As you, our loyal readers know, The NOC was created to provide input on the pop culture stories and trends we all love, but with a perspective that assess them from the greater lens of representation for people of color; fans like you. Sometimes in my reviews, I’ll assess a movie purely from an entertainment standpoint. But sometimes, a movie will come along that honestly needs to be looked at closer with both lenses. And Godzilla Vs. Kong, of all things, is actually one of those movies. To be frank, I’d be lying if I said I didn’t like this movie. From an entertainment standpoint it’s actually a huge blast! But for a film in a franchise so heavily tied to Japanese roots, and prior to this installment, honored those roots proudly, it honestly gets me a bit angry whenever I think about it. So, with your permission, and because it’s cheaper than therapy, I’d like to use this review to talk about the things I loved about the film from an entertainment standpoint, the things I disliked from an entertainment standpoint, and the things I hated from a cultural standpoint as a fellow Nerd of Color.Continue reading “NOC Review: ‘Godzilla Vs. Kong’ is Giant Fun but Has Giant POC Problems”
What’s up nerds! In t-minus one week, we’re about to have our faces melted by the absolute blast that is Godzilla Vs. Kong. While you’ll have to wait a bit longer to see the movie, we’re excited to share with you a fun shout out from fellow NOCs — the stars of the film — Brian Tyree Henry and Shun Oguri!Continue reading “NOC Greetings from the Cast of ‘Godzilla Vs. Kong’”
Here we go! After months of fans begging Warner Bros. in the comments section of every social media post they publish online to release it, we finally have a trailer for literally the biggest movie event of the spring: Godzilla Vs. Kong! And it. Kicks. Ass!Continue reading “A Clash of Kings: The ‘Godzilla Vs. Kong’ Trailer has Arrived!”
Aw snap! It’s going down everyone! On May 31, Godzilla returns, and he’s taking on a whole lot of kaiju!
Warner Bros. just released the final trailer for the Michael Doherty (Trick r’ Treat) helmed sequel to 2014’s Godzilla, and man, by the looks of it, it’s going to be a hell of a monstrous summer!
Local Tokyo hero and frequent Asian-city destroyer, Godzilla and his various foes, who also destroy many Asian-cities, would like to wish all of their victims a Happy Lunar New Year!
In all seriousness, the legacy of Godzilla as an important cultural icon to Asians and Asian Americans everywhere is timeless. And in celebration of that legacy, Warner Bros. has released these four striking new Lunar New Year posters.
The Harlem Renaissance. Black life. Root work. Jazz. Diesel Funk (shout out to Tim Fielder) Monsters and monster hunting. Family. Action. Challenging of gender stereotypes. Camaraderie. Mysterious villains. A world adjacent to the world of the normals. Bitter Root delivers all this, and more. It also asks some very good questions.
One of the problems I’ve always had with horror and horror-adjacent material is that very few things are more frightening than being Black in the world. If we can’t be safe in Kroger’s, in church, being stopped by police, walking with our loved ones, going to school, where can we be safe? This book tackles this head on, without flinching, without apology.
Although Hollywood has been making monster movies since the original 1933 King Kong, the monster with the most staying power and screen incarnations didn’t come out of California, but from Tokyo. Godzilla is back with another cinematic reboot produced by Hollywood featuring the usual array of mega-special effects, including a digitized monster instead of a man in a monster suit. Whether costumed or computer-generated, Godzilla is the most famous Japanese American in the world. He’s starred in 28 movies, stomping his way through cities on both sides of the Pacific.
Godzilla, or the Japanese pronunciation, Gojira (a combination of the words for “gorilla,” gorira and “whale,” kujira) made its first Japanese appearance 60 years ago, in 1954. The film was edited and had scenes starring Raymond Burr as an American journalist inserted for its 1956 release in the U.S. as Godzilla, King of the Monsters. I always thought this was to make the movie more palatable to American audiences, but now I realize there was a more political reason for the reworking of the first film.