Writer and director Adam McKay and star Jennifer Lawrence joined TUDUM: A Netflix Global Fan Event to show an exclusive clip of their new film, Don’t Look Up! The rest of the insanely talented cast includes Leonardo DiCaprio, Rob Morgan, Jonah Hill, Tyler Perry, Timothee Chalamet, Ron Perlman, Cate Blanchett, Meryl Streep, Ariana Grande, Scott Mescudi, Melanie Lynskey, Himesh Patel, Michael Chiklis, and Tomer Sisley.Continue reading “Jennifer Lawrence and Adam McKay Share an Exclusive Clip of ‘Don’t Look Up’”
Written and directed by Adam McKay, Don’t Look Up starring Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Scott Mescudi, Cate Blanchett, and Meryl Streep. Netflix has just shared a bunch of new images and a teaser trailer for the film, which is only adding to the already high anticipation for the film!Continue reading “Netflix Has Shared a Teaser Trailer and First Look Images for ‘Don’t Look Up’”
We finally have an official release date for Netflix’s highly anticipated film, Don’t Look Up. Written and directed by Adam McKay, the cast includes Leonardo DiCaprio, Jennifer Lawrence, Rob Morgan, Jonah Hill, Tyler Perry, Timothee Chalamet, Ron Perlman, Cate Blanchett, and Meryl Streep.Continue reading “‘Don’t Look Up’ Will Be Released in Theaters and on Netflix”
Sometimes when the public gets hold of bad buzz regarding a studio tentpole, they end up pleasantly surprised by the result of the film. Wonder Woman was at one point considered to be “a mess” thereby worrying audiences before release. Aladdin was getting blasted online, and Disney was getting ready to take another Solo-sized bath. However, Wonder Woman went on to become the DCEU’s best reviewed film and a huge box office hit, and Aladdin went on to positive audience reviews, and grossed a healthy $100M in four days, two weekends ago. Nope, negative buzz isn’t always reflective of the final product itself… Unless you’re Dark Phoenix. Then it’s entirely true.
So recently Rose McGowan made headlines expressing outrage over the X-Men: Apocalypse billboard ad that showcases Ivan Ooze, I mean Apocalypse, choking Mystique, claiming that it promotes violence against women.
Fox has since issued an apology for the billboard. Which I think was the right call for the studio. Another right call would also be for Fox to apologize for the fustercluck that is X-Men: Apocalypse itself but I digress.
Don’t expect this movie to rely heavily on the source material. Director Bryan Singer presents a film that’s a hodge-podge of various stories made up by people who know nothing about the X-Men. Aside from Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), and Apocalypse (Oscar Issac, doing well with whatever the hell he is given) being mildly entertaining, they can’t save the film from imploding. Everyone else is either used as filler or bores you to death with their on-screen presence. Choppy action scenes are put in place to mask the uninteresting, underdeveloped characters, cheesy dialogue, Playstation 2-quality special effects, and makeup that looks like it was bought from the bargain bin at Chapel Hill Beauty Supply. The worst part is the newcomers don’t get their chance to shine like the trailer would have you believe. Particularly the characters of color.
Originally posted at Black Nerd Problems
While the book Mockingjay was released in 2010, this is your spoiler alert for both the book in its completion and the movie, Mockingjay: Part 1.
Several years ago I was introduced to The Hunger Games, a new book gaining popularity as a young adult dystopian novel featuring a female lead. I borrowed a copy from the library and was introduced to Katniss Everdeen from District 12, and she was everything I wanted her to be. Clever, bold, and independent, The Hunger Games’ leading lady was instantly a crowd favorite, and the world of Panem made for a breezy thrill ride as I sped through it in 3 days of subway rides and bedtime reading. When the second book came out, Catching Fire expanded the world from the Battle Royale of the games, to the larger theme of dystopia and revolution. “Tread carefully,” I remember thinking. But most of my thoughts were still preoccupied with wishing Katniss would finally leave Peeta to die and ride out with Team Gale, so I was still a fan, to say the least. Before the first movie was even announced I tried to pre-order tickets by holding my Fandango app in my hands and concentrating really hard.
All of that ignores the existence of Mockingjay.
Now that The Hunger Games: Mockingjay Part 1 has finally been released in multiplexes the world over, it’s time to finally talk about it! There is so much in the film to digest that we decided to convene the Roundtable once again. And who better to talk about the continuing adventures of Katniss than the two newest Nerds: Connie and Christelle!
So proceed with caution because after the jump, there will be many spoilers and SO MUCH CAPSLOCK!
This weekend, Mockingjay Part 1, the third installment of The Hunger Games film franchise, was the victor of the box office with a $123 million haul. On its opening Friday alone, the film made $55 million, making it the best opening day debut of 2014, in addition to having the year’s largest domestic weekend debut (beating Transformers: Age of Extinction’s $100 million opening weekend from June ). Despite being “the weaker tribute” compared to the first two films domestically (The Hunger Games: $152.5 million; Catching Fire: $158 million), Mockingjay Part 1 grossed $275 million worldwide. Those are some kickass numbers, Katniss.
So how do The Hunger Games movies manage to hit the target — you’re welcome, reader, for this archery joke — year after year? Is it the draw of a dystopian society that is so popular in young adult novels? Is it the idea of kids killing each other for TV ratings? Is it Jennifer Lawrence?
Originally posted on Silva Culture
I finally saw X-Men: Days of Future Past at our local close-to-DVD-release cheap theater that we South Minneapolitans all love, The Riverview. I loved it. I knew a few of the main comics discrepancies beforehand, but they didn’t bother me. It was gripping, the effects were sick, and I for me personally, I’m not sure there’s a limit to great acting performances once Jennifer Lawrence and Michael Fassbender hit the screen in damn near everything they do. All of that said, once I was waiting for the credits and the usual Marvel post-flick teaser, I started thinking about something else: Ferguson, MO.
A while back, I shared a couple of lists I curated of DC superheroes and their Academy Awards. It’s a hobby I picked up a bunch of years ago because I’m as much of an Oscars junkie as I am a superhero movie one. I hinted that I would tackle a similar list featuring the actors of the Marvel Cinematic Universe, but instead, I decided to take on the Oscar winners and nominees from that other multi-movie Marvel megafranchise: the X-Men.
Part of the reason is because X-Men: Days of Future Past just shattered a ton of Memorial Day box office numbers on its way to a $111 million opening. Also, with seven movies spanning fourteen years under its belt, the X-Men franchise is just as deep as the Batman and Superman oeuvres, though the mutants have far less noms and wins than DC’s big two.
Some more stray observations after the jump.