference between true “art” and “garbage” as if they invented the concept of “film” and are the authorities between what “real filmmaking” is and isn’t.

Continue reading “NOC Review: ‘The Fabelmans’ is Fine”