The Inconvenient Truth In Advertising

So recently Rose McGowan made headlines expressing outrage over the X-Men: Apocalypse billboard ad that showcases Ivan Ooze, I mean Apocalypse, choking Mystique, claiming that it promotes violence against women.

Fox has since issued an apology for the billboard. Which I think was the right call for the studio. Another right call would also be for Fox to apologize for the fustercluck that is X-Men: Apocalypse itself but I digress.

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Review: X-Men Apocalypse

X-Men Apocalypse.

I swore I wouldn’t write a review for the film. Primarily because any review I penned would pale in comparison to the excellent piece penned by my buddy and fellow N.O.C. colleague, Valerie Complex.

Seriously if you haven’t read it, go do so now. Val snatched so many wigs and edges, you would’ve thought Director Bryan Singer and Fox were members of the Charles Xavier Cosplay Appreciation Society.

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X-Men Apocalypse: Fox Wins But People of Color Lose

Don’t expect this movie to rely heavily on the source material. Director Bryan Singer presents a film that’s a hodge-podge of various stories made up by people who know nothing about the X-Men. Aside from Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), and Apocalypse (Oscar Issac, doing well with whatever the hell he is given) being mildly entertaining, they can’t save the film from imploding. Everyone else is either used as filler or bores you to death with their on-screen presence. Choppy action scenes are put in place to mask the uninteresting, underdeveloped characters, cheesy dialogue, Playstation 2-quality special effects, and makeup that looks like it was bought from the bargain bin at Chapel Hill Beauty Supply. The worst part is the newcomers don’t get their chance to shine like the trailer would have you believe. Particularly the characters of color.

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Five Potential Superhero Roles For Jennifer Lopez

Although American Idol is coming to a close, host, singer, actress, and entertainment icon Jennifer Lopez isn’t slowing down anytime soon. Last year she co-starred with Viola Davis in the critically acclaimed thriller, Lila & Eve. Currently she can also be seen on the NBC police drama, Shades of Blue.

It was around this time last year when Lopez made it known that she’d be interested in landing a superhero role.

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The Unlikely Muse

Originally published on Latin Negro

“If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.”

— Toni Morrison

They say necessity is the mother of all invention and by extension, creativity. As a storyteller I’ve certainly found that to be true for the narratives I penned. As a queer geek of color, I’ve learned early on that geek culture is for white people for a number of reasons, and to be a PoC or an LGBTQ means to be treated like a pariah.

More than that, countless marginalized characters are endlessly undercut and buried due to the rampant bigotry that pervades the media. Extraordinary characters such as Storm (the First Lady of Marvel), Renee Montoya, Regina Mills, Freedom Ring, Midnighter, Cassandra Cain and countless others who have been lightning rods for racism, misogyny, and/or homophobia by fandom and the industry alike.

But as any artist will tell you, inspiration can often come in the unlikeliest of forms.

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Diversify Cast Regulars on Agents of S.H.I.E.L.D.

Warning:  spoilers for season two of Marvel’s Agents of S.H.I.E.L.D., including the season finale, are included.

In my earlier post about Marvel’s Agents of S.H.I.E.L.D., the agonizingly long list of characters of color who have been either killed off, turned evil or left physically mutilated illustrated the series’ awkward reliance on negative racially-coded tropes.  Now that the season is over, let’s finish that list, shall we?

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NOCs of the Roundtable: Olivia Munn is Psylocke

On Monday, director Bryan Singer revealed on Instagram that he had cast Newsroom star Olivia Munn as Psylocke in the upcoming reboot/sequel X-Men: Apocalypse. And if you’re wondering, Pyslocke was previously portrayed by Mei Melançon in X-Men: The Last Stand, but everyone knows that movie doesn’t count (and after the events of the last X-Men movie, none of the other ones do either).

Due in theaters next year, Apocalypse continues the period-set aesthetic of the new X-Men franchise. While First Class was set in the 1960s and Days of Future Past in the 1970s, Apocalypse will take place during the 1980s, which is fitting since that’s the time period that saw Betsy Braddock go from a supporting role in Captain Britain to a full-fledged member of the X-Men. She’s also one of the first characters to undergo a convoluted, but canonical, race swap in the pages of the comic.

Anyway, some of the Nerds convened around the old Roundtable to talk about Olivia’s casting in the next X-Men film.

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Conception: Origins of a Nerd of Color

The gun fired and we were off to the races. I was one of the first to dive in the water without a moment’s hesitation; it was as if Denzel trained me himself. It was the early-mid 80s so “Eye of the Tiger” was quite possibly in rotation on the radio as I stroked ahead of the pack, feeling fresh and new, keeping my eyes on the arrows directing our path.

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