Genius: The Tipping Point

by Marc Bernardin

[Ed. note: This essay first appeared as a series of tweets on Marc’s twitter account and is being re-presented with his permission.]

The six years between the  Pilot Season issue release and the miniseries dropping [last week] felt like an eternity. But now, it feels like the world was making us wait for just the right time. When the hunger for female leads would reach a tipping point. When the hunger for diversity on and behind the comics pages would reach a tipping point. And, sadly, when the devaluation of black youth would reach a tipping point.

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The Carcosa Interview: Greg Pak

by William Evans | Originally posted at Black Nerd Problems

At Black Nerd Problems, two types of people that will always appeal to us are: 1) those that “get it” when it comes to diversity and representation in our geekdom and 2) really smart individuals. Greg Pak is both of those. As the comic book writer responsible for Batman/Superman, Action Comics’ recent resurgence, the most heralded Incredible Hulk books in the last ten years and the first ongoing series for Storm, Pak has made a huge impact in the comic book world. But as we found out, there’s still a lot more beyond comics that make him such an interesting talent.

This interview could’ve been three times as long, but not wanting to keep the man from all this good work he’s involved in, we got to talk about the politician that never was, beating down superheroes, and I even snuck in a little bit of NBA talk.

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Genius: The Controversy of Creation

by Afua Richardson

I wanted the opportunity to voice the reasons for the design of the cover for a comic book by Marc Bernardin and Adam Freeman entitled Genius. Before the book’s release, it has already been the subject of many heated conversations. Some feel offended that a black character being celebrated for her tactical Genius, is displayed nearly nude on a floor with caution tape loosely bound around her. They think  the cover is over sexualized and offensive. Some feel it’s a poor representation of the book and black women as a whole, without ever having read it.

Others have their burdens of color on their shoulders because of the past suffering of blacks, its subsequent plots and the negative portrayal in mainstream media being so prevalent, that anything slightly resembling that, is tarred and feathered in the digital town square. Where I can understand why this may be the case, I’d like the opportunity to explain who I am and why I’ve made this. If you then feel I should be hung on the proverbial cross for doing this, c’est la vie. I have spoken my mind and created something without apology or retraction. Not everyone will like my work. But I won’t have it misrepresented by people who don’t understand it.

I warn you, there are spoilers in this. So if you prefer not to know the twists and turns, I’d wait until the end of the month after the book has reached its completion. Otherwise, journey forth, brave soul.

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Everything Wrong with Christian Bale as Moses

by Dion Beary

I’m throwing a temper tantrum over this one. Christian Bale cannot play Moses. No. I know arguing against the whitewashing of a Biblical character is a lost cause, and wandering into any mainstream Christian church decked out with portraits of a blue-eyed Jesus Christ should indicate that the tide isn’t changing anytime soon, but I still find myself just a little more perturbed than average to see Batman play the savior of the Hebrews.

Maybe it’s because in recent years we’ve seen a new wave of white outrage against racebending traditionally white characters. Racebending refers to altering the canonical race of a character. Whitewashing is a type of racebending wherein non-white characters become white or are not included whatsoever. For simplicity’s sake, this piece will use the term whitewashing to refer to that absence of colored folks, while racebending will be used to refer to white characters becoming non-white. Those aren’t exact definitions, but hey, if Christian Bale can play Moses, then I can bend a couple of rules too.

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Find the Green Turtle at Comic-Con

by Gene Yang

Pro cosplayer Alvin Duong has graciously agreed to help us promote The Shadow Hero by cosplaying the Green Turtle at San Diego Comic-Con!

When I first talked to Alvin, I told him we could find a way around the Green Turtle’s bare-chestedness. Alvin wouldn’t hear of it — staying true to the source material is key for him. So here he is, embodying the Green Turtle in all his goofy Golden Age glory:

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The New Captain America Faces Challenges From Within

by Arturo R. Garcia | Originally posted at Racialicious

The Falcon is going to be the new Captain America! Great! But then what? Oh, you expected this to stick? History says otherwise. But there’s a potential problem ahead.

