We are joined by the wonderful Hanna Flint to discuss Wonder Woman 1984 in this special bonus episode! We discuss the various ups and downs of the film, how well we thought the actors did with the script and story they had, and whether this movie did Diana Prince/Wonder Woman justice. We also discuss the many racist and Orientalist aspects of its depiction of Egypt and Egyptian people, and how detrimental it is for MENA representation. There’s a LOT to discuss, and we go through it all. Enjoy listening!
Spoilers for Wonder Woman 1984 begin around 11:26.
TW for discussion of rape and sexual assault 11:44 -12:57
Continue reading “The Middle Geeks Episode 21: ‘Wonder Woman 1984’ and its MENA Issues”
So real talk time: I’m sure this won’t make me very popular, but I’m not a fan of 2017’s Wonder Woman. I think it’s a movie with a lot of really good ideas, some really terrible villains, a lot of bad acting (the terrible, cartoony “Boris and Natasha Show” that is Danny Huston and Dr. Poison, along with Mortal Kombat Lupin at the end), and a terrible final act that invalidates some of the best themes introduced in the first two-thirds of the movie (Steve explains to Diana that wars don’t just end because one person dies, then 20 minutes later she kills Ares and the war ends). So for me to go into Wonder Woman 1984 expecting more of the same, but coming out, not just surprised, but actually quite happy should be a testament to how much I think the film improves on its predecessor. As a film, I think it’s not only going to make the millions of fans of the first happy, but also make believers out of the skeptical, like myself. And that, I think, all comes from the incredible storyteller that is Patty Jenkins (with a great assist from Geoff Johns).
**Please note, it’s a bit difficult to get into the intricacies of what I liked about the movie without diving into some spoilers, so please be warned, and feel free to skip ahead to the final verdict if you don’t want details spoiled for you! (Then come back and read this after you see it.)**
Continue reading “NOC Review: ‘Wonder Woman 1984’ Wish Granted”
By Contributing Writer, Stephanie Wu
Wonder Woman 1984’s second trailer debuted at DC FanDome, kicking off DC Comic’s first virtual fan event. With a generous sprinkle of sweet moments shared by Diana and a much more wondrous Steve after their reunion, the film’s second trailer featured several fight sequences and gives a solid glimpse at Cheetah, Diana’s colleague-turned-villain played by Kristen Wiig.
Continue reading “DC FanDome: ‘Wonder Woman 1984’ Dazzles!”
I’ll say this much for the new Ghostbusters film, it’s staying true to the spirit of the franchise. Apparently.
Just as Ernie Hudson got thrown under the bus and treated like garbage during the release of the original Ghostbusters film, Leslie Jones is enduring the same crap in wake of the reboot.
Continue reading “Love For Leslie Jones”
So… The trailer for the new Ghostbusters film hit today. I am a really big fan of the original first film, and I enjoyed the much misunderstood second. I was really looking forward to this reboot. The new (all woman) cast looked stellar. I love the idea of an all-woman ghostbusting squad. I think there are opportunities for a completely different type of humor that would be a welcome relief from the smarmy, white guy charm of the original two films. I damn near broke my tablet trying to watch it.
Continue reading “The New Ghostbusters: Should I be Afraid?”
Originally posted on Salon.com
Like it or not — despite the many, many hectoring jeremiads by the people who fall on the “not” side of the argument — “remake culture” seems to be here to stay. The most anticipated films of the upcoming year are all adaptations of or sequels to works that are decades old.
Continue reading “Our Toxic Remake Culture: Why Do We Insist on Making the Same Old White-Guy Movies?”