A magical time is approaching! In February, Black Nerds Create is hosting their sixth annual Black Magical History Month (formerly Black Wizard History Month). The event is a month-long celebration of Black magical stories, characters, and fans.
Continue reading “Get Ready for Black Magical History Month 2023”
A cloudy evening over The Langham Huntington Hotel in Pasadena did nothing to hide the high spirits inside The Tap Room — the resort’s cocktail bar and lounge — where the cast of NBC/Peacock’s NAACP award-nominated series Bel-Air came both to cool down and celebrate, post red carpet, after a long day of photos and interviews just an hour earlier.
Continue reading “The Stars of ‘Bel-Air’ on Black Excellence and Representing for the Culture”
The Creed franchise was so much more than a boxing film. It’s a celebration of Black culture through the lens of an underdog sports movie. In it, we witnessed the rise of a champion in Adonis Creed (Michael B. Jordan) who not only stepped out of his father’s shadow, a father he never knew but also faced his demons fighting his father’s killer while also telling a powerful Black love story. And we get to see how all of that evolves in Jordan’s directorial debut, Creed III.
Continue reading “What to Expect from Tessa Thompson and Jonathan Majors in ‘Creed III’”
Onyx Collective’s new stellar legal drama, Reasonable Doubt is set to premiere on Tuesday, September 27 on Hulu. From executive producer Kerry Washington, Reasonable doubt is loosely based on the incredibly talented celebrity attorney Shawn Holley, and follows Jacqueline “Jax” Stewart, a premier criminal defense lawyer from L.A. as she battles the justice system while trying to deal with a breaking marriage and hardships of motherhood.
Continue reading “The Cast of ‘Reasonable Doubt’ Discuss Inspiration, Collaboration, and Creativity”
After Ryan Coogler and the cast of Black Panther: Wakanda Forever brought the house down in Hall H, some of the film’s stars stopped by our spot on the press line and spoke to Ron from POC Culture about what the new film will mean to audiences, but especially to Black and Indigenous moviegoers.
Continue reading “SDCC 2022: ‘Black Panther: Wakanda Forever’ Explores the Consistency of Excellence”
Celia Rose Gooding is a woman of her time just like the iconic character she plays on Star Trek: Strange New Worlds – Cadet Nyota Uhura.
Continue reading “Celia Rose Gooding on Staying True to Herself and Uhura in ‘Star Trek: Strange New Worlds’”
It’s been four years and a few weeks since Marvel’s Black Panther leveled the pop-sphere with a $1.344 billion USD box office and a legion of new and reinvigorated fans. Before his big screen debut in 2016’s Captain America: Civil War — an appearance that all who saw it could not stop talking about — he was a C- or D-list comic book character in Marvel Comics’ overstuffed roster.
Continue reading “What Are We Saying When We Say, ‘Wakanda Forever?’”
Award-winning author Ibi Zoboi has penned a “biographical constellation” of the late, great Black feminist sci-fi writer Octavia Butler. Called Star Child (Dutton, January 2022), the book contains poems, short essays, and actual fragments of Butler’s own writing and musings.
Continue reading “Ibi Zoboi on Writing a Biographical Constellation of Octavia Butler”
It’s Black History Month!
You know what that means, many studios and advertisements will be elevating Black voices for the entire month. But, what about the rest of the year? Rather than only uplifting voices for 28 days, it seems like many companies are listening and starting to do something about it.
Continue reading “HBO Max Celebrates Black History with ‘More Than a Month’ Campaign”
Cosplay is an enigma to me. The act of dressing up as one’s favorite character to an almost identical degree shows a mastery of craft-making, make-up, and acting that is rarely discussed in other mediums. Being a fan of a show or a character is no longer a passive experience when you cosplay, it becomes an active response to the work that inspires you.
Continue reading “‘Shades of Cosplay’ Makes Me Want to Cosplay”
Film director Cheyenne Ewulu directed the 2015 documentary Shades of Cosplay about four Black cosplayers and their experiences during the 2015 Anime-Matusuri convention. Using her background as a cosplayer, Ewulu weaves a story that interacts with the world of cosplay and its issues of racism and inclusiveness in the space. Now in the year 2022, the film is being released online for the first time on February 4, 2022 — to celebrate Black History Month.
Continue reading “‘Shades of Cosplay’ Brings the Black Cosplay Experience Front and Center”
I was lucky to be afforded the opportunity to talk with the star of The CW’s upcoming show, Naomi, during a fun roundtable event with other media outlets. Kaci Wallfall is such a sweet and talented young actress. We talked about moments from the pilot, her favorite superhero characters, and so much more!