SPOILERS under the cut

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Get Ready for Harold & Kumar: The Animated Series

by Phil Yu | Originally posted at Angry Asian Man

It’s on, my friends. The Harold and Kumar animated series is on. We’ve known that an animated series based on the comedy trilogy was in the works, with John Cho and Kal Penn returning to provide the voices for the titular stoner duo. This week, the cast reportedly reunited for the show’s first table read.

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Summer Blockbuster Showdown: Transformers Age of Extinction

Originally posted at You Offend Me You Offend My Family

Select Offenders will be reviewing this summer’s crop of Hollywood tentpole films with a scientifically tested set of criteria that was vetted, nurtured, dissected, and regurgitated through the pop-culture gadflies who have nothing better to do than annoy other productive people in the YOMYOMF office. So, we channeled their nitpicks of the incessant reboots, remakes and rehashes that are part and parcel with Hollywood summer movies into this ongoing summer blog series called the Summer Blockbuster Showdown. You can read previous roundtable reviews, which are all archived here

In this edition, we tackle Michael Mr. Stage Fright Bay’s latest masturbatory opus, Transformers: Age of Extinction! BTW, this roundtable review is chock full of spoilers. You’ve been warned!

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The Third Season of The Legend of Korra Delivers

by Marc Bernardin | Originally posted at The Hollywood Reporter

If your only exposure to the world of Avatar: The Last Airbender came by way of M. Night Shyamalan’s 2010 feature film adaptation, then I am truly sorry. I can see how that limp, bland take on creators Michael Dante DiMartino and Bryan Konietzko’s blisteringly entertaining animated series would steer you away from ever checking out the source material. And that’s a shame, because Avatar — a story about a world where certain people can “bend” the four elements to their will and a young Airbender named Aang who is destined to be the Avatar, who alone can restore balance to a pre-industrial civilization that’s out of whack — is everything an animated series can be. Avatar: The Last Airbender is like a cross between Star Wars, Lord of the Rings, and Stand By Me if it was animated by Hayao Miyazaki.

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American Girl: We Want an Asian American Doll

Recently, the American Girl company announced it was “archiving” several of its characters, including the African American doll Cecile and the Asian American Ivy. Discontinuing these two characters means that parents and children looking for diversity on the toy shelves are going to be left wanting.

In response, our friends at 18 Million Rising have started a campaign to ask American Girl to create a new Asian American doll and enlisted two tween sisters, Taylor and Aiden, to lend their voice to the cause. Their open letter and petition is after the jump. (And while they’re at it, American Girl should probably come up with some more black and brown characters too.)

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Bruce Lee Fight to be Told from a Disciple’s P.O.V.

by Phil Yu | Originally posted at Angry Asian Man

The Adjustment Bureau director George Nolfi has signed on to direct the Bruce Lee “biopic” Birth of the Dragon, an upcoming action movie inspired by one of the legendary martial artist’s most infamous real-life fights. The story of the match is told from the perspective of Steve Macklin. Wait, who the hell is Steve Macklin?

Birth of the Dragon is inspired by the true story of Lee’s historic 1965 Oakland duel with kung fu master Wong Jack Man — a fight that’s already been fodder for considerable mythmaking over the years. According to Variety, this tale is told from the perspective of Steve Macklin, a fictional young disciple of Lee, who ultimately joins forces with Lee and Wong to battle a vicious band of Chinatown gangsters. Um, okay.

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Superman is a Brand

by Jamal Igle

Unless you’ve been living under a rock or don’t read the book (which is probably a lot of you) DC’s Earth 2 series has introduced Val-Zod as a new “Black” Superman character [Ed. note: not to be confused with the Superman of Earth-23 from Grant Morrison’s upcoming Multiversity series]. Many have asked if Marvel can make a black Spider-Man, why can’t DC make Superman black permanently?

Well for one reason, like Earth 2 Superman, Marvel’s version of Spider-Man is also in an alternate reality, or have we forgotten that?

Changing Superman’s race only works in an alternate dimension because Superman is an established brand and has an established look. Every attempt to permanently change or alter him has failed because the people behind it don’t know the basics of marketing and public perception.

