Netflix has shared first look images as well as the release date for a new seven episode limited series. True Story stars Kevin Hart, Wesley Snipes, Tawny Newsome, Will Catlett, Paul Adelstein, Theo Rossi, Ash Santos, John Ales, Chris Diamantopoulos, Lauren London, and Billy Zane. The drama is executive produced by Eric Newman and produced by Hartbeat Productions.Continue reading “Get a First Look at Netflix’s New Dramatic Limited Series, ‘True Story’”
Today, Deadline broke the exclusive news that Marvel is set to choose Mogul Mowgli director Bassam Tariq to direct the new ‘Blade’ film starring Mahershala Ali. Sources close to Deadline say that while deal hasn’t been finalized, it does come at the end of a fairly long and considerate search for the film’s director. When the deal is officially inked, Tariq will become Marvel’s sixth director of color, rounding out the list of his contemporaries that include Ryan Coogler, Chloé Zhao, and Taika Waititi.Continue reading “Marvel Taps ‘Mogul Mowgli’ Director Bassam Tariq to Direct ‘Blade’”
Idris Elba will replace Will Smith in the James Gunn-helmed Suicide Squad, dropping in 2021. For some reason, to me, this feels like the death knell for Elba to be the monstrous movie star we all know he deserves to be. Don’t @ me, but Elba isn’t where he should and could be. He’s made some career missteps (way more in film and music than on television), but I don’t think this is why he’s bubbled for so long, instead of popping.
Originally posted at Pop Culture Collab
“It’s Panther season, family.”
My cousin recently said this to me after I asked how her freshman year at an Ivy League university was going. Let’s be clear, by no means is my cousin a comic book or superhero film fan. She always teased me for being an “Afrogeek” and wondered why I loved superheroes, horror, science fiction, and related genres.Continue reading “‘Black Panther’ Ignites the Next Generation of Fandom Movements”
Join me, if you will, in an informal survey of the Non-Disney Marvel Comic Book Movie landscape:
The above image is from the cover of my upcoming book: Diary of an AfroGeek.
Being an AfroGeek is all about being comfortable, and expecting, to hold immense contradictions. It is loving Firefly, Serenity, and Buffy the Vampire Slayer, but having a strong feeling that Joss Whedon doesn’t love you back. It is about getting into passionate discussions about why and how Storm’s original mohawk incarnation was one of the more powerful political statements in comics, but being appalled at how uninteresting she became when she married Black Panther.
Originally posted at Real Entertainment News
Now, I have been lucky enough to attend San Diego Comic-Con since 2007. I’ve seen this event, and nerd culture in general, undergo some huge changes since then. In 2007, the biggest news was the premiere of Iron Man, which has gone on to spawn three movies and a spinoff, The Avengers, which is now the highest grossing [comic book superhero] film EVER. Nowadays, it’s no big deal to bring up a comic book movie, or a video game, in discussion, even in a professional setting. People complain about this explosion of comic and game culture, but I can’t say it’s a bad thing, at least not yet.
Anyway, this is Mega Ran’s Comic Con 2014 experience.
I fondly remember being about 8-years-old and watching horror classics like The Exorcist and The Texas Chainsaw Massacre. Despite countless nightmares and near bed-wetting experiences, I continued to want to be scared because I fell in love with the genre. There was such diversity in the types of horror films I could watch, from ghost stories like Poltergeist and psychological thrillers like The Shining, to slasher flicks like A Nightmare on Elm Street and vampire-themed classics like The Lost Boys. My favorite films were B-movie cult classics like The Evil Dead trilogy, which combined comedy, zombies, and the supernatural all into one. But scary sci-fi gore fests like Alien weren’t too far behind either.
Although there was much diversity in the types of horror films that I watched, there wasn’t a lot of diversity in the cast of characters that populated these films. All of the movies mentioned above feature a cast of mainly white characters and families. As a half-Korean fan of horror, I always longed to see more characters of color play significant roles in American horror movies. Of course there are plenty of Asian horror films, but I honestly can’t remember any Asian characters in mainstream American horror films of the last three decades — which is why we love Steve Yeun so much around NOC HQ.
And while you might find the occasional black character attending camp or staying in a cabin in the woods, black men were usually the first to get sliced, diced, or axed in a slasher flick, as evidenced by Bao‘s “Not Gonna Make It” collection, posted yesterday.
Last year, my friend and mentor, the poet Tim Seibles, was a finalist for a National Book Award in poetry for the book Fast Animal.
In the book, Tim writes a series of poems from the perspective of Blade, the Marvel Comics vampire hunter made famous by a series of movies starring Wesley Snipes.
For Lit Week, I asked Tim if we could publish one of the “Blade” poems here on The Nerds of Color. After the jump, you’ll find the first poem in the book’s series of five. The other poems are titled “Blade, Historical,” “Blade, Unplugged,” “Blade, Unsympathetic,” and “Blade, Epiphany.” So, if you haven’t already, go out and get a copy of Fast Animal right now — and hell, all of Tim’s other books of poetry. You won’t be sorry.