On the debut episode of Southern Fried Asian, Keith talks to Brad Jenkins, the Executive Producer of Funny or Die DC and a co-founder of RUN, an organization designed to mobilize Asian Americans politically.
For the last eight years, my president was Black. More than that, he was a Black Nerd, a Nerd of Color, the Head Nerd in Charge. After today, we aren’t going to see the likes of someone sit in the Oval Office as intelligent or intellectually curious as Barack Obama. His record in office speaks for itself. Because of President Obama’s leadership, 20 million more Americans have health insurance, marriage equality is the law of the land, and nerds of color were finally represented in the White House.
It would be an understatement to say last week’s Supergirl was the most anticipated episode of the season. Not only did it follow what was arguably the series’ best ep to date, episode 14 — titled “Truth, Justice, and the American Way” — was directed by the NOC’s favorite director Lexi Alexander.
On last night’s episode of the ABC comedy show black-ish, the sitcom took a big chance and dedicated an entire episode on police brutality, racism, and the effectiveness of the American justice system. Although I only catch an episode of this show every now and then, I was made very well aware of this particular episode for some time because of its decision to center this episode on such heavy topics. And boy, it did not disappoint.
Alanis Morissette’s hit track, “All I Really Want,” features one of my all-time favorite lyrics:
And I am fascinated by the spiritual man. I am humbled by his humble nature.
So this weekend I rewatched Man of Steel which still remains one of the most polarizing comic book films to date. The film is essentially a reboot of Superman’s origins much in the spirit of Batman Begins. As Kal-El learns of his origins and his purpose, he soon becomes tasked with protecting the planet from Zod and his invading army.
A few months back, an imgur post about a girl who turned her LEGO Friends juice bar Christmas present into a giant mecha went viral. And the internet cheered. Stupid gendered-girl LEGOs get turned into awesome robot, was the typical response I saw tossed around.
And while the robot was indeed awesome, I couldn’t help but feel a little uneasy about all of the ridicule that was being hurled at the original LEGO set. You see, my own daughter also received a similar playset for Christmas. Should she be ashamed that she wanted (and actually liked) to build the “boring” girly thing instead of the “awesome” robot thing?
We don’t need a Wonder Woman movie. Yeah, I said it.
I can scarcely imagine a worse waste of digital celluloid: flying spears thrown from thin, gangly limbs, a star-spangled miniskirt threatening wardrobe malfunctions for two and a quarter hours, unblemished ivory skin strained under gold and platinum body armor, practicality be damned. Wonder Woman the movie — fangirl nirvana, fanboy nightmare. Whenever people discuss the needless parade of White Anglo-Saxon Protestants who populate superhero movies’ starring roles, part of me appreciates their boredom with the obnoxious identity politics at play; what was The Avengers but a classic fraternity bro-down with human growth hormone, outdated mythology and colorful titanium tossed in for kicks?
The problem is that my stunted imagination cannot anticipate a Wonder Woman movie that would rise above such over-budgeted B-movie camp. For many, it shouldn’t — some progressives argue that corporate movie studios owe their female fans a film that highlights feminine superheroics, a movie that proves that women can helm action films and generate revenue with amoral vengeance as violent as any man’s. I find this argument wanting. Corporate movie studios are not public charities, and the thought of spending one-hundred-fifty million dollars to offer American little girls a superheroine to idolize appears to my mind an obnoxious misuse of movie funding. (That’s like nine Fruitvale Stations). Superhero comics involve White male power fantasies — when creators and fans support properties that challenge this monochrome status quo, we can applaud and demand more.
Black people were marching all over the South. Dr. King was leading people to freedom, and here I was, in the 23rd century, fourth in command of the Enterprise.
Star Trek first aired during the height of the Civil Rights Movement, between the time when Congress passed the Voting Rights Act of 1965 and the Supreme Court declared prohibiting interracial marriage unconstitutional in Loving v. Virginia.
Nichelle Nichols, the actress who played Lieutenant Uhura, television’s first major Black female character who wasn’t a maid, did not at first feel the full weight of her role’s significance until after the first season was finished and she handed her resignation to Gene Roddenberry, the show’s creator.
In a 2011 conversation with astrophysicist Neil deGrasse Tyson, Nichols told the incredible story of how one particular fanboy convinced her to stay after all. She gave notice on a Friday, and attended an NAACP fundraiser in Beverly Hills the next day. At the event, someone approached her, saying he had a fan waiting to speak to her.