Continue reading “Kaci Wallfall on Being ‘Naomi’ and More”
Reed Shannon is the very definition of a performer, and there’s a very good chance you have heard or seen him already. Whether it comes to his acting in the upcoming The Wilds season two, making music like his recent single “Bad Girl,” his stand-up career, or his voice acting as the voice of Cartoon Network and fan favorite Ekko from the hit Netflix show, Arcane, Reed has shown that he is able to do it all and more.
Continue reading “NOC Interview: Reed Shannon is a Voice of the Future”
Every so often, when a new series is introduced, it is immediately compared to what people may consider to be the most related to that. This rings especially true for new sitcoms and comedies starring people of color. When NBC’s Grand Crew was first announced as a series surrounding the lives of a group of Black friends at a wine bar, there were so many comparisons to HBO’s Insecure and ABC’s Black-ish that it straight away was labeled as a “Black” show.
Continue reading “NBC’s ‘Grand Crew’ Doesn’t Want to be Compared to Other Shows”
Earl Simmons obtained critical success in the hip-hop world with his first major label single, “Get At Me Dog.” It was released and certified gold in February of 1998 — a month after this writer was born and, more importantly, three months before his debut album, It’s Dark and Hell Is Hot released. By May of 1998, the world was officially in the hands of “DMX.”
Continue reading “‘Don’t Try To Understand’ Invites Fans on a Personal Journey Through the Life of DMX”
In the film Black as Night, screenwriter Sherman Payne pens a haunting and alluring tale of vampires and their victims through a lens not much often looked through. Crafting a story that centers Shawna, a 15-year-old African American woman, as she battles vampires in a modern day New Orleans against a backdrop of not only the history of Hurricane Katrina but also the generational and systemic trauma of being Black in America.
Continue reading “The Haunting History of Vampires and Blackness is Captured in ‘Black as Night’”
Many heroes are lost to time, but legends never die. Bayard Rustin isn’t a name people know as well as Martin Luther King Jr. or Malcolm X. But much like his fellow Freedom Riders and speakers for justice, that kind of notoriety probably wouldn’t have interested Rustin all that much. Nevertheless, it’s a name we’ll all hopefully be getting more familiar with thanks to a new biopic from the ingenious mind of George C. Wolfe.
Continue reading “Colman Domingo and Chris Rock Lead the Cast of ‘Rustin’ Biopic”
Being “white-passing” comes with a certain kind of privilege. One that can mean the difference between a life of discrimination or a life of luxury. Such a privilege is the topic of discussion in Passing, the brand new film based on the book by Nella Larsen, coming to Netflix and select theaters later this year.
Continue reading “Nothing is Black and White in Monochromatic Trailer for ‘Passing’”
So it’s August 24, 2021. Well, obviously not today, unless I finally caught a time traveler in the act, but that was the day I saw Candyman in theaters. Which for the sake of this article, is a very important date.
Continue reading “‘Candyman’ and the Importance of On-Screen Black Positivity”
The masterful work of Academy Award winning director Steve McQueen spans an impressive set of genres, from films to anthology series, and now the 12 Years a Slave director has three new documentaries coming to Amazon Prime. Last year, we spoke to the talented leads in McQueen’s anthology Small Axe that examined the real-life experiences of West Indians living in mid-20th century London.
Continue reading “Academy Award-Winning Director Steve McQueen’s New Documentaries”
Candyman (2021) is Nia DaCosta’s conversation with the original 1992 classic. You know the story: in 1870, freed slave Daniel Robitaille (the amazing Tony Todd) was an artist who fell in love with a white woman. Her father had him tortured, mutilated and killed, his left hand replaced with a hook. Say his name five times while looking in the mirror, the story goes, and he will return and seek vengeance.
Continue reading “‘Candyman’ is Horror with Something on its Mind”
“What is this helping?” is one of the first sentences uttered by a white restaurant patron unsettled in Unapologetic’s first scene, where protestors express the reality of the recent deaths of Black residents in their community to unsuspecting people eating brunch at restaurants. The scene perfectly encompasses the themes and motives of this documentary: a large and triumphant call to arms to make a more honest and equal world while people sit quietly trying to ignore not only the performance, but the actual knowledge of those who are destroyed and subjugated by these injustices.
Continue reading “‘Unapologetic’ is an Unflinching Exploration of Activism”
The reviews for LeBron James’ and SpringHill Entertainment’s Space Jam: A New Legacy are rolling in and they paint a considerably dismal picture of the imagination critics go to the movies with today. For some context, Steven Spielberg’s 2018 IP extravaganza Ready Player One sits with a decent aggregate rating of 72% from critics on Rotten Tomatoes, particularly because of the way the film sets up its action sequences and because it is a Spielberg flick. A New Legacy, however, is already down to 32% from critics and that’s mainly because there are “too many IPs,” and the film doesn’t make algorithms function the way they should in the real world.
Continue reading “‘Space Jam: A New Legacy’ Puts Black Joy on Full Display”