10 Ways to Really Support Diversity in Comics

We have reached a crucial crossroads when it comes to diversity in comics, and I fear that if things don’t change, we will lose ground. It is not enough to demand diversity in comics, we must support what’s out there now, or there won’t be more in the future. Money talks, and those that want diversity in comics must learn to use the system currently in place, while also creating a new system of sales and promotion.

To that end, here are ten lessons in Comics & Diversity, via twitter.

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DCTV Classics Remembers Dwayne McDuffie

On February 21, 2011, the world lost a legend. Dwayne McDuffie passed away at the age of 49, leaving behind a towering legacy in comics and television. McDuffie was one of the founding fathers of Milestone Media, a prominent writer for DC Comics, and the brains behind DC TV Classics like Justice League, Justice League Unlimited, and Static Shock. His influence on comics and superhero storytelling reverberate to this day. One writer who was inspired by McDuffie is David F. Walker, currently writing Occupy Avengers for Marvel and has previously written Cyborg for DC. David joins Keith and Desiree (Britney is out this week) to remember the life and times of Dwayne McDuffie.

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Five Reasons You Should Pick Up Cyborg #1

[Full Disclosure: David Walker is a good friend of mine and I told him that I would only write something, if I liked the book.]

I’m a Teen Titans fan from since Raven first got the team together. Cyborg (Vic Stone) was never my favorite character, or a character I particularly liked. I mean, how many damn times were you going to use X amount of decibels from your white noise generator? Not to mention that Cyborg is the most dehumanized superhero of color in all of comicdom. Folks are mad that Vic is beginning to look “more human.” I have a question: Why were you okay with him being a walking and talking negroid PS3?

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Get Cyborg #1 by David Walker in Stores Today

We’ve been waiting for this day for a long time, and it’s finally here. Make sure you head to your local comic shop as soon as it opens so you can cop the historic first issue of DC Comics’ Cyborg by our very own David Walker!

Then, as soon as you have a copy in hand, take a selfie with it at the shop and tweet it using the hashtag #CyborgWednesday.

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Join the N.O.C. at Comic-Con in San Diego

Can you feel it in the air? It’s officially Comic-Con week, and we are happy to announce that for the first time ever, the N.O.C. will be in full effect in San Diego! In addition to seeing many of our guest contributors on panels and at booths during the show, we are also co-hosting a meet up with our friends at Black Girl Nerds on Saturday night! So check out everyone’s schedules and we’ll see you at the con!

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Old Film Reviews: One-Armed Swordsman

Originally published at BadAzz Mofo

The Shaw Brothers studio in Hong Kong was responsible for producing some of the greatest Wushu martial arts films of all time. In the 1970s kung fu flicks flooded American drive-in theaters and grindhouses, and some of the most memorable films came courtesy of Shaw Brothers. But the style and genre of film most Americans associate with Shaw Brothers was relatively new to the studio, part of a new generation Wushu films that was ushered in during the 1960s with titles like the seminal classic One-Armed Swordsman.

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No 52: The New Era of DC Comics Looks Promising

Can it be? Am I actually excited about DC Comics? Again? I’ve made no bones about my aversion to the company-wide reboot of 2011, but it seems that starting this summer, DC is dropping the The New 52 branding and starting fresh with all-new books, and a diverse and wide-ranging roster of talent, including — full disclosure — several friends and alums from the SIUniverse! So maybe I’m a little biased.

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BCAF 2015: Report Back

This past weekend was so much more than a con for me. I’ve been to over one hundred cons in my life, and I have never felt like this two days later. Most con experiences are a blur — panel after panel, film premiere, then hundreds of dollars later I go home and the memory of the con evaporates. I read all the books, rock the shirts, find choice places to display the exclusives I copped, and then it is on to the next. But BCAF was an entirely different convention. Convention is too limiting of a word for the inaugural Black Comix Arts Festival that happened in San Francisco over this past the Reverend Dr. Martin Luther King holiday. Church? Still too limiting. Black Sacred Space is closer, but it still falls short. BCAF was less a convention than it was a reinvention, commitment, and celebration of the black image in fantastic space. It was a form of resistance.

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