
‘Sorry to Bother You’: An Endorsement
It has been an experience watching people twist and bend, trying to slot Sorry to Bother You into some kind of familiar category. “It’s Michel Gondry married to Spike Jonze,” or “Wes Anderson by way of Charlie Kaufman.” Not only do these comparisons try to position this flawed masterpiece in a white filmmaker pantheon, but it also disrespects Boots Riley’s vision and execution. Let Riley live.
Oh yeah, let’s stop it with the Get Out comparisons. Lazy. Continue reading “‘Sorry to Bother You’: An Endorsement”