Originally posted at BadAzz Mofo
Numerous people have reached out to me about my thoughts on the new Shaft movie, which New Line Cinema recently announced would be more comedic in tone. Here are my thoughts…
[Full Disclosure: David Walker is a good friend of mine and I told him that I would only write something, if I liked the book.]
I’m a Teen Titans fan from since Raven first got the team together. Cyborg (Vic Stone) was never my favorite character, or a character I particularly liked. I mean, how many damn times were you going to use X amount of decibels from your white noise generator? Not to mention that Cyborg is the most dehumanized superhero of color in all of comicdom. Folks are mad that Vic is beginning to look “more human.” I have a question: Why were you okay with him being a walking and talking negroid PS3?
We’ve been waiting for this day for a long time, and it’s finally here. Make sure you head to your local comic shop as soon as it opens so you can cop the historic first issue of DC Comics’ Cyborg by our very own David Walker!
Then, as soon as you have a copy in hand, take a selfie with it at the shop and tweet it using the hashtag #CyborgWednesday.
Can you feel it in the air? It’s officially Comic-Con week, and we are happy to announce that for the first time ever, the N.O.C. will be in full effect in San Diego! In addition to seeing many of our guest contributors on panels and at booths during the show, we are also co-hosting a meet up with our friends at Black Girl Nerds on Saturday night! So check out everyone’s schedules and we’ll see you at the con!
Originally published at BadAzz Mofo
The Shaw Brothers studio in Hong Kong was responsible for producing some of the greatest Wushu martial arts films of all time. In the 1970s kung fu flicks flooded American drive-in theaters and grindhouses, and some of the most memorable films came courtesy of Shaw Brothers. But the style and genre of film most Americans associate with Shaw Brothers was relatively new to the studio, part of a new generation Wushu films that was ushered in during the 1960s with titles like the seminal classic One-Armed Swordsman.
Can it be? Am I actually excited about DC Comics? Again? I’ve made no bones about my aversion to the company-wide reboot of 2011, but it seems that starting this summer, DC is dropping the The New 52 branding and starting fresh with all-new books, and a diverse and wide-ranging roster of talent, including — full disclosure — several friends and alums from the SIUniverse! So maybe I’m a little biased.
This past weekend was so much more than a con for me. I’ve been to over one hundred cons in my life, and I have never felt like this two days later. Most con experiences are a blur — panel after panel, film premiere, then hundreds of dollars later I go home and the memory of the con evaporates. I read all the books, rock the shirts, find choice places to display the exclusives I copped, and then it is on to the next. But BCAF was an entirely different convention. Convention is too limiting of a word for the inaugural Black Comix Arts Festival that happened in San Francisco over this past the Reverend Dr. Martin Luther King holiday. Church? Still too limiting. Black Sacred Space is closer, but it still falls short. BCAF was less a convention than it was a reinvention, commitment, and celebration of the black image in fantastic space. It was a form of resistance.
Get ready. This weekend is going to be a huge one as our very own John Jennings has organized two comic art festivals on either coast that will celebrate Black comic art and artists with day-long events featuring panel discussions, film screenings, and more.
Festivities kick off in New York City on Saturday, January 17 at the Schomburg Center for Research in Black Culture for its third annual Black Comic Book Festival. The scene then shifts to San Francisco on Sunday and Monday for that city’s inaugural Black Comix Arts Festival — which John announced in October. Both events are free and open to the public.
Originally posted at BadAzz MoFo
No doubt, there will be people debating over the meaning and motivation behind Sanford Greene’s cover to Shaft #2, which came out this week. For the record, the idea for the cover came to me long before the grand jury hearing in the case of Mike Brown, and is not in response to that particular case. If there is one recent ripped-from-the-news incident that really inspired the cover, it was the 2014 killing of Darrien Hunt, the young cosplayer from Utah. Every death that I read about whether it is Mike Brown, or Eric Garner, or Trayvon Martin, or any of the other tragedies that have been playing out with far too much frequency, destroys me a little bit. But there was something about the death of Darrien Hunt that really got to me. You see, if I’m going to be honest, on the path of my life and my career, there was a reasonably good chance I could have met Darrien some day.