NOC Review: ‘Snake Eyes’ is a Win for the ‘G.I. Joe’ Franchise

Disclaimer: I would like to apologize in advance to everyone out there who is a huge G.I. Joe fan, because you’re about to read a review from someone who isn’t a hardcore fan. I have heard mixed things about the film from a hardcore fan perspective, and I know some of the fans aren’t happy the mythology was changed. I would like you to know that if that’s the case, I’ve been there.

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NOC Exclusive: Meet Akiko, Played by Haruka Abe in ‘Snake Eyes’

In one week, Snake Eyes: G.I. Joe Origins hits theaters everywhere, and Paramount is introducing each of the main characters via these short video promos. The NOC is proud to be the first place you get to see and hear Haruka Abe in action as one of the Arashikage’s deadliest warriors: Akiko!

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‘Snake Eyes’ to Kick Off Comic-Con @ Home & Fan Premiere Screenings

Comic-Con @ Home 2021 is upon us! The annual International convention is in its second (and, hopefully, final) year going virtual. To kick off the event, Snake Eyes: G.I. Joe Origins will have a panel, hosted by Mari Takahashi, featuring special content from the film, behind-the-scenes footage, and exclusive interviews with stars Henry Golding, Andrew Koji, Úrsula Corberó, Samara Weaving, Haruka Abe, Takehiro Hira, Peter Mensah, Iko Uwais, and writer of the G.I. Joe comics, Larry Hama.

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‘Snake Eyes’ Releases Eight Character Posters

As the film release draws closer, Paramount Pictures has released eight new character posters from the anticipated action film, Snake Eyes: G.I. Joe Origins. Starring Henry Golding as the title character, Snake Eyes is a legendary soldier from G.I. Joe whose origins were never revealed, until now.

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‘Snake Eyes’ Poster Offers a Silent Interlude Before the Trailer

We are so close to seeing a trailer for Snake Eyes: G.I. Joe Origins! To whet our appetites, Paramount has unveiled the first official one-sheet for the film, featuring Henry Golding in all his Ninja Commando splendor against the backdrop of the iconic Arashikage hexagram!

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The Significance of Iko Uwais in ‘Wu Assassins’

For two weeks already, the fantasy-crime-martial arts series, Wu Assassins, has been streaming on Netflix. Centered in modern day San Francisco Chinatown, it follows a chef who finds out he is the last Wu Assassin; the one whose destined to stop the five Wu Warlords from obtaining the powers of Wu Xing and using them to destroy the world.

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Go Asians: A History of AAPI Representation in ‘Star Wars’

The month of May holds a special place in the hearts of Asian American and Pacific Islander Star Wars fans. For starters, May has been AAPI Heritage Month since 1990, though it originally began as “Asian Pacific Heritage Week” when it was proposed in Congress by Representatives Frank Horton and Norman Y. Mineta in 1977. That’s right, 1977. You know what else debuted in May 1977?

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NOC Reviews The Raid 2

Now that I’ve had a day to process it, here’s my take on The Raid 2: Berandal. (Caution: there will be minor spoilers here.)

Let’s get the negatives out of the way — the only thing that (some ADHD-riddled folks) will complain about is the length and the subtitles. Also, a few cinephiles may not be happy about the recycled story concept — it’s a high-octane martial arts re-imagining of the outstanding Hong Kong police thriller Infernal Affairs that was later re-made into the Academy Award-winning Hollywood film The Departed. The plot and characters can get a little labyrinthine with the double-and-triple-crosses but that isn’t a complaint just a heads-up that this action film has a strong component of character development and interaction.

With that said, The Raid 2 picks up right after the end of the first movie and puts main character Rama (Iko Uwais) back into the mix as an undercover agent sent to bring down two Indonesian crime syndicates. I have to say, the acting in this movie is strong from top to bottom. You get to know each character and why they do what they do — and some of them are slimeballs but others are crimelords with a sense of honor and duty.

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