The Iron Fist That Almost Was: One-on-One with Steven Maeda

It’s been nearly two weeks since Iron Fist debuted all 13 episodes of its initial season on Netflix. Prior to its release, the first half of the season previewed for critics received a drubbing the likes of which is unheard of for a Marvel/Netflix property. I’ve since watched the whole season, and yeah, it wasn’t good. Setting aside my issues with the casting of the lead, Iron Fist suffers from the worst sin of any piece of entertainment: it’s boring! Worse than that, it has absolutely zero point of view. I still don’t know what Scott Buck is trying to say with this show. To that end, I wrote a post about different Asian American showrunners who could have brought a unique perspective to the Iron Fist story that the current show lacks. In response to my article on twitter, one of those writers, Steven Maeda, even revealed he actually pitched an Iron Fist concept to Marvel!

I reached out to the former X-Files and Lost writer to get the skinny on what happened to his pitch to Marvel.

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The Red Capes Are Coming: A Batman v Superman Retrospective

One year ago, history was made when Batman v Superman: Dawn of Wonder Woman Justice opened in theaters.

Why is this a cinematic milestone?

For the first time in history, the Man of Steel, the Caped Crusader, and the Amazon appeared together in a live action story. This is of monumental importance because not only are these iconic heroes the flagship franchises of DC Comics, they are also the cornerstones of western media and western culture.

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Thanks to Jen Bartel, Kris Anka: This #AAIronFist Redesign Took Over Twitter

This past weekend, Netflix finally dropped all 13 episodes of Iron Fist. For the most part, the internet was not pleased. While a smattering of Fist Stans tried their damnedest to pretend what they watched was, you know, good, the consensus among critics (and fans too) was this was Marvel’s first big miss. There was one awesome outcome of the Iron Fist debacle, however: a slew of awesome comics artists began sharing their takes on a redesigned Asian American Danny (or Dani) Rand! And it all started when Jen Bartel shared her riff on Kris Anka’s original:

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Iron Fist Abridged: The Adventures of Iron Goldendoodle & The Bargain Bin Lannisters!

by Andrea Tang

This weekend, between bouts of story-editing, I meandered my way through the first four episodes of Netflix’s Iron Fist, which I’m actually quite enjoying so far, probably for the same reasons I’ve seen Vampire Academy three times. I’m pretty sure the writers pitched this series as, “What would happen if you put a goldendoodle puppy in the body of a WASPy ten-year-old blue blood, then traumatically dropped him off in the Himalayas for Fifteen Whole Gap Yahs? Probably, he would die, but that is boring and untrue to comics canon, so what if we made kung fu magic happen along the way in a manner most likely to bring the wrath of Edward Said’s ghost down on our heads? LET’S FIND OUT.”

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Five Showrunners Who Could Have Gotten Iron Fist Right

Three years ago, when I initially wrote about casting an Asian American in the lead role on Iron Fist, I had no idea the NOC would become ground zero for the #AAIronFist movement. I just never thought an Asian American Danny Rand was that radical a notion! Now that we’re on the eve of the show’s debut on Netflix — in addition to its star’s recent twitter tantrum — years-old arguments are starting to resurface on twitter and elsewhere. Coupled with early reviews savaging the series, I figured now was as good a time as any to resurrect one more Iron Fist thinkpiece before (hopefully) never having to talk about this goddamn show ever again.

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Logan: The End of Ol’ White Men

The “Whitelash” theory of Trump’s super-embarrassing slide into the presidency (well, we never claimed the U.S. wasn’t anti-intellectual, did we?) has the still-ascendant, but demographically shrinking and culturally stagnating white/cis-het/male contingent (helped substantially by their female counterparts) striking back at the diversity of Obama’s America by electing a crypto-white-supremacist in response to his racist and xenophobic dog whistles. Although not the only compelling narrative of the last year and a half, Trump’s Whitelash has enough truth to it to make it into at least a Ronald-Takaki-authored history book, if not a textbook from Texas.

Meanwhile, pop culture may be lashing in the opposite direction — and, in fact, contributing to the panic. Whereas the last Academy Awards shows of Obama’s presidency featured a field of winners that rivaled a wedding-dress-clad polar bear fainting on an iceberg for whiteness, it is President Trump’s first Oscars that saw the Academy — now led by a black woman — crowning its first African-American-made Best Picture. The last season of tv was the most diverse in history, and we don’t need numbers or stats to know this. And even the debate around diversity failures points to how far we’ve come, and how aware of the changing nature of American culture the mainstream has become.

So it’s not much of a stretch to see Logan, clearly the end of a franchise, as the gentle, mournful and mourning, Hollywood-sanctioned version of conservative white panic.

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Finn Jones Whitesplains Iron Fist to Asian Woman Then Takes Twitter Timeout

by theblerdgurl | Originally posted on Medium

Yesterday, Finn Jones, the actor playing Danny Rand on the Netflix debut of Marvel’s live action version of Iron Fist abruptly quit twitter. He wasn’t being harrassed, he wasn’t threatened, there was no controversy. In fact, to most observers, he simply seemed to be having a conversation. This raised more than a few eyebrows, especially since the show is set to debut in less than two weeks on March 17.

On Sunday night, Jones appears to have gotten into a discussion on twitter with Asyiqin Haron, a 21 year old artist from Singapore who also happens to be the creative director for Geeks of Color, (Heron’s comments are from her own personal twitter account and she was not representing GOC or tweeting from their account when she made them).

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Erased and Ignored: Dick Grayson’s Rromani Identity Comes to Light

Last week, Warner Brothers announced the addition of a solo Nightwing film with LEGO Batman director Chris Mckay to their DC film slate. The news sent fans into an excited tizzy and resulted in a slew of potential fan-chosen actors who could play the title role.

It’s been almost 20 years since Dick Grayson last appeared on the big screen in Batman and Robin as portrayed by Chris O’Donnell. Previous actors who have played Dick Grayson — or the Robin character — have been Douglas Croft, Johnny Duncan, and Burt Ward. There have also been two television shows, The Graysons and Titans, that were meant to feature Dick Grayson as the central character. Both, unfortunately, were scraped by their respective networks.

So there’s been a lot of fan interest in a Nightwing/Dick Grayson-centric media property for a long while. Now with Warner Bros. making it official, fans are eagerly awaiting to see who will put on the black and blue suit as our hero. All the talk about who can, and should, play Dick Grayson on the big screen has also brought up the truth behind Dick’s heritage in comics canon. 

That truth being Dick Grayson is part Rromani.

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