Iron Fist Abridged: The Adventures of Iron Goldendoodle & The Bargain Bin Lannisters!

by Andrea Tang

This weekend, between bouts of story-editing, I meandered my way through the first four episodes of Netflix’s Iron Fist, which I’m actually quite enjoying so far, probably for the same reasons I’ve seen Vampire Academy three times. I’m pretty sure the writers pitched this series as, “What would happen if you put a goldendoodle puppy in the body of a WASPy ten-year-old blue blood, then traumatically dropped him off in the Himalayas for Fifteen Whole Gap Yahs? Probably, he would die, but that is boring and untrue to comics canon, so what if we made kung fu magic happen along the way in a manner most likely to bring the wrath of Edward Said’s ghost down on our heads? LET’S FIND OUT.”

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Ghost in the Shell Trailer is Just as Racist as Everything Else This Week

by Dominic Mah | Originally posted on YOMYOMF

Wow, where to start with this trailer. It OPENS on a person in stylized Japanese esoteric garb to tell us how much we’re in that place Japan where things are weird. Who is this person? Don’t know, don’t care at all.

Then we get a pretty faithful live-action recreation of the original Ghost in the Shell’s elegant opening action sequence, pretty much nailing the point home that the only reason you aren’t aware of this seminal science-fiction already is because it didn’t have Scarlett Johannson in it, and now we fixed that for you.

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So Much for #AAIronFist: Marvel Casts Finn Jones

Despite a months (née years)-long campaign to have Marvel and Netflix consider Asian American actors for the role of Danny Rand in their upcoming Iron Fist show, it was announced that Game of Thrones star(?) Finn Jones had been cast in the role.

Honestly, is anyone actually surprised?

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Black Mask, Yellow Peril: Anti-Asianism in Netflix’s Otherwise Brilliant Daredevil

by Takeo Rivera

So let’s get one thing out of the way: it’s probably safe to say that Marvel and Netflix’s Daredevil is the finest piece of television ever made in the superhero genre. With its stellar cast and consistently tight writing and direction, the show can easily go toe-to-toe with any other major serialized TV drama in this golden age of Mad Mens and Breaking Bads, elevating superherodom to an unequivocal status of high art in much the way Ronald D. Moore’s Battlestar Galactica elevated the space opera. And, as a cherry on top, Daredevil happens to be one of the most progressive shows of the genre; in particular, Matt Murdock battles not some alien Super-Wario intent on blowing up the planet with an ancient glowing Rubik’s cube, but a scion of urban “redevelopment” — read gentrification — in Wilson Fisk, and spends an unhealthy time fighting white collar crime and community displacement by punching the crap out of it.

But Daredevil also has one massive problem: Asians. That is, Asians are the problem, and Daredevil’s problem is that Asians are a problem.

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In Defense of The Wolverine

At the beginning of this blog’s life, The Wolverine was a very popular topic. Jenn wrote about her issues with the film — primarily how she felt the movie was yet another example of Hollywood’s exotification of Asia and is essentially an Orientalist fantasy in the spirit of Miss Saigon. Later, Claire rebutted Jenn’s claims of Orientalism in the movie but still thought it sucked because of all the plot holes and poorly drawn characters. We even discussed it at length on Hard NOC Life.

Here’s the thing, though. I liked this movie. Like, a lot. It was probably one of my favorite movies of the summer and is definitely my favorite in the X-Men movie canon (which, I guess, isn’t all that difficult since X2 and the Magneto bits in First Class are the only good ones in the franchise).

Now that it’s out on blu-ray and DVD, I thought it was an opportune time to express why I liked it (even though it seems no one else on the blog did).

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Dicks, Smartasses, and The Magician King

While I read often, I rarely read quickly. I am jealous of my friends who can devour books. I am not that way and am awfully indecisive. My reading habit is to start six or seven books hopping between each and hoping one amongst all of them will stick. And even then, sometimes none of them do. But I’m happy to report that Lev Grossman’s The Magicians and The Magician King were books that I devoured.

This is all to say that I enjoyed those books immensely. And yet one minor passage midway through The Magician King gives me pause and illustrates why I am — in the end and inescapably — a Nerd of Color. Like most things, it has to do with penis, but I’m getting ahead of myself.

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