In a scene in Hidden Figures that is all too familiar for Black women viewers, or really anyone from a historically marginalized group, Taraji P. Henson’s character Katherine Johnson rushes to enter the NASA control room where she has just handed off crucial calculations for astronaut John Glenn’s safe return from orbit, and has the door summarily slammed in her face. The camera lingers on Henson’s profile, as she grapples yet again with the devastating knowledge that although she may be a useful “computer” for spitting out numbers that may make missions successful and even save lives, she is still not seen as fully human in the eyes of her peers and superiors. Indeed, in Henson’s capable hands, viewers ourselves experience the physical and emotional pain of being barred from entering the halls of power for absurd reasons beyond one’s control — in this case, race and gender.
At this point, it’s damn near impossible to keep up with the onslaught of Netflix original programming. Along with all of the film and series content, the tentacles of the entertainment Kraken inevitably started reaching out for more international collaborations. Around Thanksgiving we were treated to the Brazilian series 3%. In terms of originality, it doesn’t score high: another variation on the theme of a future world where young adults do what they have to do to survive.
It does have its points of deviation though from say The Hunger Games and Divergent with a touch of Elysium. Brazil has had a long and appalling history of income inequality, which I’m sure is where the idea of the tagline came from: “In a dystopian future there is a clear divide between the rich and poor, but when a person turns 20, they have the opportunity to cross the divide.” As implied, by free will all the candidates get to try to make it from the miserable mainland to the utopian island Mar Alto; that looks kind of like Recife to Fernando de Noronha on the map. The tests they undergo are less physical and more psychological until they are whittled down to the fabled 3%. The setting, albeit futuristic, feels closer to present as we undergo our own survival in the collapse.
Originally posted at Reappropriate
It’s only been a month since racist Trump trolls misidentified a woman at Rex Tillerson’s confirmation hearing as Washington Post editor Doris Truong, Inside Climate News’ Lisa Song, travel and parenting writer Leslie Hsu Oh, or basically any East Asian woman journalist of any prominence — and already people who think all Asians are the same person are at it again.
Over the weekend, the Twitter account for Burberry tweeted excitedly about actor Dev Patel at the British Academy for Film and Television Arts (BAFTA) ceremony, who wore a custom Burberry tuxedo to accept his Best Actor in a Supporting Role award for his part in Lion. The picture that accompanied the tweet? That’s actor and Swet Shop Boys member Riz Ahmed… who is also not Dev Patel.
With the recent confirmation of Jeff Sessions for Attorney General of the United States, Chris Evans has proved to us just how much he is like his film counterpart, Captain America. Evans recently tweeted his disappointment in the confirmation of Sessions. And his argument? David Duke’s praise for Sessions:
President-elect Donald Trump has decided to go after Civil Rights movement icon — and national hero — Congressman John Lewis. The attack comes after Rep. Lewis told NBC’s Chuck Todd that he didn’t view Trump as a legitimate president due to Russia’s interference with the 2016 election. Lewis isn’t wrong, and it is more than hypocritical for the PEOTUS to lash out at people questioning his legitimacy since that’s what he has done to President Obama for the last five years. In the meantime, Twitter has clapped back at Trump, and many of Lewis’ colleagues in congress have pledged to boycott the inauguration. We want to help out by pointing our readers to Lewis’ award-winning graphic memoir trilogy, March. Let’s all pitch in to make his books #1 bestsellers on Amazon this Martin Luther King Day weekend.
When it comes to the Doctor Strange film, it continues to be the Greek-bearing gift of racism that keeps on giving.
I had no doubts that the white supremacy would ensue the moment it was announced that the Grand Wizard would portray the eponymous Sorcerer Supreme.
The film didn’t disappoint in this regard. After all like attracts like.
Since Donald Trump’s presidential election victory last week, there’s been much discussion and preparation in regards to the fates of minorities given the Presidential Elect[?]’s controversial and bigoted platform.
Whether it’s the election, Ferguson, Flint, Orlando, or DAPL, one of the most infuriating things I hear from people, and by people I mean white people, is that there needs to be more dialogue, more education, more love.
If only there were more people out there teaching and educating then tragedies like #Orlando or #Ferguson or #Baltimore wouldn’t be a reality.
Why is that infuriating? Because there are people who have dedicated their lives, doing that very work. In fact you’re reading one of their pieces right now.
Wow, where to start with this trailer. It OPENS on a person in stylized Japanese esoteric garb to tell us how much we’re in that place Japan where things are weird. Who is this person? Don’t know, don’t care at all.
Then we get a pretty faithful live-action recreation of the original Ghost in the Shell’s elegant opening action sequence, pretty much nailing the point home that the only reason you aren’t aware of this seminal science-fiction already is because it didn’t have Scarlett Johannson in it, and now we fixed that for you.
By now the events of Peter David’s NYCC anti-Romani rant is all wrapped up, with David writing a series of personal blog posts including an apology to the Romani community. Whether the Romani community — and the Romani activist involved in the incident, along with fans who were both at the panel and have seen the video — forgive David is a separate issue. Rather than focus on the merits of an apology, the opportunity presents itself to instead focus on the actual issue of lack of Romani representation in our media.
To first understand why the lack of Romani representation is an important issue, we have to understand who the Romani people are. For many — including myself — because of this overall lack of representation, there comes an overall prevalence of ignorance regarding who the Romani people are, what their struggles are, and what their actual culture is.
So in desperate need of attention and relevance, Rob Liefeld has decided to weigh in on the #AAIronFist controversy.
For those of you just joining us, this summary here breaks it down.
Created at the height of the 1970s kung-fu movie craze, Iron Fist is an American who learns martial arts from masters at the hidden city of K’un-Lun. He becomes their best student and earns the power of Iron Fist, the ability to channel superhuman energy into his fists. Basically it’s a story about a white guy being better at martial arts than everyone else, steeped in tropes that critics regard as examples of cultural appropriation.
According to Liefeld, Iron Fist “has never ever been considered racist,” (never ever never ever) and casting an Asian American actor would be “reverse white-washing.”