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I Kill Giants, Free Music, and the Donation Drive

by Adam WarRock | Originally posted on tumblr

I had the pleasure of meeting Joe Kelly yesterday, author of the wonderful Image Comics graphic novel, I Kill Giants. He was an amazingly nice and supportive person, and I had the chance to perform my “I Kill Giants” track for him, which made the house a bit misty eyed. It was a great moment for me, and if you haven’t had the chance to read the book, or hear the song that I made, please take a second to check it out!

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Feminism is our Superpower

by Marjorie Liu

What can I add that hasn’t already been said? Not much, I suppose. There’s been an amazing symphony of voices on the internet, keeping alive the reality, the truth, that so many would prefer to ignore: that misogyny continues to thrive in every corner of the world. It is reflected back on us women every day, in a million different ways, and while it’s easy to point the finger at other countries and say, “Look at the way they treat women!” we all must know, deep down, that here in America we put into practice the same patterns of hate and ownership, and entitlement.

A pregnant woman was just stoned to death in Pakistan for marrying a man against her family’s wishes — but that happens here in America, all the time, with just slightly different players. Google “boyfriend kills pregnant girlfriend” and you’ll see a list of unending deaths. We read in horror about how rapists in other countries are let off easy by “corrupt authorities,” but what about our legal system? It’s just as monstrous towards victims of sexual assault. Check out this imagined, but very real, conversation — what if mugging were treated like rape is in the eyes of the law — found at the @femusingsteam twitter feed:

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Top Ten Asian Pacific American Comics Characters

by Gene Yang | Originally posted at Tor.com

Happy Asian Pacific American Heritage Month! Er… did you know that May is Asian Pacific American Heritage Month? Well, now you do. And I hope you have a happy one.

All over cyberspace, folks are celebrating in all sorts of ways. Wall Street Journal columnist Jeff Yang (no relation) kicked things off with an article that asks if the APA community is one or many (and graphically compares it to Voltron). CAPE (Coalition of Asian Pacifics in Entertainment) launched a campaign of YouTube videos with several prominent APA entertainers talking about their career paths.

I’m doing my part by sharing with you my Top Ten Favorite APA characters in comics. They aren’t listed in any specific order, but they all meet these requirements: They’re in comics, they’re of Asian or Pacific Islander descent, they’re American, and they make my heart happy. Continue reading “Top Ten Asian Pacific American Comics Characters”

Godzilla, the World’s Most Famous Japanese American

by Gil Asakawa | Originally posted at Nikkei View

Although Hollywood has been making monster movies since the original 1933 King Kong, the monster with the most staying power and screen incarnations didn’t come out of California, but from Tokyo. Godzilla is back with another cinematic reboot produced by Hollywood featuring the usual array of mega-special effects, including a digitized monster instead of a man in a monster suit. Whether costumed or computer-generated, Godzilla is the most famous Japanese American in the world. He’s starred in 28 movies, stomping his way through cities on both sides of the Pacific.

Godzilla, or the Japanese pronunciation, Gojira (a combination of the words for “gorilla,” gorira and “whale,” kujira) made its first Japanese appearance 60 years ago, in 1954. The film was edited and had scenes starring Raymond Burr as an American journalist inserted for its 1956 release in the U.S. as Godzilla, King of the Monsters. I always thought this was to make the movie more palatable to American audiences, but now I realize there was a more political reason for the reworking of the first film.

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Godzilla: King of Nitpicks

by Oliver Wang

A quick introduction: I enjoyed Godzilla. A lot. I wanted spectacle; it delivered. In the end, whatever MUTO-sized plot holes or character shortcomings weren’t that big of a deal in terms of my enjoyment. But I found so much of the film completely inexplicable on some very basic logic levels that I wanted to have fun with those. So I invited friends to join in with their “huh?” moments from a film that we all agreed was quite fun. If it helps, imagine hearing this being read by the Red Letter Media guys.

(These are in loose chronological order based on events in the film. Also, spoilers).

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NOC Reviews ‘Deadly Hands of Kung Fu’ #1

by Krishna Sadasivam | Originally published at PC Weenies

I really wanted to like Deadly Hands of Kung Fu #1, by Mike Benson and Tan Eng Huat. After all, what’s not to like about Shang-Chi? He’s cut from a similar cloth to Bruce Lee. He has no superpowers, yet he demonstrates total mastery over the martial arts.

Shang held his own title for nearly 100 issues from 1974 to 1983 in the late, lamented Master of Kung Fu series. Capitalizing on the martial arts craze in the 1970s, Master of Kung Fu combined martial arts mayhem with espionage and over the top villains.

While those thematic elements are present in Deadly Hands of Kung Fu, what’s missing completely is Shang-Chi. Oh, he’s physically there (more on that in a bit), but he’s very much out of character here.

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Fresh Off the Boat: Television Karma

by Jeff Yang | Originally posted at Quartz

In 1994, exactly 20 years ago, ABC decided to pick up the pilot for comedian Margaret Cho’s All-American Girl, making it the first sitcom to put an Asian American family on network prime-time TV. The show was slammed by the press and rapidly faded in the ratings; after airing just 19 episodes, the decision was made to cancel it. In her book, Cho cited bad reviews from Asian American cultural critics as being a key reason for ABC’s lack of faith in the show, calling out one in particular — me.

Two decades have gone by, and no network has aired another Asian American family sitcom since. But this weekend, ironically, ABC officially picked up Fresh Off the Boat — a sitcom based on celebrity chef Eddie Huang’s New York Times bestselling memoir of growing up with his two brothers and immigrant parents as a hip-hop-loving outsider in suburban Orlando, Florida. Playing little Eddie: My son, Hudson Yang.

The irony — or is it karma? — in the situation led me and my friend, illustrator Louie Chin, to collaborate on this comic.

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In Support of the #iamcomics Campaign

by Arturo R. Garcia | Originally posted at Racialicious

The author’s submission to #IAmComics

If you’ll allow for a moment of first-person writing today, I’m happy and proud to announce that, in addition to being part of the team at The R, I was asked to be part of We Are Comics, a new campaign created by longtime comics pro editor Rachel Edidin over the weekend to spotlight the fact that comics fandom extends far, far beyond the cis-het white male realm often attached to it.

In her words:

We are comics: creators, publishers, retailers, readers; professionals and fans. And we are a lot more diverse than you might think.

We Are Comics is a campaign to show—and celebrate—the faces of our community, our industry, and our culture; to promote the visibility of marginalized members of our population; and to stand in solidarity against harassment and abuse.

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Why I Teach ‘The Walking Dead’ in My Native Studies Classes

by Cutcha Risling Baldy

So a friend of mine wrote me a message on Facebook that went a little like this:

Question: how the heck do you get through to someone that thinks natives need to just get over it?

Answer: Shake them? I never advocate shaking people, but maybe something is loose in there. Tell them to take a Native American Studies Course (it ain’t cheap, but it’s worth it).

But if I’m being honest, lately, when this comes up — and isn’t it telling that it comes up often enough that I can begin with “lately” instead of “well the last time, a long time ago, man I can barely remember that time?” — I like to tell them about The Walking Dead.

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More Game of Thrones Buttons from Epic Props

by Jerry Ma | Originally posted at Epic Proportions

If you read my blog with any regularity, you would HAVE to know about my strong love for Game of Thrones.

I’ve been slowly drawing these 12 characters all digitally in Photoshop. And now, I have this 12 button set to show for all that work.

I’m pretty pumped about these.

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How Not to Behave Like an Artistic Professional Online

by Jules Rivera

I like writing articles that teach. I like sharing lessons and personal experiences that hopefully can save someone else the time it took me to learn certain things the hard way. The problem is I find myself always doing it in the negative. ”Don’t do this.” “Stay away from that.” I’m sorry for that, but sometimes it’s faster and more effective for me to educate someone on what not to do instead of what to do.

So here’s my take on how not to behave like an artistic professional online.

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